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Mike Alan Ward : Reading Hemingway: Looking Thru the Pain
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Gram Parsons & Mike Alan Ward have co-written Blurry Slurry Night. Room #8 is the room that Gram died in. Lots of History with the CD.
Genre: Country: Bluegrass
Release Date: 2011
Reading Hemingway: Looking Thru the Pain
Mike Alan Ward
Record Label: Mud Bug Records Inc
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Preview Song Name Time Buy
1. Wreckin' the Train (Feat. Carl Jackson) 3:03 + MP3 $0.99
2. You'll Never Find Me 3:23 + MP3 $0.99
3. Reading Hemingway (Feat. Carl Jackson) 3:31 + MP3 $0.99
4. Blurry Slurry Night (Feat. Carl Jackson, Al Perkins & Rick Lonow) 3:20 + MP3 $0.99
5. No Place to Stay 3:23 + MP3 $0.99
6. Almost Over You 3:28 + MP3 $0.99
7. Born Again Sister 3:19 + MP3 $0.99
8. Room Number 8 3:52 + MP3 $0.99
9. I Fell Down 3:49 + MP3 $0.99
10. Thunder of the Train 3:10 + MP3 $0.99
11. Spiritual Awakening 4:23 + MP3 $0.99
12. Sadness On the Edge of Town 3:40 + MP3 $0.99
13. I Ain't Leaving 2:55 + MP3 $0.99
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Album Notes

How Mike Alan Ward got his hands on Gram Parsons' notebook, scribbled full of song ideas and lyric fragments, is a long story. It's enough to say he got it from a friend who played in Parsons' band.
Ward has twisted the best of those lyrics into a song that sounds like Parsons himself finished it, and maybe he did from the other side of the grave. Ward and Parsons are clearly kindred spirits.
"Blurry Slurry Night" is pure Parsons, with its twangy steel guitar and high, sweet background vocals from Leslie Satcher.
The song originally appeared with other Parsons collaborators like Ricky Skaggs and Jim Lauderdale on the critically praised, but sadly now out of print, 'Gram Parson Note Book: The Last Whippoorwill."
Resurrecting the song comes in the same tradition as the recent Bob Dylan-championed album, "The Lost
Notebooks of Hank Williams," and before that, the " Mermaid Avenue " project that had Wilco and Billy Bragg finishing some lost Woody Guthrie songs.
When he's not sharing songwriting credits with Gram Par- sons, the Montana-born Ward is writing bang-up songs of his own. Two-time Grammy Award winner Carl Jackson has called Ward a "songwriter's songwriter," and the gentle, piano- driven title cut from his new album in a cinematic masterpiece.
Ward, who spent 25 years in Nashville , has had his songs recorded by everyone from Faith Hill to Diercks Bentley, Mel Tillis and Great Divide.
On "Reading Hemingway: Looking Through the Pain," Ward works with the Grammy-winning Jackson, who produced several tracks on the album, a nice mix of honky tonk, heart- breaking ballads, folk and bluegrass. Ward is also joined by a fine cast of first-call studio musicians, including Brian Hall on mandolin, pedal steel player Mike Johnson, fiddler Holly O'Dell and Al Perkins on Dobro.

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REVIEWS

wow!
author: tom
                            
Awsome songs, so real. America needs more music like this. Best record I've heard in a long long time !
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Billings Gazette
author: Chris Jorgensen
                            
Mike Alan Ward “Reading Hemingway: Looking Through the Pain” Mud Bug Records When Gram Parsons died at age 26 in 1973, he left behind a notebook he had filled with everything from doodles to shopping lists and the occasional song idea. That notebook, more than 30 years later, wound up with Montana native Mike Alan Ward, who had been living in Nashville since the 1980s. The idea was to pass the notebook around to several noted songwriters, like Ward, Jim Lauderdale, Carl Jackson and Marty Stuart, to see if they could come up with a new Parsons album. It was something like “Mermaid Avenue,” the album Billy Bragg and Wilco made of some forgotten Woody Guthrie lyrics, and the more recent Bob Dylan-driven “Lost Notebooks of Hank Williams.” Poring over the notebook, Ward knew he had something when he came across the line, “Blurry, Slurry Night.” “That sounds like Gram, and that sounds like a country song,” Ward said. The song appears here on Ward’s first CD since moving back to Montana, and it does sound like Gram, with its pedal steel and Ward blending his aching vocals with singer Leslie Satcher. Elsewhere on the album, Ward — who has written songs for Faith Hill, Dierks Bentley, Mel Tillis, Great Divide and others — expertly retraces country music’s roots, from folk to bluegrass. “Wreckin’ the Train” is pure high and lonesome. “Just when things are going my way/ That need for ramblin’ gets rolling through my veins,” Ward sings. “You’ll Never Find Me,” the banjo-jangled “Almost Over You” and “Spiritual Awakening” also sound straight out of the darkest Appalachian holler. The highlight, at least lyrically, is the folky title cut, a melancholy, piano-driven travelogue that sounds like it might have fallen off one of Ronnie Milsap’s early albums. The CD was published in Billings by Bill Porta’s Mud Bug Records and is available from www.CdBaby.com/cd/MikeAlanWard. It’s also available at iTunes and Amazon. Read more: http://billingsgazette.com/entertainment/music/off-the-charts-ward-hauls-southern-sounds-back-to-big/article_f6c93b8f-725c-5d4f-b52a-651ac4c38636.html#ixzz1jfLxiO00
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Can Independant releases win Grammys??
author: Bill
                            
What a GREAT mix of Country, Bluegrass and Americana! The songs "Reading Hemingway" and "You'll never Find Me" are on the top of my list of favorites!! "Blurry Slurry Night" sounds like Gram Parsons himself and the music production is fantastic! Great job!!
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