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Copland / Goldina and Loumbrozo, pianos : Works for Piano Duo / Rodeo, Billy the Kid
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Aaron Copland's music, based on clearly shaped structures and easily recognizable thematic material, is brilliantly performed here by two virtuoso pianists.
Genre: Classical: Contemporary
Release Date: 2006
Works for Piano Duo / Rodeo, Billy the Kid Record Label: Phoenix
  • Buy CD - $15.99
Preview Song Name Time Format Price Select
Aaron Copland / Works for Piano Duo: Dance of the Adolescent 5:42 Album Only
Music for the Theater for One Piano, Four Hands: I - Prologue 5:55 Album Only
II - Cance 3:05 Album Only
III - Interlude 6:07 Album Only
IV - Burlesque 3:04 Album Only
V - Epilogue 3:47 Album Only
El Salon Mexico 10:48 Album Only
Billy the Kid: I - The Open Prairie 3:33 Album Only
II - In A Frontier Town 4:42 Album Only
III - Billy and His Sweetheart 4:19 Album Only
IV - Celebration After Billy's Capture 2:24 Album Only
V - Billy's Demise 1:40 Album Only
Vi - The Open Prairie (Again) 1:46 Album Only
Rodeo / Two Dance Episodes: I - Saturday Night Waltz 4:07 Album Only
II - Hoedown 2:59 Album Only
Danzon Cubano 5:57 Album Only
Danza de Jalisco 3:43 Album Only
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Album Notes

Copland WORKS FOR PIANO DUO

Aaron Copland Music for the Theatre
El Salon Mexico
Billy the Kid
Two Dance Episodes from
Danzon Cubano
Danza de Jalisco

Arianna Goldina Music for the Theatre
Remy Loumbrozo El Salon Mexico
Billy the Kid
Two Dance Episodes from
Danzon Cubano
Danza de Jalisco

Throughout his long and distinguished career Aaron Copland (1900-1990) held a leading position in American classical music. The diversity of his output is extraordinary: it ranges from early avant-garde works to the folkloric and immediately accessible compositions, to experiments with atonality and serialism. Yet, regardless of the stylistic approach, Coplandís music, always characterized by clearly shaped structures and easily recognizable and economical thematic material, consistently upholds his highly-set musical ideals.

The piano was central to Coplandís creative work. He always composed at the keyboard and its sonorities and gestures are clearly discernable in his music. Not only was the piano featured in numerous larger scores but many of his orchestral works were, essentially, original pianistic conceptions written down first for two pianos and orchestrated only later. Not surprisingly, the two- piano versions received several public performances, given by the pianist John Kirkpatrick and Copland himself. Another duo piano partner was the composerís friend and colleague Leonard Bernstein, who not only collaborated with Copland in performance but also made a two-piano arrangement of El Salon Mexico, heard on this CD.

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