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Nelson Amos : Classical Guitar Recital
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A classical guitar recital including selections from various style periods including Baroque, Classical, Romantic and Contemporary
Genre: Classical: Romantic Era
Release Date: 2008
Classical Guitar Recital
Nelson Amos
Record Label: Nelson Amos
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Preview Song Name Time Buy
1. Fantasia in C Minor, Sm. 83 2:20 Album Only
2. Cello Suite No. 3, BWV 1007: I. Prelude 4:03 Album Only
3. Cello Suite No. 3, BWV 1007: IV. Sarabande 3:57 Album Only
4. Cello Suite No. 3, BWV 1007: VI. Gigue 3:40 Album Only
5. Etude in E minor, Op. 6, No. 17 3:13 Album Only
6. Etude in A Major, Op. 6, No. 6 2:11 Album Only
7. Etude No. 7: Tres Anime 2:46 Album Only
8. Etude No. 8: Modere 3:24 Album Only
9. Sakura: Theme & Variations on a Japanese Folk Song 6:13 Album Only
10. Tango, Op. 165, No. 2 3:10 Album Only
11. Danza Brasilera 2:57 Album Only
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Album Notes

Nelson Amos is professor of guitar at Eastern Michigan University where
he also teaches the graduate classes in music history. As a classical guitarist and lutenist, Dr. Amos has performed extensively in the United States and Europe. He has published several articles and regularly lectures on the history of fretted instruments.

The solo guitar music within this album was originally recorded in 1988 and remastered digitally in 2006. The program includes selections by the Baroque composers Bach and Weiss as well as other varied styles from around the world (Japan, Spain, and Latin America).

The following is a list of pieces, composers, and timing for each selection:

Classical Guitar Recital

1. Fantasia (Sylvius Leopold Weiss) 2:20

2. Prelude, Cello Suite No. 3 (Johann Sebastian Bach) 4:04
3. Sarabande (Johann Sebastian Bach) 3:57
4. Gigue (Johann Sebastian Bach) 3:40

5. Etude in E minor (Fernando Sor) 3:14
6. Etude in A Major (Fernando Sor) 2:11

7. Etude No. 7 (Heitor Villa-Lobos) 2:46
8. Etude No. 8 (Heitor Villa-Lobos) 3:24

9. Variations on Sakura (Y. Yocoh) 6:14

10. Tango (Isaac Albeniz) 3:11

11. Danza Brasilera ( Jorge Morel) 2:57

Guitar by Robert Ruck

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