Congratulations
author: Dana Robinson
I am so grateful for having been introduced to Ms. Lammers' superb talent. Congratulations to her for this very soothing CD.
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A Great CD
author: Bill Thomas WVTF,Roanoke, Virginia
What a great CD. (Her) voice is wonderful and just floats and winds it's way through the music.
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Incredible music
author: Andrea Canter, Jazz Police
Incredible music, indeed. Lammer’s “easy-to-listen-to” soprano has a warm tone, crisp articulation, true pitch, and not a hint of shrill in her top notes. If any comparison is valid, perhaps it’s with Jane Monheit, less theatrical but in the same vein of gentle persuasion, warmly charming, lighting the tracks less with fire and more with glowing embers. Frequently Paula stretches the vowel, giving the music a silken legato that makes the occasional clipped phrase more effective. The sound quality from Winterland Studios (engineered by Brian Johnson and Darren Rust, mixed by Rust), is clean, every instrument so well articulated with the intimacy of live performance that at times I started to applaud a solo. And while Blanket of Blue was recently named to the Top Ten list for 2005 by Smooth Jazz and More, this is "smooth" only in the quality of the voice; this is not "Jazz Lite."
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Delightful recording!
author: John Gilbert
Clarity of tone and an understanding that enunciation is a key element
in vocal jazz sums it up for Paula Lammers. She has selected some gems
in this album which is a huge plus.
Lammers is backed by musicians who are sensitive to her modus operandi
and this further adds to this delightful recording.
"Isn't It Romantic" is thought of a tune that gains new life in
weddings, but this song has a great melody which makes it a true
classic. Paula Lammers sings the verse, not often heard which adds a
new twist. Lammers simply sings the song in tune with grace and elegance
and it works beautifully.
"Too Close For Comfort" Gently swinging in a bright tempo, Lammers'
kicks it up a notch with the cool tenor sax of Gary Berg adding a nice
element in the background and he also solos lucidly with fine ideation.
Peter Schimke at the keyboards ably comps and jazzes things up a bit in
his soliloquy.
Nice tunes, a fine vocalist with good musicians always makes for fine
listening and this record is no exception.
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