Playing Time – 47:41 -- With all the various contemporary and stylistic departures appearing in bluegrass music, it is always a treat to hear a band that conjures shades of the genre’s exciting roots. David Peterson and 1946’s signature elements include those that characterize the heart and soul of traditional bluegrass music. There are vibrant vocals sung with uplifting spirit (“Bluebirds are Singing for Me”). There’s emotional realism in the lonesome messages (David’s original, “In the Mountaintops to Roam”). There are twin and triple fiddles (“You’ll Find Her Name Written There” and “I’ll Still Write Your Name in the Sand” and “A Good Woman’s Love”). There’s gospel fervor (“Prayin’ Shoes”). Peterson also does a credible job with a classic country novelty number (“The Golden Rocket”). And let’s not forget the downhome grit and authentic enthusiasm of the traditional bluegrass sound (“In Despair” and “Red Rockin’ Chair”). Peterson sings with a rich, distinctive timbre, and the song arrangements feature solos, duos, trios and a quartet on material from Mac Wiseman, Delmore Brothers, W.C. Handy, Hank Snow and, of course, Dave’s own pen. A soothing “Put Me on the Trail to Carolina” even features some yodeling in harmony. This album has more originals than any other that David has done.

Born and raised in Massachusetts, David was first introduced to bluegrass by the deacon at his family’s church. While pursuing a career as a minister in Texas, David eventually was called by music, he released a gospel CD entitled “Jesus Use Me,” and his 1995 move to Nashville launched his pro career.  The band was formed in 1999, and their debut album was self-titled as “David Peterson & 1946.” Their “Howling Blue Winds” project was a landmark album that showcased their formidable sound.  Being nominated for IBMA’s Emerging Artist of the Year Award was a feather in their caps. The band received the sponsorship of Gibson Original Acoustic Instruments, and they also provided the music for a nationwide Pringles Potato Chip ad campaign. The fiddlers really make this album, and those contributing include Aubrey Haynie, Buddy Spicher, Stuary Duncan, Michael Cleveland, Casey Driessen, and Aaron Till. David is also instrumentally joined by Charlie Cushman (banjo), Mike Compton or Mickey Boles (mandolin), Rob Ickes (dobro, Wabash Avenue guitar), and Kent Blanton (bass). Harmony vocalists include Mickey Boles, Larry Marrs, and Shelton Feazell. Cushman, Boles and Blanton are all regular members of 1946. Aubrey Haynie was a founding member of the band, but he is no longer a regular member.

David Peterson & 1946 have a big musical vision, and their engaging songs are traceable to a specific era of bluegrass spark. While their music may seem derivative to some, they also have their own distinctive, moving, and entertaining original style. This band deserves a lot more exposure. (Joe Ross)
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