Secret Love: the Music of Doris Day
Karen Oberlin
© Copyright-Miranda Music
(659057253626)
Record Label: Miranda Music
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1. Close Your Eyes |
3:09 |
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2. Que Sera Sera |
3:13 |
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3. Nobody's Heart |
3:02 |
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4. While the Music Plays On |
4:44 |
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5. Yes |
4:07 |
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6. Secret Love |
2:38 |
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7. I'll Never Stop Loving You |
4:48 |
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8. I'll See You in My Dreams |
4:01 |
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9. Tulip or Turnip |
3:00 |
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10. It's Magic |
4:27 |
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11. I'd Rather Be With You |
5:38 |
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12. The Night We Called It a Day |
3:12 |
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13. I Got Lost in His Arms |
2:51 |
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14. Sentimental Journey |
4:12 |
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15. Little Girl Blue |
4:42 |
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16. Put 'Em in a Box, Tie 'Em With a Ribbon |
3:04 |
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17. How Are Things in Glocca Morra? |
3:15 |
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18. We'll Be Together Again |
6:30 |
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From the liner notes by James Gavin (author of Deep in a Dream: the Long Night of Chet Baker, published by Knopf):
Most people think of Doris Day as a Hollywood girl-next-door who sang in her films. Posterity hasn't quite placed her where she belongs: among a handful of truly great singers - Frank Sinatra, Peggy Lee, Rosemary Clooney - who made lyrics sound so personal and true that you forgot you were hearing a so-called "performance." James Cagney, Day's co-star in Love me or Leave Me, summed up her gifts: "The touchstone is simplicity, the simple line of performance, directly to you, uncluttered." In her best and worst films, in "The Comb and Paper Polka" or in the Rodgers & Hart score of the movie Jumbo, Day's utter genuineness never fails to touch the heart.
So it is in Karen Oberlin's jazz-inspired salute to Day. For the last few years, Karen has charmed cabaret and theater audience in and out of New York, her hometown. Were this 1945 - the year that Day brought Les Brown's orchestra to its peak of glory with her vocal on "Sentimental Journey" - swing bandleaders would be vying for Karen's services. But we're lucky to have her here now: a singer who, like Day delivers each song with warmth, honesty, and no frills; who radiates positive energy; and who makes you feel she's by your side, singing in your ear.
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One of the better "tribute albums" I've heard
author: Bruce R. Gilson
I'm a Doris Day fan, so when I listened to this CD I couldn't help comparing Karen Oberlin's versions with the originals, although I have to admit that only about half of the songs in this collection are ones of which I know Doris Day's versions. And I've heard some pretty bad "tribute albums," like Bette Midler's tribute to Rosemary Clooney. So I listened with a lot of curiosity. But basically, I liked what I heard. She doesn't try to be a Doris Day impersonator, but interprets the songs in her own, somewhat more jazz-oriented style. And I think she carries it off pretty well. She has a pleasant voice, and one well-suited to the songs. This CD is certainly worth listening to.
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