Love 'em!
author: DonnaMac
Ben Hernandez is awesome, and Nathan James is almost as awesome. I saw them twice just before Ben moved out of state and absolutely loved their stuff. Ben is just a plain-out natural musician -- fantastic voice, and sings like he was the creator of the type of music they do. Both are tremendous musicians with a great sense of professionalism, timing, dynamics, etc., etc., and both seem to be the nicest guys you'd ever want to meet. They have a huge following of loving fans, and I certainly can see why. Ben will be hugely missed in San Diego, and we're hoping he'll return frequently to play with Nathan and the rest of us who love his performances. And of course Sonny Leyland is one of the best boogie keyboardists I've ever heard, and I play keyboards!
Read more...
digg this
author: -topher
Nathan James and Ben Hernandez have a raw, authentic sound. Coupled with The Carl Sonny Leyland Trio's ragtime and boogie woogie styling the two groups deliver an exciting and energizing album.
Read more...
Young, fresh talent playing truly authentic music
author: Brett Morris
Nathan James and Ben Hernandez are my favorite discovery of the past few years. I happened upon them at the Portland Blues Festival in my travels. Out of hundreds of veteran, famous acts I saw that day, these two absolutely blown away the most. I never thought I'd find guys my age that truly appreciated, and loved playing rural blues like I do. We're talking REAL, old blues here. Forget anything after 1950. Electric blues is wonderful in its own right, but I've always preferred the raw, country blues and folk fingerpicking, acoustic style like Mississippi John Hurt, Robert Johnson, etc as well as the other early century black styles that surrounded it. As stripped down as it is, I find it much more musically advanced and emotionally powerful. Country blues guitar is one of the coolest in history, in my opinion. Well, Nathan James is a true master at it, and Ben Hernandez's voice, harp and percussion is just perfect. Both of their voices are great. You don't believe the sounds coming out of these young, otherwise normal looking dudes. It's refreshing, they know just when to turn on the technique and when to be simple, the kind of wise nuance you're only used to hearing from old black veterans of the genre, not the usual over-embellished showiness of younger artists these days.
This CD isn't quite the core of what that duo does, as far as I can see it, but it's just as good. It's a fantastic mix of country blues and ragtime, boogie woogie style piano. Hearing them with a full band is jaw-dropping. I love that they stick to the largely forgotten, criminally underexposed eras of this foundational music.
Read more...
A beautiful recording of classic, old-timey 1930s blues.
author: Roger Gatchet, KVRX Austin
Sonny LeyLand is an old-timey boogie woogie pianist who grew up on the sounds of early piano pioneers Otis Spann and Roosevelt Sykes while growing up in Southampton, England. He migrated to New Orleans and later California, where he met up with one of the country’s premier country blues duos, Nathan James (guitar) and Ben Hernandez (harmonica, kazoo). The meeting of these three ambassadors of old-timey blues is a dream come true, and here they’ll take you back to a time when records were cut on wax and folks played bass on gut-bucket wash tubs. Hernandez’s vocal work is nothing short of stunning, and his harp playing evokes the spirit of Sonny Terry and Hammie Nixon. One of my favorite cuts is the Hernandez original “Run Me Ragged” (8), complete with a tuba-bumping bass line and kazoo solo. The boys throw down a classy ragtime number on the old school “Wonderful Time” (11), and Nathan James plays some inspired guitar on the eerie, moody “Black Rattler” (11).
Read more...