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Marvel : No Streets (Just the World)
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One of the legends of Toronto Hip Hop and made a classic track with Saukrates on "Hate Runs Deep." The album features K-OS, Arcee, Saukrates, Kardinal Offishall, Mr Attic, Moss and more.
Genre: Hip-Hop/Rap: Hip Hop
Release Date: 2007
No Streets (Just the World) Record Label: Mumbles Hip Hop Records
  • Download Album (MP3) - $7.99
  • Buy CD - $11.99
SPECIAL: 20% discount if you buy more than one copy of it today!
Preview Song Name Time Format Price Select
Intro 0:38 $0.99
No Streets [Prod. Kardinal Offishall] 3:54 $0.99
Skankin [Prod. Saukrates] 4:09 $0.99
Time of the Signs 2:24 $0.99
Mission One f. Arcee [Prod. Moss] 2:10 $0.99
IT [Prod. Mr. Attic] 4:49 $0.99
Hold On [Prod. Mr. Attic] 2:36 $0.99
These the Days 3:26 $0.99
Follow Me Flip f/ K-Os 4:58 $0.99
Put It On 3:35 $0.99
Palm Wine 2:49 $0.99
Throw This Ball 4:14 $0.99
Red Light District 4:13 $0.99
Shituations 4:27 $0.99
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Album Notes

Consistent innovation in his approach to music composition and the never-dying effort to 'work the angles' on subject matter and concepts through clever yet intelligent wordplay, Marvel has evolved to become one of our nation's forerunners for hip-hop creativity.

Marvel first realized this gift when he became aware of the Canadian rap artist's tendency to 'Americanize' their sound. Witnessed in his first ever appearance on vinyl, the seminal Canadian classic "Hate Runs Deep," Marvel writes and spits with a highly animated and pictorial style, often rhyming about issues that affect the underprivileged on a daily basis. Not surprisingly, the song won him a MuchMusic Award for Best Rap/Hip-Hop Video in 1996. The summer of that year spawned the white-labeled classic, "Wordz of" which garnered international critical acclaim, and the "Make It Happen" tour in June to promote the record.

Marvel continued to develop and challenge himself. Between 1997 and 200, Marvel appeared on every major compilation released from Canada. The first of these was the 1998 release "Beat Factory, vol.2" featuring the banger, "Shituations," and Mastermind's "50 Legal." "Planet Mars," a vinyl compilation released in early 1999, featured Marvel's first production venture with Kardinal Offishall's "Rhyme, Shine, and Buss," the compilation's first and only 12 inch single, and the track "Conversation" featuring himself, Solitair, and Choclair. 1999 also spawned Da Grassroots' classic "Passage Through Time" with the Marvel single "Last Days."

1995-2000 proved to be an exceptional period for Marvel as well as Canadian hip-hop. It was during this time the country's musicians really began to showcase their talents internationally as well as at home. Marvel knew he had to follow-up with the buzz he helped create over the years over compilations features. Rather than appearing on a track as a guest feature, he sought his own path and decided to release his own material. Beginning his own record-releasing outfit, JamDone Entertainment, Marvel released the 12 inch, "Throw This Ball," featuring former Circle members Tara Chase and Solitair. The project also included the track, "Red Light District," which was featured on the CBC series, "Drop The Beat" featuring Michie Mee and was in syndication for 2 years before its termination.

Marvel has shared the stage with hip-hop luminaries such as: OutKast at the Opera House in 1996, Gangstarr at the Guvernment in 1998, Common in 1997, Busta Rhymes in 1997, Lauryn Hill in 1999, The Roots at the Opera House in 1995 and 1996, Wyclef Jean at "Club Industry in 1997, Talib Kweli at the Opera House in 2000, Slum Village at the Comfort Zone in 1999, and De La Soul. He has also toured with the like of k-os, Rascalz, Kardinal Offishall, Saukrates, Thrust, IRS, and Brassmunk in 2001 for Kardinal's "Firestarter Tour" released off his former label,MCA/Universal. Marvel is a seasoned and experienced performer who has a proven track record of solid and highly entertaining shows, touching down from Whistler, B.C., to North Preston, Halifax.

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REVIEWS

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author: celso
I can only hope the amount and type of reviews for this cd don't indicate how much it has sold...!!! there should me tons of PEOPLE posting reviews!! why just the mags?/? this CD is so good!!! everybody wants the oldschool sound and the vibe, Marvel has it already. Sick flow!!! Acurrate Toronto based concepts mentality and linguistics. MAN!
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Eye Weekly review
author:
Toronto MC Marvel isn’t aiming for the clubs with his debut release as much as aiming for the clouds, throwing his ironclad, serious flow over a selection of dreamy, mellow beats. It’s impressive that he maintains a consistent atmosphere throughout the album, with mid-tempo, pensive songs making up the bulk of the 14 tracks. Although certain songs have been in circulation since the mid-’90s, they don’t take away from the album’s overall fresh sound. The only word of caution would be that the album’s unobtrusive air can slide into a superficially repetitive sound, but Marvel’s MCing skills and the solid production from 12bit, Kardinal Offishall and others make this worth checking out. NICK FLANAGAN
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Now Magazine
author:
Now Magazine rates this album as one of 5 Canadian albums that should not be slept on. This tragically overlooked Toronto talent's debut LP finally emerges, and it's well worth waiting for. Marvel's jazzy wit dances all over the powerful, innovative production, spilling his heart and mind. Arcee and k-os provide mic support. Essential for your Toronto hiphop legends collection.
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Exclaim Magazine Review
author: Exclaim
Rakim’s mantra “It ain’t where you’re from, it’s where you’re at” may be an oft-invoked lyric, but the truth is most MCs hold on tightly to their geographical affiliations. Count Toronto MC Marvel as one of the mic controllers aiming to aspire to the spiritual exploration alluded to The R’s legendary words. As an MC who first emerged as a member of 90’s Toronto hip-hop crew The Circle, Marvel’s wordy intricate style was often overlooked, a fact not helped by the very few records he issued at the time. But the fact that Kardinal Offishall, Saukrates and K-OS as well as top notch producers such as Mr. Attic and MoSS have deigned to appear on this album should give you an idea of the high regard in which he is held. Marvel’s strength lies in his powerfully insistent delivery and intensely visual lyricism found on the Saukrates-scored “Skankin’” and the rewind-worthy “No Streets.” While Marvel technical MCing skills and his self-production skills are undeniable it’s also evident, he has an eclectic conceptual bent. Lyrically, he espouses freedom on diasporic, mental and spiritual levels, consciously seeking to cross conventional boundaries. Impressively consistent as his words are, “Palm Wine,” an instrumental fusing traditional Trinidadian steel pans with futuristic synths is a definitive distillation of Marvel’s powerful artistic intent. (Mumbleshiphop)
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