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Michael Johnathon : Homestead
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Original songs and instrumentals encompassing folk and progressive bluegrass
Genre: Folk: Modern Folk
Release Date: 2003
Homestead
Michael Johnathon
Record Label: PoetMan Records USA, Inc.
  • Download Album (MP3) - $15.00
  • Buy CD - $15.00
Preview Song Name Time Format Price Select
Winter's Eve 3:08 $0.99
Sunrise (Jenny's Theme) 2:18 $0.99
Homestead 4:00 $0.99
Suppertime 0:46 $0.99
America 4:15 $0.99
Bells of Cold November 4:42 $0.99
Conception 1:25 $0.99
The Garden 5:33 $0.99
Redemption 1:47 $0.99
Already Gone 3:33 $0.99
Ayatolla McHussein 2:12 $0.99
Gambler's Grave 3:53 $0.99
The MichaelB Rag 2:27 $0.99
Appreciation 3:12 $0.99
Masterpiece (Rachel's Song) 3:29 $0.99
Homer's Workshop 1:52 $0.99
preview all songs

Album Notes

FOLKSINGER/SONGWRITER, AUTHOR AND RADIO HOST
MICHAEL JOHNATHON

Michael Johnathon is a folksinger/songwriter, a concert performer, storyteller and author with a weekly, international audience of well over 600,000. In its sixth year of production, Michael's WoodSongs Old-Time Radio Hour, featuring grassroots and independent artists from all over the world, has amassed more than 400 radio station affiliates (including the Voice of America Satellite Music Network) and can now be heard in more than 32 countries. WoodSongs also has the distinction of being the world's first multi-camera, weekly series broadcast live on the internet and has recently been finding its way onto cable TV networks across the US.

A native of upstate New York, Johnathon began his career in the industry by moving to Laredo, Texas, to work as a disc jockey. He relates the story of how he was spinning records at 3:00 a.m. when he played the song "Turn, Turn, Turn" by The Byrds. Pete Seeger, who wrote the lyrics to the tune, was from Michael's hometown, and by the end of the song, Johnathon says he had experienced "a religious conversion of sorts, only musical" and was determined to be a folk singer.

Two months later, he packed his bags and headed for the "hills and hollers" of Eastern Kentucky, settling in the small hamlet of Mousie. Johnathon began playing the banjo, knocking on doors to learn the folk songs and bluegrass rifts of the region, participating in numerous front porch jam sessions and absorbing the unique culture of Appalachia. Michael believes that folk is a tradition learned only through the people who play it and have passed it down over the generations. "There is no sense in going forward unless you know where you've been," says Johnathon. "The biggest job of a folksinger is bringing songs from the past along with you within the body of your work and presenting them as if they are your songs."

Michael Johnathon does just that and his experiences with the "real" music makers of Eastern Kentucky infuse his art with a sense of genuineness and truth. Folk is a way of life to him and his music inspires listeners to embrace him as an artist and is an anthem for a simpler, richer way of experiencing the world. Although Michael says there was no "Folk 101" that prepared him for the success he has achieved, after enjoying one of his concerts you feel as if you just had a crash course in the age-old musical tradition and loved every minute of it.

Michael is touring to support his seventh CD release, Homestead, a carefully crafted collection of original songs written and performed by Michael about his perception of "home"...his vision, his yearning, and his loss. Homestead also features bluegrass musicians and friends Sam Bush, John Cowan, Rob Ickes, Ronnie McCoury, Barbara Lamb, Michael Cleveland, Don Rigsby, J.P. Pennington, J.D. Crowe and others. In addition, Michael is currently writing a sequel to his critically-acclaimed WoodSongs book to accompany his Homestead CD. Also in the works is Michael's first live album recorded with The Folkboy Orchestra from the WoodSongs Old-Time Radio Hour featuring Captain Don Cornwell on bass, Hotlicks Harsha Sen on mandolin and 17-year old Ben "The Kid" Sollee on cello. The publication date of WoodSongs II: A Folksinger's Social Commentary, Homestead Manual and Song Book and the release date of the Michael Johnathon and the Folkboy Orchestra Live! CD is Fall 2003.

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REVIEWS

An album that emphasizes a devotion to home and family
author: Joe Ross
Total Playing Time – 48:32 -- Michael Johnathon is a consummate musician, a singer and songwriter with something to say. In this case, the theme revolves around home, with songs composed in the glow of Johnathon’s Kentucky farmhouse fireplace. After the reflective “Winter’s Eve,” the album launches into “The Homestead Suite” with Sunrise (Jenny’s Theme), Homestead and Suppertime. The album’s title cut, “Homestead,” tells a story of a peaceful autumn evening at home in woods, complete with music, family, homemade bread and a glass of wine. The song even makes mention of a couple of the assisting musicians, Sam Bush (mandolin, fiddle) and J.D. Crowe (banjo). Some others appearing on this album include Rob Ickes (dobro), Ronnie McCoury (mandolin), Mike Cleveland (fiddle), Barbara Lamb (fiddle), John Cowan (bass), and Don Rigsby (mandolin). Johnathon’s seventh album also features some cello, flutes, percussion, French horns, fluglehorns, trumpets, sitar, electric guitar and jaw harp on various cuts. The result is a nicely-arranged, multi-instrumental patchwork of tones and rhythms that resemble a cozy quilt that warms you while you relax in your old rocking chair. “The Crimson Rose Trilogy” begins with Conception, a one-minute prelude of three mandolins. It segues into The Garden, the story of a maiden with a secret that only a garden knows, a child who was lost and buried there near a crimson rose. The third piece in the trilogy, Redemption, provides a joyous instrumental “musical expression of the maiden’s freedom from pain after she dies.” At this point, the album’s tempos start to escalate with a bluesy “Already Gone.” Track 11 (“Ayatolla McHussein”) is one of my favorites, with its moderate tempo and a catchy melody featuring banjo, sitar, cello and percussion. The Gambler’s Grave is a murder ballad in which both an adulterous wife and a gambler meet their demise. Homestead ends on a slightly incongruous note, the old-timey “MichaelB Rag” (actually a medley of Over the Waterfall and Arkansas Traveler) and “Homer’s Workshop” sandwiching reflective love songs (“Appreciation” written for Michael’s wife and “Masterpiece” written for his daughter). Michael Johnathon has been busy as a touring folksinger. He’s also written a book (with accompanying CD) called WoodSongs which combines songs, poetry and social commentary. That book/album helped Michael launch the WoodSongs Old-Time Radio Hour, a live weekly program broadcast on 400 stations (and internet) which provides exposure for up-and-coming artists. Johnathon is a hardworking musician who is dedicated to his art, and Homestead is an album that also emphasizes his devotion to home and family. (Joe Ross, Roseburg, OR.)
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