Cornucopia of Colors
author: Brian Padrazzi
Forgotten Voices is a quietly addicting album that slowly but surely works its way into the subconcious. An eclectic mix of world-jazz pop tunes with Balinese, Brazilian, and African flavors make the album an engaging listen from beginning to end. Each song gradually reveals its own identity through subtle, creative touches that give the record depth and character and invite the listener back for another listen and another. Although, it only takes one listen to realize the superb craftsmanship of Brian Whistler, songwriter/musician, and the unique vocal talents of collaborator and sometime co-writer, Pablo Rodriguez.
Rodriguez's vocals are showcased throughout, as he moves gracefully from R&B to African chant to Brazilian jazz-flavored pop. Rodriguez's signature tenor delivers each song with intense honesty and remarkable precision. On "Love Crimes" he invites comparison to the great Al Jarreau. Yet, Rodriguez is no would-be imitator of Jarreau nor one time teacher, Bobby McFerrin; he has securely established his own musical identity.
The CD features Paul McCandless (Oregon),, Walfredo Reyes, Jr. (Santana, Steve Winwood, David Lindley), Kit Walker (Jai uttal, Neal Schon), Gary Brown (Airto) and about 20 other world class musicians, mostly from the northern California bay area.
McCandless' soaring soprano sax, as well as oboe and English horn are prominently featured throughout. His stunning solos, particularly on "Love Crimes" and "Grains of Sand", are superb examples of this underrated artist's incredible multi-talents. - Eric Raven
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"Forgotten Voices" is phenomenal indeed.
author: Elaine Washington
Review: Brian Whistler and Pablo Rodriguez define the elements of jazz and pop with world flavors in the 11-track album, "Forgotten Voices," a result of a 15-year collaboration.
Filled with meaty compositions and strong vocals, "Forgotten Voices" is a sophisticated collection that most discriminating listeners would appreciate. San Francisco keyboardist and vibist Whistler gets to the essence of the music with his arrangements, which illustrate each song's intention.
Rodriguez's vocals are showcased throughout, whether he used African chant to R&B with grace. Add musicians Paul McCandless (soprano saxophone), Marquinho Brasil (percussionist), Gary Brown (bass), Walfredo Reyes Jr. (drums) and keyboardist Kit Walker-- there is a wonderful mix of 20 musicians involved in the production with instrumentation ranging from piano to string trio. "Forgotten Voices" is phenomenal indeed.
Reviewed by: Elaine Washington
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A stroke of genius that connects jazz with the world of south america
author: jazz dimensions.com
After more than 25 years on stage as sideman this first album of the keyboardist and producer Brian Whistler is outstanding. Filled with social criticism, the lyric content is absolutely contrary to the pleasing sound of his beautiful music. This album is not "smooth-jazz", but some kind of world music, ingeniously improved by the voice of Pablo Rodriguez.
Pablo Rodriquez, who is rightly compared with Al Jarreau, has a voice that is brilliant from low to high. He is able to change each text into a song and also knows how to handle scat-singing. This man would rightly belong in the first league of jazz singers. His is a rare talent waiting to be discovered.
Brian Whistler took several years to produce this album, searching out the best musicians available. Better known names of the line-up are e.g. Paul McCandless from Oregon, Walfredo Reyes jr (David Lindley, Santana,Steve Winwood, Ricki Lee Jones) percussionist Marquinho Brasil (Maria Carey) and Gary Brown on bass (Airto) - without wanting to be unfair to the other unnamed musicians.
"Forgotten voices" tells of bursted dreams, of people who never had a chance. The necessity to save our world is told - and also about love and the very big feelings. Nearly overproduced, B.W. work can be named as stroke of genius. A stroke of genius that
connects jazz with the world of south america - and with a singing that does not know frontiers.
-Carina Prange (translated from the German)
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Eclectic World/Jazz
author: Brian Grosjean WWUH
On this first album under his own name, San Francisco - based Brian Whistler collects a stellar backup group to record his jazz/world concepts. First impressions are of Lyle Mays of the Pat Metheny Group or some Weather Report with influences of Bali, Japan, and other Far Eastern destinations. Pablo Rodriguez fronts these enjoyable compositions with his tenor jazz vocals reminiscent of Al Jerreau or Bobby McFerrin. On closer inspection, lyrics attack social issues in a jazz context - a radio friendly cut remembers the forgotten voices of the homeless and disposed of. Whistler is backed by a retinue of jazz/world journeymen, including Kit Walker and Goeffrey Gordon from Jai Uttal's group and Alfredo Reyes from Santana's early group on drums. When not supporting Rodriguez's vocals, Paul McAndless's reeds take over the songs, but it turns the heading farther back to home. With this pedigree, songs slide along on more than competent musicianship, but do not challenge or assault. Ambient openings like on This Little World betray Whistler's training with Harold Budd. Highly recommended for jazz/world explorers.
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