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Peter Orphanos : With Open Eyes
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Innovative Guitar in a multi genre setting - All original compositions. Blues,jazz,folk,r&b,classical are all explored. New guitar techniques never before applied,are with Peter Orphanos.
Genre: Jazz: Free Jazz
Release Date: 2002
With Open Eyes Record Label: Orphan Record Co.
  • Buy CD - $15.00
Preview Song Name Time Format Price Select
40 Acres and a Mule 0:28 Album Only
Cornsilk Bender 1:28 Album Only
4 U, Blues 1:06 Album Only
Times That Were 4:54 Album Only
Ivy 0:16 Album Only
Half Mast 7:16 Album Only
Beautiful Love 6:00 Album Only
Graced 5:24 Album Only
Poem For Number Fifteen 7:03 Album Only
Muse For Painting 1:26 Album Only
The Sky at Night 4:24 Album Only
4 U, Blues 1:06 Album Only
Blues For You's 3:30 Album Only
Climbing Ivy 0:51 Album Only
From The Tower Window 1:57 Album Only
Etude No. 441 0:47 Album Only
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Album Notes

I was first introduced to painting and music by my mother. Even before conscious memory the smell of turpentine permeated the air, with the sounds of Bach and Bird playing in the background,...and I always loved to get (in) to the paint.

Sometime before 1956 I first came across the sound of a piano on the radio. But it was the sound of the guitar in 1962 that captivated me even further. I was struck by the voice-like sonority, fullness and omni-dimensional presence: almost as if it was sculpted. It was this feeling that I connected art and music. I still see and hear correlation within and in each, and I see no separation between art and music. It is with this spirit I foresee and hear the color in music and sound of the artwork itself.

Just as Pianist Bill Evans and Double Bassist Ted Kotick once played at paintings, interpreting them musically, most of the music from "With Open Eyes" was written in this spirit. I wrote the music from paintings. And when I recorded "With Open Eyes," I was conscious of my muses: the paintings. By confronting my dreams in color and sound from an early age I feel I represent them as closely as humanly permissible.

Memory and Fantasy became the same, just as Music and Art did for me. Isolated movements represented Dialogues of greater things Culturally, Musically, and Artistically. Drawing out of my mind: Seqarching for images that have the most meaning.

Therefor these paintings need no explanation and will explain itself to you alone, a certain way, in only the way you see/interpret. Love is a feeling one can have but can't explain, why should art/music spiritual based expresstions be systematicly generated? Certainly remain unguided. An artist first and foremost artist, therefore the music will have sight &/or you can now hear the painting so therefore the art has a substance and means something more. Not that you the viewer dosn't have imagination to interpret what ORPHANOS has pained but to fulfill a true interpretation for yourself - the most important piece in the painting even though spiritually you are there. Music from music. Is an artist artistcally unworthy because; the most important member in the band/group/ensemble/art show is the audience.
Peter Orphanos


"Peter has struck gold here - he has a great rhythm section and every sound speaks of a new beginning."
Archie Shepp


A Multi Genre Instrumentalist Peter Orphanos has incorporated brand new Guitar techniques and assembled innovative musicians for this groundbreaking session.
An innovative guitarist with world renowned musicians, visualizing paintings within music, an extraordinarily deep and inspiring new approach to guitar and composition -well worth a listen.

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REVIEWS

Liquid Spheres of Luminous Sound!
author: George Koumantzelis
"Peter O." - as we used to call him - is one of my oldest friends and a real musician's musician. His whole family has been steeped in music since before he was born. The man is a natural-born musical genius. This is not to say that he does not work hard at his craft - which he certainly does - but that he is truly gifted as a person with a strong aesthetic sense that comes though in his art as well as his music. His uncle played in jazz bands, his mother is a painter and a pianist, his older brother, Lou, is a concert pianist, and his sister, Audrey, plays the concert flute. He's been around music his whole life, and as long as I can remember - since we were both kids in our early teens - he could be seen with a guitar case in his hand. The guy just oozes out music! This first album of Peter's is just the tip of the iceberg. He's got a lot in him to express, and there's a lot more where this came from. I've collaborated with him, and recorded him, and been to his gigs, and I can say firsthand that you will be hard-pressed to find a more serious and studious musician and composer. He's got the fire in his belly, too! Peter played guitar on two songs on the first AEOLIAN KID album, "Euripides Rising" - "Hard-Core Punk-Rocker" numbers 2 and 3, and on both songs he exhibits both sides of his personality. On #2, he shows his spontaneous, fiery side. On #3, he shows his more reserved and romantic compositional side. Both are beautiful in their own way. This album by Peter goes even further and shows his deeper side as well as his ability to wear many musical hats. He pretty much put this whole thing together himself - and he did a damn good job of it. Good work, "Peter O. !" I can't wait to hear what is coming out next. YOWZA! - George Koumantzelis / The Aeolian Kid
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A modern masterpiece! Don't miss it.
author: Michael Minutoli
This album contains the most fresh and inventive music I have heard in quite a long time. Peter's flawless technique allows a degree of emotional expression that is very rare in today's music. His playing has a subtle richness in detail that amazes me ever time I listen. Peter Orphanos is a great artist in full control of his art.
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