Indian Summer
Mike Wheeler
© Copyright-Mike Wheeler
Record Label: Mike Wheeler
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1. Ceora |
7:00 |
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2. Indian Summer |
4:50 |
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3. Alone Together |
5:28 |
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4. My One and Only Love |
8:32 |
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5. The Masquerade Is Over |
7:00 |
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6. Darn That Dream |
3:41 |
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7. Star Eyes |
5:27 |
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8. Old Devil Moon |
4:52 |
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9. I Wish You Love |
3:16 |
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Mike Wheeler is a jazz guitarist from Houston.
He studied in San Antonio with jazz guitarist Jackie King before going to the Berklee college of music in Boston.
Mike later received a Bachelor of Music from the University of St. Thomas.
After returning to the Houston area, Mike established himself in the Houston Music scene.
He worked in clubs, formed jazz groups, played with most of the major orchestras and performance groups in the Houston area including the Houston Symphony Orchestra and Theater Under the Stars.
Broadway show credits include "Showboat", "Chicago", "Jesus Christ Superstar", "Fosse" and The Who's "Tommy".
He has performed with jazz artists such as Clark Terry, Joe Williams, Bill Watrous, Tom Harrell and Arnett Cobb.
He has also backed pop artists such as Willie Nelson, Charlie Pride, Andy Williams, Larry Gatlin, Robert Goulet, Engelbert Humperdink, Bob Hope and John Denver.
In the Fall of 2000 he recorded and arranged a CD of popular standards with Merle Haggard.
His first CD, entitled "Indian Summer", which was produced by Willie Nelson, spotlights his guitar style.
In addition to performing and recording, he is currently instructor of guitar at the University of Houston, University of St. Thomas and San Jacinto College.
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author: Beverly Harris
I couldn't be more pleased. MW deserves all the stars available and a pocketful of moon rocks as well. --Beverly Harris, Houston
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Equal to the classic masters of jazz guitar
author: Paul J. Tetreault, Jr., Esq.
Indian Summer, jazz guitarist Mike Wheeler's debut CD in a quartet format, is wonderfully refreshing for Wheeler's mastery of the sound, feel, and style of classic jazz guitar masters. Wheeler's licks are tasty, purposeful, musical statements and the arrangements are cool, crisp, and manage to be innovative without losing the feeling of classic jazz. No speed for speed's sake alone, no unusual harmonies, no bizarre melodic distractions.
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