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Noah Earle : Six Ways to Sunday
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Acoustic, Midwestern-rooted and blues-influenced contemporary folk
Genre: Folk: Folk Blues
Release Date: 2004
Six Ways to Sunday Record Label: Noah Earle
  • Download Album (MP3) - $9.99
  • Buy CD - $14.00
Preview Song Name Time Format Price Select
Land of Goshen 5:18 $0.99
Nothing to Say 3:54 $0.99
Six Ways to Sunday 4:13 $0.99
Please Leave 3:48 $0.99
You Always Do 4:31 $0.99
Crack of Dawn 4:09 $0.99
A Letter in My Pocket 4:31 $0.99
Hula Dance Heart 3:41 $0.99
Bring on the Apocalypse 2:48 $0.99
My Last Day 3:47 $0.99
Dark Water, Bright River 5:22 $0.99
Lord Willing and the Creek Don't Rise 2:39 $0.99
Preacher's Blues 3:18 $0.99
The Boogie Man 2:42 $0.99
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Album Notes

Noah was born in Topeka, Kansas, “a good place to dig potatoes.” His musical involvement began in early childhood when he would listen to the traditional country and country-gospel music that his family would play and sing at their gatherings. By around age six, his uncle had taught him some chords and he’d sit in the corner with his miniature guitar, struggling to mimic the chords that they fretted. Between the ages of about 5 and 18 he underwent classical training for piano, voice and fiddle (his grandpa said “never let anybody call it a violin”). By the age of 10, he had decided that he wanted to write songs, like his uncle and grandfather, starting with gospel lyrics (at a very young age) and moving on to sappy love songs with piano accompaniment. Throughout this time, he was also exposed to blues and jazz by his dad and another uncle, both of whom sang and/or played in a number of bands. He and his brother Nathan spent several years singing contemporary R&B in junior high and high school, then got into alternative rock ‘n’ roll. In 1996, the year Noah graduated from high school, they went to Hollywood and worked with Mr. L. Entertainment (then a subsidiary of Disney). Dissatisfied with the synthesized production of their songs, and unable to crank out enough songs that seemed like pop single material, they came back to the Midwest, traveled to Europe and South America, and played around the Kansas City area for a couple years with the various bands they put together, including the Great Plains Weathermen. Noah has been touring as a solo performer throughout the Midwest for over 3 years. His debut cd, “Six Ways to Sunday,” has garnered him praise in the UK, Belgium and the Netherlands, as well as at home. Most recently, Noah won the solo category of the Kansas City Blues Challenge and was a finalist in the International Blues Competition in Memphis in January of 2006. His second album, “Postcards from Home,” is scheduled to be finished in April of 2007 and will be his first release on Mayapple Records.

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REVIEWS

Great CD, Great Entertainer
author: The CosmicMonkey
I sat and listened to this guy play phenomenal guitar and sing with a voice that is as clear and clean as a mid-Missouri morning. I highly recommend anyone to check him out because he "sings songs of inspiration and regret" with humor, intelligence and wisdom. I have listened to his CD, Six Ways to Sunday seventy times since last weekend when I saw him play, and it never ceases to entertain.
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Noah deserving of high praise.
author: Jeff Wiens - jeffwiens.com
Noah is one of those performers who knows how to turn a phrase, hit a note, pluck a string in ways familiar but new. His lyrical choices seem honest and near to him. His melodies are like the best rides down the thrill-hills of home. And his guitar playing stirs. He's in a league of his own.
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This album maintains a precarious balance between hard-edged blues pickin' and v
author: Pistol
This first album by Noah Earle invokes the push and pull of midwest life better than any other effort I have yet to stumble upon. The "Heartland" is a place of indecision, complacence, familial closeness, and emotional pitfalls. It is no wonder the young Earle plays in so many styles and vasillates between the emotional intensity of "Six Ways to Sunday", the bold political commentary of "Bring on the Apocalypse", and the pillow talk of "Crack of Dawn." When you are raised in the middle, there are so many directions to head. Is it indecision that sends the songs on this album in so many directions? My tendency is to think it more as youthful ambition. Each of the songs on this album are successful in their own very unique way. It is as if Earle is serving up a 14 course meal, starting with buttery biscuits and moving quickly to the collard greens. And who says you can't have your sweets before your meats? The lyrics on this album are wonderful! Earle has an excellent ability to tell stories of down-on-your luck midwestern characters, and tells his own stories with heartfelt honesty. Earle's lyrics give us a tiny glimpse into his insight and maturity. Listening to this album makes me want to sit around a campfire and drink whisky with this guy. Nice work, Peanut.
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well-rounded cd
author: Ryan
Blues, jazz, folk, country, great melodies, top-shelf vocals, and foot-tapping rhythms--These are just some of the things this cd has to offer. No two songs sound remotely alike which makes this album an excellent play that never wears out. I'm anxiously awaiting the next cd!
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