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The guitar as it was meant to be played: improvisational, eclectic, explorative, Jazzy. Larry Coryell the jazz legend guests on 3 tracks, includes "Pascual Lives", covered by Coryell, Wayne Shorter, Buster Williams.
Genre:
Jazz: Modern Creative Jazz
Release Date:
2004
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Invention
© Copyright-Paul Santa Maria
(634479041174)
Record Label: HandBird Records
SPECIAL: 40% discount if you buy more than one copy of it today!
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Former Buffalo NY employee of Moog Music and assembler of
about 600 Minis, EMMY award winning composer, pretty good artist and pretty fair guitar slinger. (Singer, too!)
First, for my artwork: http://www.artofpencil.com
Second: here's some stuff people say about me:
>"Many praises have gone to Eddie Kramer for recording Jimi (Hendrix) "back in the day". I'd like to shower similar kudos to (sic) Paul Santa Maria for his great ear for recording a guitar; he has a knack to make a guitar sound strong and fat. Paul turned out to be "my Eddie Kramer!"
- Larry Coryell, liner notes from "Voodoo Crossing" (2003)
>"You record a guitar as good as Rudy Van Gelder, fat, and he's the best there is at getting a good jazz sound"
- L. Coryell, after listening to "Our Love Is Here To Stay"
>"There's notes on your guitar that aren't on mine."
-Billy Van Riper, guitarist (friend of Johnny Smith, and many more jazz stars.) (2004)
These are tunes I recorded (1985 - 2004) on my 1968 dual-pickup rare Gibson Johnny Smith. (It has the sweetest tone EVER and I bought it at age 19 for $400.00.) "Inseparable" is my ex singing (beautiful voice) her tune that I arranged and played 90% of. Coryell solos on left...check out the middle 12, which is me on 3 dub tracks of Johnny and my 1976 MusicMan Stingray bass.
NOTE: There 32 Tracks on this CD! Coryell is only on 3 of them, but "Solea" (the 3:32 intro to "Pascual Lives") was written for me so it's unavailable anywhere else in the world! No shyte. (Inspired by the "Pascual" main body and "inseparable" from it.)
Also, for all things Pauly-related including my art on JackBruce.com, check out the links list at the bottom left of the page.(Scrrrrroooooooooollllll Down!) New links: Ch. 2 Miami, home of KidVision and the multi-Emmy award winning team that produces spots for Kids utilizing my original instrumental music for 14 years to date! That means I am a multiple Emmy winner as well, [tho' on TV, the spot or show gets the Emmy, so the team is the winner as opposed to Oscar or Grammy.] Who cares? I did it!!!
NOTE: In the excellent review given to me by Scot Andrews
(http://www.allaboutjazz.com), he mentions that "the CD was mastered from old cassette tapes" and said that "the slight hiss did not detract from the overall sound..." I just want you to know that he reviewed a copy that was burned many moons ago (I swear to God I do not know to this day how he got it in the first place) and that I have completely digitally remastered ALL 32 songs from the source tapes.
(Besides, ANYONE knows tape sounds better for almost anything, especially jazz.)
Pauly (Musician, Artist, Tutor) Melbourne, FL.
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no nonsense
author: keven sander
hi Paul ,i have known Paul for a long time ,he used to be my guitar master ,yes master ,i learned the guitar from paul,when paul reads this he is going to be surprised for sure .back to the subject,Paul is awesome guitar player and got a taste for jazz ,great composer and song writer plus he works the studio all by him self and record\'s like drinking water ,what an artist.
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author: Scott Andrews
By Scott Andrews
Paul Santa Maria is a jazz guitarist, composer, and longtime bassist
and studio engineer for Larry
Coryell. In an ode to his 1961 Gibson Johnny Smith, Santa Maria plays
eleven tracks of
unaccompanied jazz guitar on his self-released 2002 CD Johnny Speaks.
The round tone of Santa Maria's vintage hollow-body guitar shimmers
through these eleven tracks.
The tunes are mostly short inventions and improvisations, running
between one and two minutes each.
Santa Maria makes full use of the unaccompanied format by slowing or
speeding up the tempo to
emphasize the emotional content of the music, as solo classical music
performers often do. Most of
the tracks include rhythm guitar chording, subtly mixed beneath the
melodies. The songs are mellow
in the tradition of hollow-body jazz guitar masters like Joe Pass or
Wes Montgomery, but Santa Maria's
compositions retain a unique flavor.
His playing is skillful and evocative, without ever being flashy or
tawdry, like so many current fusion
guitarists. The tone is simple and classic. Johnny Speaks was
recorded in November
1984 and
mastered to CD from analog cassette, according to the liner notes, but
the slight tape hiss never
detracts from the tonal range of Santa Maria's guitar.
Most of the tracks on Johnny Speaks are now available on Santa Maria's
32-track CD
Invention, including several new collaborations with Larry Coryell.
Fans of traditional jazz
guitar should definitely check out Paul Santa Maria.
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Paul Santa Maria's Guitar CD
author: Donald Munson
I have to say that I have followed about every jazz guitarist that has come down the pike...Wes, Kenny,
even Larry Coryell, who's name attracted me to this piece through a search. While their playing is informed, beautiful and moving, I have never ever heard a guitarist
that manages to create such beauty in his "emotional" tracks, and such unexpected turns of phrase as this man.
He does more with a 145 than anyone I'v had the pleasure to listen to and seems to be equally at home with randomized chord conectivity and then soloing over these unusual changes!
There is no show-offiness about anything herein,
it all seems from the heart, as opposed to an Al DiMeola, who always struck me as playing rehearsed passages and
giving off lightning so that the uninformed would be sucked in by these antics. There are no "gymnastics" in the sense of Vai or Satriani and I personally doubt that either of those gentlemen, should they turn off their high-tech fuzz gizmos, could be capable of such lyrical sensivity.
Anyway, I'm not here to bash, just to set the record straight: I believe Mr. Santa Maria said it best: "the guitar as it was meant to be played." Bravo, sir!
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great guitar playing
author: Kees de Lange
This new CD offers a wealth of beautiful guitar tunes. Obviously inspired by Django Reinhard and Larry Corell Paul Santa Maria plays music that's healing for your soul. Absolute highpoint is Pascual Lives, a touching tribute to dancer Pascual Olivera with beautiful flamenco undertones.
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