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Peplab : Drive
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A unique blend of electro-pop, generously doused with portions of house-funk and punk-rock
Genre: Electronic: Pop Crossover
Release Date: 2003
Drive
Peplab
Record Label: Proudly Recording
  • Buy CD - $12.97
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Preview Song Name Time Buy
1. Wondergirl 4:26 Album Only
2. Lucky Lucky 4:55 Album Only
3. Pornstar 3:23 Album Only
4. Beautiful People 4:44 Album Only
5. Drive 4:00 Album Only
6. Saturdays 5:14 Album Only
7. Mr. Psychorock 4:47 Album Only
8. Big Time 3:42 Album Only
9. Giv'm a call 4:10 Album Only
10. Seven Inch Heels 4:21 Album Only
11. Da Breeze 4:48 Album Only
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Album Notes

Peplab have a long list of credentials spanning over a decade, deftly creating their own unique sound while the rest of the world was riding the trance wave. The Dutch quartet formed during their studies at The Royal Conservatory in The Hague, while working on their own individual projects. Not until a few years later would they realize a mutual collaboration would bring incredibly addictive music to the masses.

Ferry Ridderhof and Peter Garnefski began working together as Doop in 1994, reaching # 1 in the UK, Japan and several other countries with their singles. The duo worked on several other projects including Hocus Pocus (hardcore-techno) and Sponk (funky disco house). Joined by Hans Weekhout, who’s responsible for the techno classic “20 Hz” under the Capricorn moniker as well as many other classic progressive & ambient cuts, not to mention production credits with Prince and Falco amongst others, brings in the funk flava! Edward Boellaard rounds out Peplab, bringing his twisted Blackburst hard-house credentials to the plate.

Their European debut album “It’s not the Drug” spawned several singles, including “Welcome To The Bear” (remixed by Ferry Corsten aka System F) and the funktagious “Ride The Pony” (sought after and remixed by Norman Cook aka Fatboy Slim). As Peplab, the four have honed their production skills and developed an explosive live show, resulting in an impressive list of gigs and appearances across Europe to a fanatical following. Peplab has also collaborated with various visual artists to create unbelievable videos for several of their tracks, synching their cut-and-paste sound assault with stop motion and claymation videography.

Their second album “Drive” combines infectiously original grooves, unconventional sounds and strong hooks to perfection, often blurring the lines between alternative pop rock and underground dance. Peplab bring a full spectrum of diversity to their music, with their unique attack of 80’s electro-pop, 90’s techno & house mingled with a healthy dose of DIY mentality, making them truly accessible and hard to ignore.

“Drive” is signed to Airplane Records (DB Boulevard) for Italy and to Florida based “Neurodisc” for release in the USA, both releasing the singles “Wondergirl” and “Pornstar” with great success.

Recently their track “Beautiful People” was featured in the trailer for the 20th Century Fox movie “Mr. & Mrs. Smith” staring Brad Pitt and Angelina Jolie, while UK hitproducer Brian Higgins used their track “It’s not the Drug” as an instrumental basis for a new song "Graffiti My Soul", released on the album of UK no.1 girl-band Girls Aloud.

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REVIEWS

Wow! This CD is definitely in a class of its own!
author: Randy Twigg / Nocturnal Magazine
                            
Wow! This CD is definitely in a class of its own! In combining dance, pop, rock, blues, electro, etc., etc., etc., these guys have created a very unique sound with god-like production. The vocal work is quality and the edits are full of trickery. I would almost call this an upbeat concept album if that didn’t sound too artsy fartsy!
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Lower East Side meets Bridge And Tunnel on their first domestic release, Drive
author: Angela Solomon / NYU Stern school of business
                            
The mesh shirt dance club scene has never been my cup o’ Red Bull, however, Peplab might just change that. Lower East Side meets Bridge And Tunnel on their first domestic release, Drive. Mixing disco sensibilities with funky house beats and poppy melody Peplab produces catchy tunes such as “Wondergirl,” “Lucky Lucky,” and my personal anthem “Seven Inch Heels.” The clear winner however, is a track called “Beautiful People” which continues where Daft Punk’s dance club/Murray Hill fave “One More Time” left off. If you are so inclined to do some online research on these guys, good luck, as most of the sites are in Dutch or Italian. Until then, whip out them glowsticks and shake what yo’ mama gave you.
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Peplab would be a good purchase if your listening tastes lean toward poppy/clubb
author: Kristofer Upjohn / raves.com
                            
Neurodisc's new release by Peplab, "Drive," is a mixed bag for me. On the one hand the beats are grooving and catchy, are, in fact, one of the strong points of the album. The mood generated is one of melody and color and, in that way, appeals to the fan of melodic electro dance music. The downside for me (this isn't the case of a so-so CD but merely a matter of what I like and don't like) is the album's poppiness. The main reason I find some pop tunes occasionally interesting is because they are distant cousins to the electro music I prefer, such as trance. However, there's a strong enough electro element here to set them apart from, say, Britney Spears or whatever other mainstream pop dance star you want to fill in the blank with. The vocals are well executed and are supported by lovely melodies, but the pop element is a little too strong for me and the music, while inarguably bright, seems to lack a certain energy I can't put my finger on. Peplab would be a good purchase if your listening tastes lean toward poppy/clubby electro dance tunes. If you gravitate more toward trance or house, it might not be. I suggest sampling them first, Peplab's good enough for that, before deciding to buy. But please do sample.
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“Drive”, the second album from Peplab, appears…and dazzles from start to finish
author: Cruisin' Magazine, Chicago
                            
Once in a while, the music gods bless the audiophiles. For example, “Drive”, the second album from Peplab, appears…and dazzles from start to finish with a scintillating array of tunes. ‘Wondergirl’, the first single, burns with an electro-house beat accentuated by a passionate falsetto howl and a blissful crowd-noise sample. ‘Lucky Lucky’ stews in rich disco-funk seasoned with ironic lyrics both shouted and crooned. As sludge drips from ‘Pornstar’, all you want to do is move to this dirty, yet euphoric track. The intoxicatingly sweet pop sensibility of ‘Beautiful People’ charms the party people. ‘Drive’, the title track, is posed to be a summer bedroom anthem in the ‘hood. The funk returns with ‘Mr. Psychorock’, and ‘Big Time’ recalls some of my favorite 90’s dance-rock. ‘Giv’m a Call’ seethes while ‘Seven Inch Heels’ may become the theme song for some progressive ‘lady’ out there. Buy “Drive” now!
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