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Michael Miller : When We Come To
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The Beatles making sweet love to Radiohead and Beck, conceiving the White Album's illegitimate, in-bred son while Elliott Smith and Nick Drake film it in slow motion.
Genre: Folk: Folk Pop
Release Date: 2003
When We Come To Record Label: Shiny Shiny
  • Download Album (MP3) - $9.99
  • Buy CD - $11.99
SPECIAL: 10% discount if you buy more than one copy of it today!
Preview Song Name Time Format Price Select
Lover I Know 3:18 $0.99
Gracetown 4:05 $0.99
When We Come To 4:34 $0.99
Smile Priscilla 3:47 $0.99
The Ballad of Mr. George & Miss Jenny 5:06 $0.99
Naked Prayer 2:52 $0.99
Lonely Suite 6:34 $0.99
This Life 5:17 $0.99
Forgiven 2:48 $0.99
Pony Ride 4:33 $0.99
Some Happy 1:31 $0.99
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Album Notes

GILMORE GIRLS TV
Miller appeared in the season finale episode of Gilmore Girls, playing a stripped down version of "Mary" on mandolin behind a sexy conversation between Grant Lee Phillips and the mayor, (while accepting cookies from strangers) in Stars Hollow.


NEW ALTERNATE MIX
Miller recorded an alternate version of "Mary" (as heard in the Gilmore Girls television show), produced by The Wallflowers' Rami Jaffee, and Joe Ongie.



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Miller's "Lover I Know" is featured on Trampoline Records'
current release "Greatest Hits Vol 2" and is sandwiched between Pete Yorn, The Wallflowers, Liz Phair, Minnie Driver, Dan Wilson (Semisonic), and others.
Trampoline is the super-boss label started by Pete Yorn, Rami Jaffee of the Wallflowers, and Marc Dauer of Jukebox Junkies.

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Miller has been quietly carving out a following around his home base of Los Angeles while touring and loving people throughout the U.S. and UK - - - sharing the stage at larger venues with the likes of Pete Yorn, Duncan Sheik, Shawn Mullins, Minnie Driver, and Daniel Lanois.


The title track "When We Come To" features Lyle Workman (Sting, BECK, Frank Black, Jellyfish). Additional strongman juice from Aaron Smith (drummer on many of the Temptations records - including 'Papa Was A Rolling Stone'), Mike Roe (the 77s, the Lost Dogs) Joe Craven (Jerry Garcia, David Grisman, Stephane Grapelli). Miller co-produced the album with wonderlad, Joe Ongie.

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"If it weren't such a cliché one would reach for such puerile comparisons as 'Miller is a male Joni Mitchell'; it is a cliché, and it is puerile, it's also entirely apt."
[LOGO Magazine UK]


"Those who have rightly mourned Jeff Buckley's passing, should check out Michael Miller and judge him on his merits. Several times throughout "When We Come To" I was reminded of the way that Buckley could within the frame of sparely plucked guitar, create reclusive little hymns.
Miller songs pull you in to an almost meditative depth and recall much of Buckley's disquieting surrender to beauty."
[Terry Sawyer - Music-critic.com]


"Miller's voice has an otherworldly sweetness like that of Radiohead's Thom Yorke."
[Miles Of Music]

"Such experimentation imbeds Miller's compositions with a hushed beauty...Miller's ghostly voice guides each song to the edge of emotional eruption."
[OC WEEKLY]

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REVIEWS

Smooth Beatle like sound with new alternative rythym. Love it.
author: Tudie
I enjoy the light sounds, and easy going melodies. Great music. Well put together album.
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author: Chris Oliver
Saw Michael support Minnie Driver in Manchester and thought he had a great voice.Stand out tracks for me are Lover i Know,When we come to and The ballad of Mr George and Miss Jenny
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Uncompromising in artistic and musical integrity, Miller has crafted an album th
author: The Audio Vent
When We Come To is certainly the finest indie record I've heard. Uncompromising in his artistic and technical integrity, Miller has crafted a masterpiece that is both haunting and inspiring. Even the artwork, impeccably created by Miller himself, beckons the listener back for more. If you are looking for excellent original songwriting, beautiful, perfectly performed arrangements and exceptional, top-of-the-line production values, then congratulations. You have arrived. Buy this record.
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For broken hearts that still want to hope.
author: Tamara Turner, CD Baby Music Reviewer/Editor
Described vividly by Michael as, "The Beatles making sweet love to Radiohead and Beck, conceiving the white album's illegitimate, in-bred son while Elliott Smith and Nick Drake film it in slow motion," this poignantly sweet and delicately dreary eccentric bliss Pop, like the whiff of a lemon, may cause reflexive mouth-watering. Like the drooping branches of a weeping willow in full color of springtime or watching the rain streak across your windows, against the backdrop of condensation, the guitar-drenched, vocal "mood lighting" and not-quite-resigned grooves make this album absolutely exquisite. For broken hearts that still want to hope.
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