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Funky, improvisational roots music written and recorded by, "an accomplished guitar soloist in the blues tradition" (Jason Scales, Illinois Entertainer, December, 2005).
Genre:
Blues: Electric Blues
Release Date:
2006
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Marcus Singletary Rocks
© Copyright-Aviation Records
(874044006461)
Record Label: Aviation Records
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Marcus Singletary began playing music at an early age and, later, paid his dues on the Chicago blues scene of the 90’s. After graduating from Northwestern University with a bachelor’s degree in communications, he moved to Los Angeles and released the CD Chicago Stomp, recorded with the group Jupiter’s Child. Regarding it, Mick Skidmore of Relix called Singletary’s guitar playing, “extraordinary.”
Sky’s the Limit appeared in 2002. All Music Guide called attention to its songwriting, and, subsequently, Mike O’Cull of Illinois Entertainer emphasized while reviewing 2003’s Marcus Singletary Band, “You could never call him run of the mill…This is what potential sounds like.”
Philip Stone of Splendid cast a vote in favor of Capitol Hill in 2004 when he said, “Singletary has skills out the gills; his voice has the right attitude [and] his guitar playing is sharp.” Impact added, “This is a disc of catchy hooks that will keep you listening again and again.”
2005’s Live at the Foxx earned Singletary a reputation for being an, “accomplished guitar soloist in the blues tradition,” to quote Jason Scales of Illinois Entertainer. According to Scales, the disc also proved that Singletary could, “handle frontman duties” effectively.
With Marcus Singletary Rocks, all of Singletary’s musical talents are on display. New listeners will appreciate having these highlights together in one place, while those familiar with Singletary’s brand of funky, improvisational blues will turn to this disc to hear recordings produced by an artist who offers fans fresh interpretations of American roots music. Consider this his first real album.
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Check This Guy Out Immediately
author: Mish Mash Music Reviews
Please, please, please, somebody at a label pick this guy up and put him into a real studio. Marcus Singletary is a guitar wizard who slings his electric blues around like an old-time master. The songs are ripped, roaring and mean, just like the blues should be.
While lo-fi recordings in this genre usually don't pose too much of a problem, in this case it tends to get in the way of the overall sound to the point of distraction. I can only imagine how great this stuff would sound with the right quality of recording. Regardless, the talent is there for sure. If you eat and breathe the blues, you need to check this guy out immediately. -March 2007
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The 10 tracks...represent a sampling of Singletary’s recorded blues resume.
author: Jason Scales/Illinois Entertainer
The 10 tracks…represent a sampling of Singletary’s recorded blues resume. Singletary [showcases] his blues crooning and extended guitar solo skills.
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I was expecting another antiseptic blues record. Boy was I wrong.
author: Peter Aaron/Chronogram
As readers may or may not already know, I’m the magazine’s assistant editor...I see it as an opportunity to talk about whatever music-related topic happens to be stuck in my craw or my crosshairs, or something that landed on my desk that I might be into but for sundry reasons doesn’t have a place in Chronogram proper: Perhaps this means a gig or two that I caught over the weekend, or a CD by a non-local artist that I think deserves attention (or one by a cool local artist that we didn’t have room for). So, then: Speaking of cool CDs by non-local artists, one recent surprise is Marcus Singletary Rocks. From the look of it and the spiel on the accompanying press sheet, I was expecting yet another soulless and antiseptic bar-band blues record. Boy was I wrong. On this, his fourth full-length, Singletary stays far from Miller Beer land, instead slaloming furiously between the scuzzed-out, awesomely lo-fi Cream worship of Grand Funk’s first LP and raw, punkish blues that would be more at home on Fat Possum than Alligator (those are the names of labels, folks). This guy really seems to know that, these days anyway, the blues need to be fucked up to still be vital.
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