The Present Day Composer Refuses To Die
author: Music Listener
None too soon comes this debut album by Marco, an amazing musician. It is so inspiring to listen to an album such as this....uncompromising in following his inspiration. Beautiful production, compositionally complex, and created with excellent technique. One can hear Feldman, Subotnik, Stravinsky, Webern, Varese and Cage in Marco's pieces, but they are never derivative. There is an almost palpable feeling of authority and class about this disc....and as such it stands above anything else I've heard this year, irrespective of genre or record label.
Highly recommened.
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Brilliant!
author: David Lee Myers
I can't add much to what the other glowing reviews say. It's all true, this guy is one amazing talent. I call it "David Torn and Adrian Belew interpret Stravinsky". Serious composition here, and none of this obsessiveness with "guitar tone" and "chops", although he shows plenty. No, it's the music and the sounds that matter to Mr. Oppedisano. Buy it, you won't find anything like it elsewhere!
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Marco approaches electroacoustic composition for electric guitar neither in comp
author: Vincent Bergeron
I won't give it 5 stars because I don't want to lie concerning my listening preferences. I would prefer these pieces with singing and sometimes more obvious melodic patterns..but it's about the only negative idea (completely subjective of course) I can write about this fantastic demonstration "de savoir-faire".
Marco approaches electroacoustic composition for electric guitar neither in complete cold abstraction, neither in complete warm melodicism. This is perhaps why I prefer him to most guitarists exploring similar ideas. Not unlike Fennesz, he can be quiet accessible and really far from the academicians. He still learned more than a few tricks from them and he is truly not interested in doing a sort of soporific new age music for the moment - listening to latest Fennesz collaboration with Ryuichi Sakamoto, I was not impressed at all.
Let's forget about this comparison because Oppedisano is not just a few invented tricks repeated over the years. His talent to include a variety of textures heard for the first time in different time eras give his music a timeless feel. Time Lapse from 2004 reminds me of Mike Oldfield, but with frenetic, close to video games transverb effects. Later, a sort of digital krautrock sounds a bit like Trans Am with Ben Frost or if Werner Herzog made movies in collaboration with David Lynch ; your grandmother might die soon, but her spirit will always live on in the mythology of her genealogical tree. Elsewhere, he often acknowledge New-York noise, but refuse to let it define his multidimensional sound.
This is a first official release and I'm sure it's meant to showcase the guitarist abilities through a wide range of dynamics, sound intensities, structures and production techniques. Perhaps, it's sometimes hard to identify the true Oppedisano in all this diversity, but a first release coming from an electroacoustic guitarist should always be this much fun !
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Groundbreaking avant guitar musique concrète!!
author: Ken Rubenstein
Marco is as contemporary and progressive a guitarist/composer as you will find on this planet. Amongst the many things that renders me in a paralytic state of awe over him is the fact that he has enviable tech/shred chops, and yet chooses to make a music
so entirely personal and artful and detached from anything that even remotely relates to the mainstream guitar culture. When he does sweep, it actually has compositional worth, as opposed to some indulgent act of flashiness.
He makes music strictly for himself and his very intimate vision of things, and for this reason alone it succeeds. This is music without compromise. It's often dark, complex and sonically on another plane all together. Marco walks that very delicate and elusive and razor thin line between conceptual and technical. That is where every composer should aspire to be, but most invariably fail. He has positively secured his place in the pantheon of important composer/guitarists. At times reminiscent of Stockhausen, Ligeti and even some Milton Babbitt or Subotnik, and at other times extending the idea of the loop/sample playback work of modern composers such as Reich, Adams and Scott Johnson (for instance works like John Somebody and Patty Hearst), Oppedisano creates an extremely engaging and emotionally evocative world.
The production is jaw-dropping. Marco has obviously paid great attention to sonic detail and clarity, as well as compositional depth. Listening to this CD is an incredible aural experience and touches your heart, soul and brain all simultaneously. If you want to experience artful and virtuosic and uncompromisingly modern and progressive music, I highly recommend picking up this CD.
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