Paul Peress | Can't Let Go

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Jazz: Contemporary Jazz Jazz: World Fusion Moods: Mood: Upbeat
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Can't Let Go

by Paul Peress

Peress' long foray into divergent musical styles has unearthed a combination of Jazz, Rock, Brazilian, and Funk influences in this eclectic yet powerful piece of work, with themes of peace, longing, and lost love, and honest, from-the-heart melodies...
Genre: Jazz: Contemporary Jazz
Release Date: 

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Tracks

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1. Sugar City
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6:08 album only
2. I Just Can't Let Go
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6:21 album only
3. Then Again
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6:40 album only
4. Tell Me What U Wanna Know
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5:49 album only
5. Show Me
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6:07 album only
6. Hold On To the Memories
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4:42 album only
7. It's My World
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5:30 album only
8. Seventh Sojourn
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5:56 album only
9. Hang 10
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4:46 album only
10. Take That
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0:49 album only
11. Earthwood
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8:10 album only
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ABOUT THIS ALBUM


Album Notes
THE PAUL PERESS PROJECT
Paul Peress - drums, compositions • Glenn Alexander - guitar • Clifford Carter - piano, keys • Gerald Veasley - bass • Tom Kennedy - bass
SPECIAL GUESTS: Jeff Golub - guitar • David Mann - sax, horn arrangements • Mitchel Forman - piano, keys • Tommy Mc Donnell - lead vocals • Bill Cantos - keys, lead vocals • Barry Danielian - trumpet • La-Rita Gaskins & Lisa Lowell - BG vocals

MUSIC AND LYRICS BY PAUL PERESS
“Tell Me” written by Peress, Landon, Alexander
“Hang 10” written by Alexander, Peress
“Show Me”, “Seventh Sojourn” written by Peress, Martin
Produced by Paul Peress
Mixed and Mastered by Phil Magnotti
Recorded at Bennett Studios by David Kowalski & Al Perrotta
Vocal tracks recorded at Rapid Studio 440
Cover Design by Tim Barnhart
Photos by Jana Krenova

Drummer, producer, and composer Paul Peress has been hard at work over the past year, honing a selection of original compositions geared towards capturing the magic of his group's phenominal musicianship - with former bandmembers of Tower of Power, James Taylor, Grover Washington Jr., and Joe Zawinul.

Paul is the son of a prolific poet, and an accomplished classical music conductor. Of Puerto Rican heritage, Paul grew up on the Gulf of Mexico in Corpus Christi, Texas. When he turned 5, his aunt sent him a "music minus one for drummers" record, with a pair of drumsticks; he was transfixed, and immediately started lobbying to play the drums. So, for his 6th birthday, a big package came in the mail - and after Paul tore it open, he found nestled inside, a shiny, delicate violin. He thus began with the violin at the age of 6, switched to trumpet at 12, playing in the Jr. High School marching band, yet always rallying to play the drums. His father got the post as music director of the Kansas City Philharmonic, and after the move, Paul befriended the principal percussionist, Vince Bilardo, who helped convince Paul's father to get him a drumset; so, at 17, Paul got a set of red-sparkle Gretsch drums!

That Fall, he loaded his drums into his MGB, and moved to New York City, living in Hell's Kitchen, and putting himself through night school at Hunter College for 2 semesters. His high grades enabled him to transfer to Columbia University, where he studied economics, art history, and poli-sci, finishing in 2 years. While at Columbia, he worked nights, and studied drums privately with Kenwood Dennard, then Kim Plainfield. Both of them heavily influenced him in the Latin jazz and Brazilian genres.

After finishing school, Paul's first project was a jazz/rock band, Double Exposure, which he co-led with his sister - singer/songwriter Anika Paris. They put out a CD in 1990 as the band was appearing at several hot spots in New York, including the now defunct Mikell's. The band had a Steely Dan edge to it, and portentously Wonderwheel cover - Deena Rae Turner CDfeatured several future Steely Dan sidemen, including Jon Herington, Drew Zing, and Tom Barney. The band broke up in 1990, and Paul began working around town in various projects, including, in 1994, leading the house bandat Chicago B.L.U.E.S. He landed a weekly Brazilian gig at the Citrus Lounge - running from 1995 to 1998 - and started working with some of NYC's greatest Latin artists; this led to his first big break as a solo artist - an appearance with his band at the first annual St. Kitts Music Festival in 1996, and he was asked back in '99, '02, '05, and '08.


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