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Brian Whistler & Pablo Rodriguez : Forgotten Voices
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An original, eclectic blend of jazz and pop with world flavors from Bali to Brazil. Meaty compositions with strong vocals and intricate textures featuring Oregon multi reedman, Paul McCandless
Genre: Jazz: World Fusion
Release Date: 2001
Forgotten Voices Record Label: eartrek
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Preview Song Name Time Format Price Select
Kembali 4:32 Album Only
Love Crimes 5:37 Album Only
Grains of Sand 4:51 Album Only
This Little World 8:16 Album Only
Soul Traveler 3:46 Album Only
The Healing 4:19 Album Only
Forgotten Voices 4:30 Album Only
The Fox 5:26 Album Only
Yamane 5:31 Album Only
Colors of the Day 4:06 Album Only
Lighten Up 5:40 Album Only
preview all songs

Album Notes

Forgotten Voices is a musical phenomenon. As soon as one attempts to pigeon hole it as, for example, world jazz, one feels compelled to qualify the label and quickly add: with a lot of pop and folk elements as well. And a bit of western classical influence. Not to mention Balinese, Brazilian and African flavors. But any label, broad as it is, falls short of capturing the essence of what these versatile musicians are really up to, which is integrating these diverse elements into well crafted songs that get under your skin the more you listen to them. As musically sophisticated a collection as this is, it is first and foremost an album of finely honed songs with great vocals. The elements that really tie these diverse musical excursions together are in the writing and arranging of Brian Whistler, and the unique vocal talents of collaborator and sometime co-writer, Pablo Rodriguez. Whistler, a bay area jazz keyboard and vibist, gets to the essence of the tunes with his arrangements, which serve to illuminate the song's intention rather than call attention to themselves. Pablo's signature tenor is the focal point of the CD. His singing, while precise and understated, conveys an intensity, honesty and vulnerability rarely found amongst male singers in any genre. A one time student of Bobby McFerrin, Rodriguez is not another would-be Bobby imitator; he has securely staked out his own musical turf. Paul McCandless' (Oregon) soaring soprano sax, as well as oboe and english horn are prominent throughout. His solos, particularly on Love Crimes and Grains of Sand are stunning examples of this underated artist's outstanding work . Percussionist Marquinho Brasil (Jose Neto, Mariah Carey) possesses a poet's sensitivity in his subtle choice of colors, bringing out hidden meanings to a vocal phrase. And Gary Brown's (Airto) bass adds a supportive underpinning to the mix, as does the drumming of Walfredo Reyes Jr (Santana,Steve Winwood, Rickie Lee Jones), keyboard wiz Kit Walker ( Neal Schon, Steve Smith, Jai Uttal, ) All together, there were over 20 great bay area musicians involved in the project. Instrumentation varies from a primary band sound to a contemporary chamber sound scored for piano, bass, bassoon, oboe and string trio. Ambitious and multifaceted, Forgotten Voices will please jazz, world and pop fans alike.

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REVIEWS

Cornucopia of Colors
author: Brian Padrazzi
Forgotten Voices is a quietly addicting album that slowly but surely works its way into the subconcious. An eclectic mix of world-jazz pop tunes with Balinese, Brazilian, and African flavors make the album an engaging listen from beginning to end. Each song gradually reveals its own identity through subtle, creative touches that give the record depth and character and invite the listener back for another listen and another. Although, it only takes one listen to realize the superb craftsmanship of Brian Whistler, songwriter/musician, and the unique vocal talents of collaborator and sometime co-writer, Pablo Rodriguez. Rodriguez's vocals are showcased throughout, as he moves gracefully from R&B to African chant to Brazilian jazz-flavored pop. Rodriguez's signature tenor delivers each song with intense honesty and remarkable precision. On "Love Crimes" he invites comparison to the great Al Jarreau. Yet, Rodriguez is no would-be imitator of Jarreau nor one time teacher, Bobby McFerrin; he has securely established his own musical identity. The CD features Paul McCandless (Oregon),, Walfredo Reyes, Jr. (Santana, Steve Winwood, David Lindley), Kit Walker (Jai uttal, Neal Schon), Gary Brown (Airto) and about 20 other world class musicians, mostly from the northern California bay area. McCandless' soaring soprano sax, as well as oboe and English horn are prominently featured throughout. His stunning solos, particularly on "Love Crimes" and "Grains of Sand", are superb examples of this underrated artist's incredible multi-talents. - Eric Raven
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"Forgotten Voices" is phenomenal indeed.
author: Elaine Washington
Review: Brian Whistler and Pablo Rodriguez define the elements of jazz and pop with world flavors in the 11-track album, "Forgotten Voices," a result of a 15-year collaboration. Filled with meaty compositions and strong vocals, "Forgotten Voices" is a sophisticated collection that most discriminating listeners would appreciate. San Francisco keyboardist and vibist Whistler gets to the essence of the music with his arrangements, which illustrate each song's intention. Rodriguez's vocals are showcased throughout, whether he used African chant to R&B with grace. Add musicians Paul McCandless (soprano saxophone), Marquinho Brasil (percussionist), Gary Brown (bass), Walfredo Reyes Jr. (drums) and keyboardist Kit Walker-- there is a wonderful mix of 20 musicians involved in the production with instrumentation ranging from piano to string trio. "Forgotten Voices" is phenomenal indeed. Reviewed by: Elaine Washington
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A stroke of genius that connects jazz with the world of south america
author: jazz dimensions.com
After more than 25 years on stage as sideman this first album of the keyboardist and producer Brian Whistler is outstanding. Filled with social criticism, the lyric content is absolutely contrary to the pleasing sound of his beautiful music. This album is not "smooth-jazz", but some kind of world music, ingeniously improved by the voice of Pablo Rodriguez. Pablo Rodriquez, who is rightly compared with Al Jarreau, has a voice that is brilliant from low to high. He is able to change each text into a song and also knows how to handle scat-singing. This man would rightly belong in the first league of jazz singers. His is a rare talent waiting to be discovered. Brian Whistler took several years to produce this album, searching out the best musicians available. Better known names of the line-up are e.g. Paul McCandless from Oregon, Walfredo Reyes jr (David Lindley, Santana,Steve Winwood, Ricki Lee Jones) percussionist Marquinho Brasil (Maria Carey) and Gary Brown on bass (Airto) - without wanting to be unfair to the other unnamed musicians. "Forgotten voices" tells of bursted dreams, of people who never had a chance. The necessity to save our world is told - and also about love and the very big feelings. Nearly overproduced, B.W. work can be named as stroke of genius. A stroke of genius that connects jazz with the world of south america - and with a singing that does not know frontiers. -Carina Prange (translated from the German)
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Eclectic World/Jazz
author: Brian Grosjean WWUH
On this first album under his own name, San Francisco - based Brian Whistler collects a stellar backup group to record his jazz/world concepts. First impressions are of Lyle Mays of the Pat Metheny Group or some Weather Report with influences of Bali, Japan, and other Far Eastern destinations. Pablo Rodriguez fronts these enjoyable compositions with his tenor jazz vocals reminiscent of Al Jerreau or Bobby McFerrin. On closer inspection, lyrics attack social issues in a jazz context - a radio friendly cut remembers the forgotten voices of the homeless and disposed of. Whistler is backed by a retinue of jazz/world journeymen, including Kit Walker and Goeffrey Gordon from Jai Uttal's group and Alfredo Reyes from Santana's early group on drums. When not supporting Rodriguez's vocals, Paul McAndless's reeds take over the songs, but it turns the heading farther back to home. With this pedigree, songs slide along on more than competent musicianship, but do not challenge or assault. Ambient openings like on This Little World betray Whistler's training with Harold Budd. Highly recommended for jazz/world explorers.
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