Nevermind Lullabye
© Copyright-Burton/Mychols
(837101388214)
Record Label: Nushu
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Lisa Mychols has played with numerous bands based in the L.A area in a variety of roles from bass player to drummer to leader of The Masticators before releasing a number of critically-aclaimed solo records. See 'Lisa Mychols' on Wikipedia for more info.
Lisa and longtime friend Hillary Burton formed NUSHU in 2006 after co-writing a number of songs together in late 2005 that led to a decision to go into the studio to see what would transpire. As both Hillary and Lisa play a number of instruments, the two of them played all the instruments and did all the vocal work on the record with the help of their co-producer/engineer, Steve Refling (Cockeyed Ghost, the Negro Problem, Natalie Merchant, Little Steven), stepping in to play those super-cool parts as only he can.
The recording sessions for NUSHU's debut album, Nevermind Lullabye, were completed in early 2007. Next came the final mixing, mastering and graphic design work leading up to the release in July 2007.
Even before the release of Nevermind Lullabye a number of the songs found their way to the airways as far West as Hawaii thanks to Michael McCartney with The Time Machine radio program which airs throughout the islands, to as far East as Florida thanks to Adam Waltemire at Pop Garden Radio.
Nushu's first live show took place in August 2006 at the International Pop Overthrow festival in Los Angeles and included Tom Richards and Ricky Tubb from The Waking Hours.
Discography
International Pop Overthrow, v9, compliation (2006)
International Pop Overthrow v10, compilation (2007)
Sweet Relief Compilation - benefit CD for victims of Hurricane Katrina (Jam Records, 2007)
Nevermind Lullabye (debut full length album 2007)
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Flawless
author: Daniel Z
I can't think of what I could say to convey how much I enjoy this record. My first thoughts after I listened to the whole thing was that as perfect as all the vocal harmonies are, that's how perfect everything else about the record is. The instrumentation, the lyrics, the pace... everything fits perfectly together and becomes even greater than the sum of it's parts. I'm partial to the softer, sweeter songs but there's some driving numbers that will cause the most deserved toe-tapping.
For anyone who is a fan of sincere and beautiful power-pop, you can not pass this record up.
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