Album Notes

"[The Power of Pop is] super charged glossy melodic pop music. This Atlanta-based three piece band consists of Greg Gentry (guitars, vocals), Elisabeth Eickhoff (bass, vocals), and Jeff Dehner (drums, percussion). If we had not known the band was based in Atlanta, we would've guessed they were from Massachusetts or California. We rarely hear hummable, bubblegummy music like this being produced in our home city. Perhaps things are changing...and perhaps one day the rest of the world will perceive Atlanta as a credible music community. Bands like Nillah should help the cause considerably. These folks' radio-friendly sound is polished, professional, and pulsing with groovy melodies. Ms. Eickhoff's vocals are breathy and strong...and perfect for this style of guitar-based power pop. Happy, vibrant tunes like "It Hasn't Been My Year," "Deep Ocean Blue," and "Punk Rock City" present a band that obviously believes in the true power of pop... (Rating: 4+)" babysue magazine, December 2001

"Atlanta is not generally known as a power pop breeding ground, but Nillah may well change that. Featuring the vocals and bass of Elisabeth Eickhoff, guitarist Greg Gentry, and drummer Jeff Dehner, the trio's newest release is a picture perfect example of how to make great pop records: Keep it simple and make sure it sounds good. Both seem easy, but anyone who has ever tried knows exactly how difficult moderation can be. The Power of Pop doesn't waste notes -- in particular, Eickhoff's bass complements the guitar instead of just doubling it (she sounds a bit like McCartney, to tell the truth), the guitars swirl convincingly, sounding at moments like the vintage Cure/Church chime sound and able to carry off the required late '70s muffled hand strumming that fans of Marshall Crenshaw to The Romantics all recognize. The songs are quick, intelligent, and thankfully free of the clichéd gestures that seem all too prevalent in most pop music created by women -- in other words, Nillah doesn't sound like a K-Tel version of The Ramones. The final cut, the acoustic "The Ghost Again," could well appear on a Matthew Sweet album one day, and makes good use of the harmonizing of Eickhoff and Gentry. For everyone who thinks Atlanta is only home to such folks as Collective Soul or Marvelous 3, rest assured, we can do better. Nillah is the proof."

James Mann, Ink 19, December 2001