The Best CD You Haven't Listened To. Yet.
author: eric
Whereas Paul Sachs’ last cd, The Refuge (a magnificent work in itself) shared of the joys and heartbreak of growing up and older in New York City (if you can listen to “The Longing” and not shed a tear, you’re beyond therapy), Oil Town gives you a ticket for a window seat on a cross-country Greyhound. Though there are things you might not want to see along the way, Sachs seduces you into not averting your eyes or ears with melodies and lyrics that are, quite simply, hypnotic.
Always a more-than-talented lyricist, Sachs has upped his game with Oil Town. One would do best to listen to this cd from start to finish in one sitting. It starts with the haunting and brilliant Poor Man’s Out (an insightful rumination on the plight of the past and current downcast) and gradually gets more and more (some dark, some light) personal.
In short, if Dylan, Waits, or the latter-day Springsteen were in need of a writer, they’d have Paul Sachs on speed dial.
I could go on and on about the merits of each track, but I won’t. With two exceptions:
City Weddings. A song that countless aspiring songwriters move to Nashville every year hoping to write. Quite honestly, it could be taught at a workshop on how to craft the perfect modern county song. The blend of wry yet poignant lyrics and poignant yet wry voices (Sachs and the incomparable Amy Allison) is simply put, astounding.
When the River Didn’t Flow. Wow. Just, wow. Dripping with detail and an apocalyptic sense of dread, and sung with much the same, this is a song that I can see Waits and Dylan arm-wrestling over who gets to sing it.
Intelligent lyrics, intricate and perfectly executed instrumentation, and a unique voice make this a cd that needs to be heard by anyone who needs reassurance that the American Songwriter still exists.
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great
author: dannyjack
A great CD!!
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Handling The Beast
author: daddy frank
This is the album that's been missing from contemporary american music. These songs express the upset and frustration with the ravages of political thinking these days, the evil of neoliberalism and its aftermath. The songs are heartfelt and intelligently written.
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