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NineDollarMelonBaller : Seeing in the Dark
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Guitar driven acoustic pop/rock interwoven with alt-edged electric guitar hooks and riffs, and intensely emotional vocal presentations
Genre: Pop: Power Pop
Release Date: 2000
Seeing in the Dark
NineDollarMelonBaller
Record Label: NineDollarMelonBaller
  • Buy CD - $10.00
  • Download Album (MP3) - $9.99

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Preview Song Name Time Buy
1. Nothing At All 4:15 + MP3 $0.99
2. Selfish Acts of Kindness 3:10 + MP3 $0.99
3. King For a Day 5:53 + MP3 $0.99
4. Drown 5:15 + MP3 $0.99
5. Is There Any Reason? 4:21 + MP3 $0.99
6. Insomnia 5:19 + MP3 $0.99
7. Moving Mountains 4:31 + MP3 $0.99
8. Dogged 4:56 + MP3 $0.99
9. Marco Polo 3:58 + MP3 $0.99
10. Reconcilation 4:12 + MP3 $0.99
11. Years Ago 4:34 + MP3 $0.99
12. Brother James 6:31 + MP3 $0.99
13. Trapped 3:19 + MP3 $0.99
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Album Notes

With their third full length release, Cedar Falls, Iowa's NineDollarMelonBaller has elevated themselves to a songcrafting and performing level positioning themselves as a future force in rock and roll.

Still carrying the powerful signature essence of their earlier music that carved them into o ne of the most popular bands in the Hawkeye State and neighboring environs, a definite pop slant to the songs tempers the music slig htly but also gives it a serious lift.

Just feel the brooding intensity of the lead track "Nothing At All" and you get a go od idea right from the start of the progression of this talented act.

Singer/songwriter/guitarist Marc Barry has really polis hed his songwriting abilities, letting loose his passions and talents all through the thirteen tracks.

The deep passion of th e acoustic "Marco Polo" and the dramatically burgeoning fervor in "Brother James" are great examples of Marc's talent in both a reas.

His throaty powerful vocals are backed more often by delicious harmonies on this CD, wonderfully evident in the balladi c jewel "King For A Day".

Even with the more acoustic feel to this CD, there are still some great hard-hitting rockers li ke "Drown" and "Dogged".

The rhythm machine is solidly anchored by the steady percussion groove of drummer Mike Linsey a nd the driving bass riffs of Brandon Mills.

With several songs that have "radio hit" written all over them and consequentia l widespread appeal, this CD could very well be the well-deserved launching pad for a hard working band from the Midwest.

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