To Hell With All Of You, I Just Wanna Grow My Vegetables!
© Copyright-Ed Furniture Dot Com
(665841700320)
Record Label: Ed Furniture Dot Com
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"It's like Stravinsky, only CRAZIER!"
-Trey Spruance, Mr. Bungle
"There's something that I like about your music and I admire the focus and drive you have for creating it. I do appreciate your sense of humor too. I actually enjoy listening to it. It's good stuff and the world should hear it but unfortunately the world is brainwashed right now. Keep sending the wild stuff boy! Also, I would love to get a D.E.M.I. If there are anymore available."
-Steve Vai
"...freakishly entertaining CD, you sick bastard. That stuff sounds fantastic."
-Mike Keneally
"You MUST check out Sir Millard Mulch. The De-Evolution of Yasmine Bleeth is one of my favorite CD's. I can't stop listening to it  It's insane, and I mean that in a good way. And most importantly, it rocks. Really cleverly written songs delivered with some incredible playing, high energy and a great sense of humor."
-Dave Meros, Spock's Beard
This second full-length Sir Millard Mulch CD was recorded on a Roland VS-880 and features a whole bunch of quirky-pop songs that are half-computerized and half angry-folk inspired. It is an angry anthemic journey through the center of the color orange that poses the kinds of questions that run through Ted Kaczynski's mind such as "Should I run away from society or should I fight it?" In poor Ted's case, he chose both, in Sir Millard Mulch's case, he chose to stay and fight it.
Without realizing it, Sir Millard Mulch has blown HIMSELF up with this CD, dooming it to failure from the very beginning by putting it next to his previous 50-track disc, causing the average person to actually think they are getting better deal for 50 tracks of bizarre, cheaply-recorded noise than a more stripped down and honest musical and artistic statement - followed up by 45 minutes of frog ribbits.
While some of the music was undoubtedly better on the first disc, the overall production and cohesiveness is what Millard can offer you here.
Sir Millard Mulch continues his mysanthropic journey through his redundant song choruses such as on the track, "With Nina Gordon With David Bowie", a song about a song about Nina Gordon listening to a song by David Bowie, which fails to realize Sir Millard Mulch's adolescent and unattainable dream to not only be with a rock star, but to BE a rock star someday.
THIS WILL NEVER HAPPEN, as the letters in all caps indicate.
A warning to Zappa fans: Sir Millard Mulch has only listened to a few Frank Zappa CD's and would like to state that these songs are more influenced by Ani DiFranco and his pathetic high school teachers and equally pathetic college music theory professors than the guy with the genghis. So all of you drunk bastards out there who think there's nothing that will ever be as good as Frank Zappa; don't buy this CD.
If, on the other hand, you would like to hear a bunch of cartoony, esoteric noodling with a fair amount of music theory thrown in, buy it now, and shut up.
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author: Chris Higgins
Sir Millard Mulch's latest CD chronicles his further departure from pop culture, and his ironically constantly-becoming-more-pop-accessible sense of humor. The mere fact that this album exists is a testament to SMM's tenacity, as well as his apparently inexhaustible sources of funding. Pop anthems such as "Do You Want to Know What Causes High School Shootings?" display SMM's ability to maintain at least a cover of sanity, despite unbelievable odds against him. I laughed, I cried, I got counseling. Fun for the whole family. ;Chris Higgins ;Charleston, WV
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author: Bing Futch, Jam Magazine
This guy deserves some kind of medal or something. THWAOYIJWTGMV! isn't so much a collection of songs as it is a twisted self-contained mini-movie about absolutely nothing in particular. The opening overture, "Grant Schumacher Destroys Hollywood For The Girl of His Dreams," is a hyper-whimsical space anthem complete with xylophone trio, then shifts gears through the '50s 6/8 ballad of a bionic-handed grocery clerk and a hilariously repetitive punk-rock ditty that complains "Nina Gordon said it best when she sang that fucking song." This out-of-nowhere trip includes a belligerent would-be king with Tourette's, and an odd funky strut entitled "Don't Mistake Me For Miss January" that is a full-length screaming movie unto itself. Some of the imaginative incidental tracks are somewhat Casio-toned, but Mulch's arrangements are top-notch and quite expressive.
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