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Two examples of Beethoven incredible writing for piano and cello,both instruments played by the featured artist. Great examples of an early and late styles of the composer.
Genre:
Classical: Traditional
Release Date:
2001
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Beethoven Cello Sonatas Op.5 no. 1 and Op.102 no.2
Michal Schmidt /Cellist and Pianist
© Copyright-Michal Schmidt
Record Label: westonsound
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1. Adagio sostenuto |
2:42 |
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2. Allegro |
13:49 |
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3. Rondo:Allegro vivace |
6:32 |
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4. Allegro con brio |
6:19 |
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5. Adagio con molto sentimento d'affetto |
8:46 |
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6. Allegro-Allegro fugato |
3:58 |
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This recording was made in 2001 as part of my doctorate work. My written document is titled "Two Sonatas,Two Instruments - One Performer; A Close Look at Beethoven's Sonatas for Piano and Cello Op.5 no.1 and Op.102 No.2"
(Temple Univeristy, Philadelphia, 2002)
Recording the sonatas playing both instruments has been a dream of mine for many years. The recording process was challenging, intriguing, and very satisfying. I recorded the piano parts first, as there are much less silences in the piano, and then, as the ready piano tracks were played back to me on head phones(one ear) I played the cello along with it. Being in total agreement with the pianist was tremendous asset, still, the fact that I could only listen to each instrument with one ear, made the task formidable.All in all I certainly had the advantage and thrill of "two artists playing as one."
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FANTASTIC
author: Melissa Brun
I can't express how much I LOVE this album! The music is as wonderful as the performer! :-)
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