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Percussion Group Cincinnati : Percussion Group Cincinnati
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a trio of virtuoso percussioninsts plays classic and experimental concert music from america, chile, so africa, and china. marimbas, drums, gongs, prepared piano, a computer, a deck of cards and more...
Genre: Classical: Contemporary
Release Date: 1999
Percussion Group Cincinnati
Percussion Group Cincinnati
Record Label: Ars Moderno
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Preview Song Name Time Buy
1. Amores 1 1:02 + MP3 $0.99
2. Amores 2 3:05 + MP3 $0.99
3. Amores 3 1:22 + MP3 $0.99
4. Amores 4 3:30 + MP3 $0.99
5. Umculo Wa Bathatho 8:27 + MP3 $0.99
6. Lift Off 7:57 + MP3 $0.99
7. Lam Mot 20:15 + MP3 $0.99
8. Dig-it 8:03 + MP3 $0.99
9. Four Chilean Songs 1 2:49 + MP3 $0.99
10. Four Chilean Songs 2 3:07 + MP3 $0.99
11. Four Chilean Songs 3 4:14 + MP3 $0.99
12. Four Chilean Songs 4 3:35 + MP3 $0.99
13. From Living Room Music 2:09 + MP3 $0.99
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Album Notes

PERCUSSION GROUP CINCINNATI was founded in 1979 and consists of members Allen Otte, James Culley, and Russell Burge, all of whom are faculty members and ensemble-in-residence at the College-Conservatory of Music of the University of Cincinnati. Their daily rehearsal schedule is supplemented with the teaching and coaching of young musicians, many of whom have gone on to professional careers in creative music, in teaching, and with major symphony orchestras. Appearances in their national and international touring schedule have included the major cities, festivals, concert halls and schools of America, Europe and Asia. In addition to community concerts, workshops, and masterclasses, the Group regularly appears as concerto soloists with symphony orchestras, and has presented their program "Music From Scratch" to hundreds of thousands of children across North America. Percussion Group Cincinnati is particularly respected for its knowledge of and experience with the entire range of the music of John Cage, having made tours and festival appearances with him on a number of occassions in Europe and in America, and having had pieces created by Cage especially for the Group. More recently, the Group has developed similar special relationships with John Luther Adams, Qu Xiao-Song, Russell Peck, and with Larry Austin on the Charles Ives Universe Symphony project. Recent performances include the Shanghai International Spring Music Festival, a tour of Japan, and the premiere of a new concerto in Singapore with the Singapore Chinese Instrument Orchestra. Over the past 25 years, many young composers from the United States, Latin America, Europe, Africa and Asia have created a large body of new and often experimental music for the unique talents of Percussion Group Cincinnati. The group's work appears on various CDs, including their own ars moderno label; their recording of John Luther Adams’ evening-length “Strange and Sacred Noise” was released in surround-sound by Mode this year. They are currently working on their contribution to the series of Mode Records’ integrated set of the complete music of John Cage, and on a 25-year retrospective multi-disc set including performances from the group’s entire history.

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REVIEWS

author: Tamara Turner, CD Baby
                            
Exploring the vocabulary of their instruments with the daring, fearless approach of a painter working in color and light, Percussion Group Cincinnati similarly outlines landscapes of sound, casting an aural sense of background, middleground and foreground with real clarity and command. Showcasing classic and experimental concert music from America, Chile, South Africa and China, their dynamic palette consists of marimbas, drums, gongs, prepared piano, a computer, a deck of cards and more. There is no question that one of PGC's trademarks, whether intentional or not, is about thinking outside the box. No stone- or rather, no instrument, no potential for beauty- is left unturned here. Each and every moment is milked for its full potential, whether that be clanging, donging, clacking, ringing or profound silence. Having a tendency to clear out the cobwebs of an over-burdened ear and to redefine the relationships inside rhtyhm and meter, PGC is an ensemble to be reckoned with.
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