Aman
© Copyright-Nawal
(700261214962)
Record Label: nawali.com
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Nawal originally comes from the Comoros Islands, also known as the “Perfume Islands” or “Islands of the Moon,” located in the Indian Ocean off the eastern coast of Africa. Born into a family with many musicians, Nawal bathed in both popular and spiritual music from a young age, in her native islands and also in her new home in France.
Between traditional and contemporary, Nawal’s music weaves a rich dialog of cultures, a reflection of the diverse character of life in her native islands. Indo-Arabian-Persian music meets Bantu polyphonies, the syncopated rhythms and Sufi trance of the Indian Ocean. Nawal sings in Comoran, Arabic, French and English. An acoustic roots-based fusion, her music is rhythmically compelling and beautifully lyrical.
Known as the “Voice of Comoros,” Nawal is also the first Comoran woman singer/songwriter and multi-instrumentalist to give performances in public.
Nawal has gained international praise as a self-produced artist with her powerful voice and socially progressive commentary. Nawal has performed professionally for 20 years, and as a multi-instrumentalist she plays the gambusi (Comoran banjo-like instrument, cousin to the
oud), the daf (Iranian frame drum), and guitar, among others. Her first full-length album, “Kweli” (Truth), was released in 2001. Nawal is currently performing and touring as part of a trio. Along with Nawal, the trio includes Idriss Mlanao on contrabass and Melissa Cara Rigoli on mbira and percussion.
http://www.nawali.com
http://www.myspace.com/nawalcomoros
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author: fROOTS (UK) by Ian Anderson
\"Downright gorgeous music…a record that’s going to become a long-term favourite.”
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author: THE BEAT by Steve Heilig
author: LA WEEKLY by Brick Wahl
\"On \'Aman\', her new tour de force, the nearby African rhythms - that kalimba, and the drumming and call-and-response - mix with Malagasy melodicism and tunings and the complexities of Arabic and Indian musical traditions.... The variety of songwriting and styles, that mix of sweet melody and energetic rhythms, reminds one a bit of much of Brazil\'s best - the variety of Caetano Veloso, of Gilberto Gil at his rootsy finest... The long tendrils of Islam are never far off, and Sufism suffuses the entire project ... And dig Idriss Mlanao\'s jazzy bass lines - it\'s what jazz fans can grab onto as we listen, soaking in all the exoticism of the rest.\"
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author: FINANCIAL TIMES - by David Honigmann
\"Aman has a mesmeric slow burn, combining the African and Islamic influences of the archipelago... \"Meditation\", almost too pretty for its own good...\"
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