Electroacoustic Compositions for Electric Guitar
© Copyright-Marco Oppedisano
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Marco Oppedisano - Electroacoustic Compositions For Electric Guitar
OKS Recordings of North America is pleased to announce the release of Electroacoustic Compositions for Electric Guitar, our fifth major release. This CD-R is now available through cdbaby.com as well as Amazon.com, Los Angeles’ Amoeba Records, New York’s Other Music and Kim’s Underground. It will be available for digital download at iTunes, Napster, Yahoo Music and many other digital download services.
Marco Oppedisano is a composer, a classically trained guitarist and producer. Marco has worked with Oren Fader, Tom Buckner and Kevin R. Gallagher, and he has performed the music of Glenn Branca. Oppedisano’s music has been described by Time Out New York as “…mind-bending music for electronics and guitar…hear Oppedisano’s intricate roar.” Tokafi said, “…this is full-on, in-your-face and almost confrontational music…Marco Oppedisano's music goes straight to your heart.”
This collection chronicles almost a decade’s worth of Marco’s electroacoustic music. For Electroacoustic Compositions for Electric Guitar, Marco abandoned live performance and found a paradise that mixes extended technique, digital processing, and pointillist editing.
In some places he achieves a beauty that rivals a Fennesz style of ecstasy and in others a distorted abstraction that could be compared to Keith Rowe, but Marco’s inspired ability to shape shift his guitar into so many beasts is a unique twist that is all his own. Each of these pieces was primarily sourced from his electric guitar or bass playing
and finely tuned for months or years, much like the work of a sculptor or masterpiece painter.
In his epic Time Lapse, Marco’s sound palette covers a great deal of territory starting with deep tones that resemble a didgeridoo far more than any stringed instrument before turning into a garden of tapewarped squiggles that recall Tod Dockstader’s classic work. Karmicom is a powerful piece displaying some of Marco’s most fierce guitar work that ends in a swirl of operatic vocals provided by the only other musician to appear on this recording, Marco’s wife, Kimberly. The End is Near is a jump-cut distillation of the broad range that Marco is capable of, easily hopping from gorgeous soundscapes to Zeppelin-style riffing.
Recently, Marco has started an electroacoustic improvisational trio with OKSRNA label-mates Bill Byrne (The Painful Leg Injuries) and John Ibarra (El Plan De Aguavodka) called BIOS. They have recorded an album, Retiring to Palermo to Make Apple Whine, due in late 2007. Marco has had his compositional works performed by the Fireworks Ensemble, Glass Farm Ensemble, Morris Lang and The Brooklyn College Percussion Ensemble, and The Zyryab Guitar Quartet of Portugal. In October 2006 and February 2007, Oppedisano headlined concerts at Dominic Frasca's The Monkey NYC featuring his electroacoustic works for electric guitar and works for live electric guitar and CD playback.
This CD-R release marks the latest major release from OKS Recordings of North America, a label run by Bill Byrne and his longtime collaborator, Jonah Goldstein. OKSRNA specializes in artist-created CD-R releases that cater to the tech-savvy listener who is ready for new arenas of creativity for musical expression.
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ELECTROACOUSTIC WORKS FOR ELECTRIC GUITAR (liner notes)
The works here were composed between 1999-2005. All sound sources on this disc consist of electric guitar and electric bass samples, with the exception of the female vocal samples in KARMICOM. Sounds were either kept in their original state or were processed with effects. These works have no live performance aspect.
Track 1, “Frozen Tears” is also a depiction from Dante’s Inferno and Track 8, “Limbo” is from the Purgatorio. They were not composed at the same time as the original Scenes from Dante’s Inferno set.
Marco Oppedisano, electric guitar and electric bass
Kimberly Fiedelman, voice samples
photo
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The Present Day Composer Refuses To Die
author: Music Listener
None too soon comes this debut album by Marco, an amazing musician. It is so inspiring to listen to an album such as this....uncompromising in following his inspiration. Beautiful production, compositionally complex, and created with excellent technique. One can hear Feldman, Subotnik, Stravinsky, Webern, Varese and Cage in Marco's pieces, but they are never derivative. There is an almost palpable feeling of authority and class about this disc....and as such it stands above anything else I've heard this year, irrespective of genre or record label.
Highly recommened.
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Brilliant!
author: David Lee Myers
I can't add much to what the other glowing reviews say. It's all true, this guy is one amazing talent. I call it "David Torn and Adrian Belew interpret Stravinsky". Serious composition here, and none of this obsessiveness with "guitar tone" and "chops", although he shows plenty. No, it's the music and the sounds that matter to Mr. Oppedisano. Buy it, you won't find anything like it elsewhere!
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Marco approaches electroacoustic composition for electric guitar neither in comp
author: Vincent Bergeron
I won't give it 5 stars because I don't want to lie concerning my listening preferences. I would prefer these pieces with singing and sometimes more obvious melodic patterns..but it's about the only negative idea (completely subjective of course) I can write about this fantastic demonstration "de savoir-faire".
Marco approaches electroacoustic composition for electric guitar neither in complete cold abstraction, neither in complete warm melodicism. This is perhaps why I prefer him to most guitarists exploring similar ideas. Not unlike Fennesz, he can be quiet accessible and really far from the academicians. He still learned more than a few tricks from them and he is truly not interested in doing a sort of soporific new age music for the moment - listening to latest Fennesz collaboration with Ryuichi Sakamoto, I was not impressed at all.
Let's forget about this comparison because Oppedisano is not just a few invented tricks repeated over the years. His talent to include a varie
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Groundbreaking avant guitar musique concrète!!
author: Ken Rubenstein
Marco is as contemporary and progressive a guitarist/composer as you will find on this planet. Amongst the many things that renders me in a paralytic state of awe over him is the fact that he has enviable tech/shred chops, and yet chooses to make a music
so entirely personal and artful and detached from anything that even remotely relates to the mainstream guitar culture. When he does sweep, it actually has compositional worth, as opposed to some indulgent act of flashiness.
He makes music strictly for himself and his very intimate vision of things, and for this reason alone it succeeds. This is music without compromise. It's often dark, complex and sonically on another plane all together. Marco walks that very delicate and elusive and razor thin line between conceptual and technical. That is where every composer should aspire to be, but most invariably fail. He has positively secured his place in the pantheon of important composer/guitarists. At times reminiscent of Stockhause
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