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Peter Oyloe : words & music
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Peter Oyloe provides for the listener a beautiful male voice lending itself to rich text in a wash of competent and finely crafted instrumentation.
Genre: Folk: Modern Folk
Release Date: 2004
words & music Record Label: Somedays the Sun Records
  • Download Album (MP3) - $9.99
  • Buy CD - $12.00
Preview Song Name Time Format Price Select
Long After It's Gone 6:37 $0.99
Coffee in the Morning 4:53 $0.99
Dreaming of the Underwater 5:35 $0.99
I Didn't Know 5:02 $0.99
Maybe 4:25 $0.99
Further From the Coast 3:41 $0.99
They Follow Sails 5:06 $0.99
The Snow is Quiet 4:34 $0.99
My Bathe With You 6:08 $0.99
I Am 6:42 $0.99
All My Life 4:17 $0.99
preview all songs

Album Notes

Peter Oyloe's debut album, words & music, is precisely crafted and fueled by a captivating and rare talent. By his own words, Oyloe is "an old soul, raised on homegrown goats milk and thoughtful solitude, whose love of love and people is constant and strong."

Perhaps it's the well-tended, organic Iowa roots that have enabled Oyloe's talents to far exceed most of his contemporaries. For an industry that has been heavily polluted with the mass marketed-whir of overproduced pop singers or the homogenous drone of the Indie scene (the title of which loses meaning daily as its forefront members become increasingly featured on MTV and mainstream radio), Oyloe's arrival in the music world is a long awaited breath of fresh air.

Oyloe grew up listening to his father's record albums and came to love such music as The Beatles, Crosby, Stills, Nash & Young, Cat Stevens and Michael Martin Murphy's "Geronimo's Cadillac". Buying his first guitar for ten dollars, he was compelled to start playing and writing immediately and begin his search for the perfect melody, one he has yet to satisfy.

Through his music, Oyloe plays tribute to those he admires while managing to keep the sound his own and something hand-tailored for the modern day. His lyrics are clearly-focused, revealing simple truths grounded in the enigma of fierce emotional intimacy: lost loves, personal challenges, misunderstanding, lies and unrealized dreams. "My music haunts me," Oyloe says. "It frustrates me, it is soothing and challenging, dangerous and disastrous, beautiful and bland"

Oyloe's vocal talents fall easily into the ranks of legends such as Jeff Buckley and James Taylor, saturating every song with lush melodies, sometimes soaring and crooning and sometimes delicate and understated. His vocal ranges alone traverse a broad spectrum of emotion, at times dark and contemplative, reflecting the stark honesty and ardor Oyloe brings to his music, and other times driven by an upward grace and sweeping romanticism.

words & music technically isn't the first album Oyloe has worked on. He previously recorded a full-length album with college-friend Tommy Mokas and their group, Coldwater Poets. However, due to lack of funding and Oyloe's decision to move to New Zealand, the project was never able to be released. It was in New Zealand that Oyloe pushed the boundaries of his artistry in several compelling and remarkable directions-being cast as Marius in the country's production of Les Miserables, he added to a long list of credentials as a actor/musical theatre singer, Oyloe also traveled extensively, where he found much of the time and inspiration to write and compose his own music.

What makes words & music even more remarkable is that it is entirely self-produced and recorded locally and comes with the support of several local area musicians.

The beauty and magnitude of Oyloe's talents are sure to raise the standards in the music industry of today and for generations to come.

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REVIEWS

Peter is the best folk singer I've heard in decades.
author: Liz Kaye
I first heard Peter's music on a music based website. Out of the thousands of singers on the site, he quickly became my favourite. I am a child of the 60's and 70's, so grew up listening to folk music. Peter easily compares with the greatest from that generation. His voice is comparable to that of Tim Buckley...in other words, amazing. Because of my financial situation, I rarely buy Cd's any more...but for words&music, I made an exception. There is rarely a day that goes by that I do not listen to this magic. Peter's album has brought me to tears...to great yearning...and produced smiles. I close my eyes, and just let his music take me to another place. Peter's lyrics are so meaningful, and his enunciation allows his listeners to hear the stories he weaves with his words. He has also gathered some great musicians to play along with him...the violinist is sublime. If you enjoy the best of the best in acoustic/folk music, then this is the CD to buy and listen to, over and over again. I have a feeling Peter is going to be an international star some day...he is that good! This CD was one of the best gifts I've ever given to myself.
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Just what I expected...
author: Brie
...a fantastic example of musicianship and soul from the very talented Mr. Oyloe. Beautiful, moving, clever, and perfect for listening to around the house on a lazy Saturday afternoon. Would recommend this album to anyone... and I will!
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Oyloe's capacity for self-reflection assures us that we are in good company,
author: Hannah
I was listening late the other night to an old folk tune, a song from a different time, and thinking that the role of that artist wasn't that of a removed icon but of a kind of shepherd - one to bring the losses and gifts of people's real lives into melody and verse. I realized that this is what Peter Oyloe has done in his album of today, "words & music." He has somehow managed to tell life-stories that listeners will recognize as their own - the questing and knowing, all bittersweet and in love. Oyloe's capacity for self-reflection assures us that we are in good company, that this shifting world has not yet lost all curious ones. His voice, like his lyrics, is genuine and true to the emotion of his songs, sometimes soothing, sometimes entreating. The journey of the near-hour brings you into your own complexity for a time, bades you to ask of it what you will. It invites us to know the many veiled dimensions of this life. The musicians supporting Oyloe know the way to a landscape of the mind. They skillfully express the rooms, plains, and colors of his work. Where it all meets, we are charged with the task of opening our humble selves, of knowing each other more truthfully, and of growing wizer.
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I’ve heard he owns a pair of fake leather pants...
author: Phillip Fivel Nessen
Song titles like “The Snow is Quiet” are risky business as they carry with them a vague familiarity to the gently floating, slow and feelingless balladry that easily falls into the category of terrible stock songs, the kind that are mailed to radio stations on cassettes with ink jet printed inserts with pictures of prairies and bad type that quickly find their way to the trash bin, their cases confiscated to protect a Bad Brains mixtape on its journey to a pen pal in Argentina. But this song is not that, instead it’s a gin and tonic fueled romp through a really good Christmas party, capturing honest, pleasant feelings of admiration and flirtation that have proven to be incommunicable by contemporary singer song writers. Perhaps the albums best lyrical moment is found here, where Peter sings “I am around and under, you are over and bellow.” His exceptional voice is always used to best effect when he gives the inner monologue of self-evident imagery a rest and taps into the greater potential of metaphors. In many ways the discrepancy between “Snow”’s title and its content represents the disk as a whole; Peter isn’t influenced by garage rock, he isn’t singing about breasts, whiskey, or paychecks, I’ve heard he owns a pair of fake leather pants but I doubt he’s ever worn a skinny tie or a cowboy hat, and so his music is at great risk of falling into the category of awful songs mentioned before, but against these odds he transcends his lot and has created a disk of astonishing sincerity and quality. Although the first track is a throwaway, with lyrics both incoherently written and also mixed at an incoherent level, which is shame because nonetheless there are a exquisite music call and lyrics moments that might have been complimented better, the remainder of the disk is of significantly better quality. The more focused production on “Coffee in the Morning,” “Dreaming of the Underwater,” and “Maybe” certainly allows the vocals to shine. But the standouts are found on the second half of the disk. The track to which I am most partial, “Further From the Coast,” could be a drowned man’s recollection of a life lived well as he falls league after league to the ocean floor. The track not only features beautiful and brilliantly balanced instrumentation, the kind that you hear and the classic singer song writer albums, with a great compliment found in the pairing of finger style guitar playing with something that has to be the pizzicato strings of a cello and other truly fantastic string work. “They Follow Sails,” features a less content narrator, and is the only time the disk dips into the realm of the painful. “I Am” is the CDs best track, the lyrics are the most sincere, and powerful, the music is perfect, and the yodel in the middle is to die for.
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