Robert Spalding Newcomb | Undiscovered

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Avant Garde: Structured Improvisation Avant Garde: Free Improvisation Moods: Solo Instrumental
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Undiscovered

by Robert Spalding Newcomb

Live concert of amplified sitar and nylon string electric guitar improvisations - avant garde, free improv, experimental, spontaneous composition.
Genre: Avant Garde: Structured Improvisation
Release Date: 

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Tracks

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1. Currency of the Edge, Heads
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7:02 $0.99
2. Path Finding
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5:50 $0.99
3. Out Front, Shadowed
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7:02 $0.99
4. Return to One's Perfect Symmetry, Continuing
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5:54 $0.99
5. Currency of the Edge, Tails
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6:26 $0.99
6. Light of Life
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29:44 $0.99
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ABOUT THIS ALBUM


Album Notes
UNDISCOVERED - This volume is a recording of a live solo concert at Kerrytown Concert House in Ann Arbor, MI, on January 12, 2007.

The first piece, in five sections, is called 'Connecting the Dots: Suite for Guitar in the Present Moment', and is performed on electric nylon-string MIDI guitar.

The second piece, 'Light of Life', is performed on amplified sitar.

ROBERT SPALDING NEWCOMB - An artist people consistently find difficult to categorize, especially in a music scene as diverse and challenging as the one in his hometown, Ann Arbor, MI. A composer, multi-instrumentalist, computer programmer, theorist, writer, and poet, who combines elements of numerous musical disciplines and cultural domains into a performance style that is truly a unique matrix of energies. Creative explorations focus on the study of musical and linguistic structure, complex systems, cognition, transcendent states, and improvisational performance.

Aesthetic niches, adjectives, labels and comments from audiences describing the solo concerts: ...a riveting performance, intense, profound, challenging, minimal, magical, just amazing, avant garde, free improvisation, experimental, spontaneous composition, technical but not techno, computer music, raga-like, mystical, a meditation, an original paradigm, computer algorithms, new forms, razor edge guitar solos, meditative sitar improvisations, compelling poetry/spoken word, and most often, 'unlike anything else.'

Newcomb has immersed himself in a wide range of musical exploration including traditional folk and blues traditions of the British Isles and the US, classical guitar technique, jazz theory, improvisation, composition, digital audio, computer music programming, advanced artificial intelligence and machine learning, and Indian Classical Music.

He has toured India (2005) as a guest of the US Embassy. He has published his compositional theories and described his unique music software in the Cambridge University Press (UK) journal, 'Organised Sound' (1998). He has produced six self-published albums of original music (1986, 1991, 2000, 2004, 2007, 2008) . He has designed and implemented complex computer systems for the New York Stock Exchange, Chemical Bank, and Manufacturers Hanover Trust/Prodigy in New York City (1983-1989). His computer music has been featured in electronic music festivals and conferences worldwide (1993-1999). He has been commissioned to compose music for dance, yoga and carillon. From 1995-1998, Newcomb was Computer Systems Consultant for the University of Michigan School of Music, Theatre & Dance; from 1998-2007, Director of Information Technology; and is currently Program Manager for Business Information and Network Security.


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