listen to your hart
author: JED PAULSON
Hi Cus,you are grate wow i need the alben with listen to your hart and the one with ragtime anney
E me your adress and how mutch anf i will send the $ emeditaly, Kristene hoked me up with your site and i glad, all's just grate here, hope you are doing grate also-1865 7th. ave. E. prince rupert b.c. v8j2k6 take care Aa Jed
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amazing, shockingly talented musicianship and teamwork
author: stefan kling
i first got this cd at the richmond bluegrass festival, and it absolutely blew me away. The songs blend bluegrass, jazz, and latin beats beautifully.
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"Whether traditional or improvisational, the music on Old School Freight Train
author: Bluegrass Now Magazine
" Four musicians, with influences ranging among blues, classical, folk, and jazz moved to Richmond, Virginia and formed a bluegrass band. Young, eager, and hungry, they wood-shedded for six months, honing their sound until they deem it worthy for public performance. Six
months later, they take runner-up honors at the Telluride band competition. Then they add a classically trained violinist.
It may not be the typical genesis of a bluegrass and acoustic string band, but one thing’s for certain: Old School Freight Train has left the station with a brilliant self-titled debut CD. Pete Frostic (mandolin), Jesse Harper (guitar, light percussion, vocals), Ben Krakauer (banjo), Darrell Muller (upright bass, vocals) and Ann Marie Simpson (fiddle, vocals) offer 11 gorgeous originals, consisting mostly of straight ahead bluegrass flavored with a few eclectic pieces.
Bluegrass standouts “Horizon Line” and “Long Journey Back” feature tight musicianship, powerful vocals, and lush harmonies. Instrumentals “Beginner’s Mind” and “Tango Chutney” afford the quintet opportunities to stretch and explore jazz, Latin, and Dawg music. Whether traditional or improvisational, the music on Old School Freight Train is a stunning set, rich in beauty, depth and texture.
There’s no doubt about it. Old School Freight Train is on the right track!" (TAW)
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author: Bluegrass Unlimited Magazine
Bluegrass is changing, no doubt about it, and Old
School Freight Train is one of the hottest examples of
this "new" approach to come across my desk in ages.
Part Eagles-style harmonies, part Nickel Creek
instrumental prowess, a fair amount of jazz
syncopation, and a healthy dose of bluegrass glue
holding it together, OSFT's self-titled debut
album (recorded at Doobie Shea Studios) grabbed my
attention on the opening cut and held it throughout.
All 11 tunes are band originals, displaying an
excitingly broad range of styles. Tracks include
hard-driving bluegrass instrumentals and equally
bluegrassy vocals. There are some late-night Latin
jazz sounds("Beginner's Mind" and "Tango
Chutney"-extra points for the snappy title), and
there's the dynamic and progressive "Waterveil" with
its bright mandolin melody and matching guitar lines.
"Horizon Line", a bluegrass/acoustic rock hybrid,
opens the album with strong, full-bodied vocal
harmonies, while a swingy, jazzy tune, "Dog and Pony
Show," brings the disc to a close.
OSFT band members are not only skilled with their
instruments but obviously comfortable with them as
well, and they're not afraid to use them. Jesse
Harper's guitar playing, both steel- and nylon-string,
is strong and clear whether the tune is bluegrass or
jazz. Darrell Muller's bass is often given the
spotlight, most often on the jazz tunes, and even when
it's not, the mixing allows it to be heard in a
solidifying way. Ben Krakauer's banjo can be
hard-driving or subtle, depending on the tune, while
Pete Frostic's mandolin chops and Ann Marie Simpson's
fiddle play beautifully off each other throughout the
album.
OSFT should be a huge hit with younger audiences
and those with more eclectic tastes. A great blending
of traditional and modern styles. JK (Julie Koehler)
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