Stampede
© Copyright-Lovestreet Records
(7320470061329)
Record Label: Lovestreet Records
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Stampede with Pa Tollbom's
Offshore Quintet
New CD from Lovestreet Records - Loving Swedish Jazz
PA Tollbom's Offshore Quintet plays original compositions, written and arranged by drummer PA Tollbom. The group, originally a sextet, has existed for about ten years. The music on STAMPEDE could be described as modern hardbop with a personal sound, strongly influenced by Wayne Shorter, Woody Shaw, Miles Davis and others.
All band members are experienced musicians, active on the Swedish jazz scene, both in their own projects and as sidemen.
Offshore Quintet
Pa Tollbom - drums
Mattias Hjort - Bass
Torben Waldorff - guitar
Mårten Lundgren - trumpet
Mattias Carlson - tenor saxophone
1. Leprechaun [1.60 MB]
2. Barré
3. Dedication [1.55 MB]
4. Partille
5. Transylvania [1.50 MB]
6. Still present
7. Etch-a-sketch
8. Inner Urge
All compositions by Pa Tollbom except Inner Urge by Joe Henderson
All Arrangements by Offshore Quintet except Inner Urge
Produced by: Pa Tollbom & Jalle Hoffman
Executive Producer: Lotta Segergren
Recorded by: David Carlsson
Mixed & Mastered by: David Carlsson & Pa Tollbom
Recorded April 24 2004 at Lagret, Kulturkompaniet, Malmö, Sweden.
Cover design: Pär Wolfner
Photography: Jan Uvelius
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This is the closest we can get to the bombastic, yet technical drum style that d
author: Christer Nilsson YA / Translation Annika Westman
Dynamic and smooth
One of this country’s foremost drummers is based in Malmö, Per-Arne Tollbom. This is the closest we can get to the bombastic, yet technical drum style that distinguishes Billy Cobham, Steve Gadd and Dave Weckl. Here Tollbom presents himself with his own carefully chosen group of Malmö musicians - Mårten Lundgren, trumpet, Mattias Carlson, tenor, Torben Waldorff, guitar, Mattias Hjort, bass, who are exploring his seven original compositions.
It is both daring and confident, they really “draw their bow... ”
Typically enough, this is about a rhythmically touching pressure, where everything unimportant has been eliminated and all accents have been nailed to the point. It is constantly burning in the basic features from the imprints of neobop. A somewhat worn style, but when it’s being used by such talented musicians, there are no signs of wear and tear. Their grip is never lost, balance and logics are maintained through all hands. The sound is big and saturated, and especially Mattias Carlson’s hilariously technical tenor playing makes the hair of one’s neck stand up in surprises by controlled inhibitions, and he has previously displayed his joy of playing during his participation in Kristianstad’s XL Big Band.
This is a group with warmth and credibility that should have good hopes of becoming the exclamation mark of the summer at many jazz festivals.
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