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Philip Wesley : Finding Solace
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Original solo piano music. If you like artists such as David Lanz, Jim Brickman, Yanni etc, then you will love this cd...
Genre: Classical: New Age
Release Date: 2002
Finding Solace Record Label: Philip Wesley
  • Download Album (MP3) - $9.95
  • Buy CD - $12.95
SPECIAL: 10% discount if you buy more than one copy of it today!
Preview Song Name Time Format Price Select
At This Moment 2:49 $0.99
Autumn Romance 4:08 $0.99
Celsetial Reverie 4:40 $0.99
Finding Solace 3:27 $0.99
Journey Home 2:53 $0.99
Lamentations of the Heart 4:41 $0.99
Love's Last Embrace 3:42 $0.99
Ocean of Color 1:41 $0.99
Still Waters Run Deep 5:37 $0.99
Tabatha's Song 3:13 $0.99
The Awakening 3:33 $0.99
The Long Goodbye 3:50 $0.99
preview all songs

Album Notes

Philip's first release can be found in the homes of fans all across the world. "Finding Solace" was nominated as one of the best recordings of 2004 by Wind and Wire Publications!

With a piano style somewhere between David Lanz and Jim Brickman, Philip Wesley brings solace and a spiritual depth to the music world with his tender romantic playing. Perhaps Solo Piano Publications and Wind and Wire Publications said it best when they described his music as "pure solace", "reflective and optimistic."

Interestingly enough, if you ask Philip about his musical background he might surprise you. He comes not from a background of relaxing piano music, but grew up a typical 1980's teenager, playing guitar and strongly under the influences of virtuoso rock artists Eric Johnson, Joe Satriani, Steve Vai, and Stevie Ray Vaughn.

Up until college, Philip only played the guitar and had no experience with the piano. Once in college though he heard the piano music of artists like David Lanz and Yanni and was instantly hooked. From that point on he immersed himself in this style of music and never looked back. In college, Philip's studies included music theory, composition, and piano. Eventually he went on to obtain a Bachelors of Science in Music Therapy.

In 1997, during his music therapy internship, Philip composed and co-produced relaxation CDs. During a performance and lecture on music and healing, he was featured in a St. Louis Post Dispatch article called "Relaxation Rhythms" and received hundreds of letters in response to his music. Later that same year he composed the music for another relaxation CD. In 2001, Philip's music was featured on St. Louis's CBS affiliate KMOV in a news report on stress management. Philip also continued with his work as a board certified music therapist in a hospital setting.

In 2002, Philip released his first solo piano album, "Finding Solace", a tender collection of all original piano compositions. "Most of the music from this album I had been sitting on for years, not doing anything with it but playing for myself and a few close friends and family. After a terrible bout with pneumonia and a period of deep reflection, I decided to finish the album and release my music to the world."

The beginning of 2003, Philip began a promotional tour for "Finding Solace" performing exclusively at Borders Books and Music and then Westfield Shoppingtowns. That same year Philip became the only piano artist in St. Louis, and the only music therapist in the world to join the ranks of legendary pianists David Lanz, Suzanne Ciani, and Wayne Gratz at Whisperings solo piano radio. Since then Whisperings has gone on to become the #1 solo piano radio station on internet radio, and the 8th most listened station on live365.com. Thanks to the internet, Philip is beginning to reach music lovers around the country and across the globe.

In 2004, Philip released his second CD "In a Lifetime" which goes on to add some drama and sweep including covers of "Greensleeves", "Nights in White Satin", and his original song "Equestrian Dream". Philip's music has been reviewed by the renowned Wind and Wire Publications and Solo Piano Publications. They have compared Philip's sound to an early David Lanz with songs like "Lamentations of the Heart" and "Still Waters Run Deep", to the more accessible sounds of Jim Brickman including songs like "Loves Last Embrace", and "State of Grace".

In 2005 Philip continued a rigorous touring schedule including appearances at various Borders Books and Music, Westfield Shoppingtowns, St. Louis Children's Hospital, Eden United Church of Christ and 2 different solo piano radio concert performances including Birmingham, and St. Louis. Philip closed out 2005 with a promotion of his newest CD release entitled "Comfort and Joy". This contemporary celebration of Christmas blends the timeless melodies of the holidays and Philip's signature piano style.

2006 & 2007 promises to be a very productive year for Philip in terms of working on material for his next album. It is scheduled for release in 2008. Stay tuned for more details!

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REVIEWS

Astonishing Music!
author: Mike Debbage
For those of you that found David Lanz's latest release The Good Life just a little too flamboyant in the jazz arena, you will be delighted to know that an up-and-coming artist by the name of Philip Wesley is your ticket to pure solace. Referring to himself as a Music Therapist, there is no doubting the relaxing benefits from this impressive debut. Born and raised in the St. Louis area, Philip Wesley's introduction to music came courtesy of his guitar exploration and, of all things, the "poodle" bands of the eighties. His introduction to the piano and the music of David Lanz and Yanni changed all that. Since then Wesley has refused to look back and has continued to refine his craft that has resulted in this precious and precise debut. It certainly has an early Narada artist sound most closely associated to David Lanz. Frankly Wesley relishes in the comparisons of which he refers to as the master. But this does not take away from Philip's gorgeous melodies and delicate touch of the keys. Though Wesley has recently signed a non-exclusive agreement with Universal Records, currently the album has an independent presentation. The artwork and CD booklet is very limited, however it would be a huge mistake to judge this "book" by its cover. The music is very well produced and is presented by the artist as though he was an old pro that had been doing this for years. If you enjoyed the early years of David Lanz then without hesitation you will find Wesley's technique tender. It would be safe to state that this freshman offering has no filler or middling compositions. And this is despite the lack of accompaniment from any other instrumentation: just the piano and the piano man. The opening track "At This Moment" is one of the album's finer moments with probably the most distinctive melody of all the tracks. A close second would be the delightful "Love's Last Embrace". Here the song structures have more in common with the accessible Jim Brickman than David Lanz. Equally as impressive is the more subdued yet illustrious aperture of "Autumn Romance". With Wesley gently rolling down his keys, one can only imagine golden and brown leaves dancing and fluttering as they fall gently to the damp ground of the season. Here he gives such a visual word picture with his music. Philip continues on with the meandering melancholy of the more classically influenced "Lamentations Of The Heart". It is here that the Lanz comparisons are the most obvious. It also appears that Wesley is at his inconspicuous best at the conclusion of the album courtesy of the spacious "The Long Goodbye". There are many quiet and unassuming moments within the song, allowing the listener to breathe and deeply inhale this sweet lullaby. A great way to quietly wrap up this very fine debut. The New Age genre, especially at this acoustic level, is a dying genre. Many record stores are combining the New Age stock with the jazz, or worse tucking them next to the specialized sections like comedy (and this is no laughing matter). Thus, I have only good things to say about Wesley writing from his heart. Finding Solace is a total relief and brings water to a world that is thirsty for consolation and comfort. Whether I buy into Philip Wesley as an actual Music Therapist is not the point. But what I do buy into is the rewarding and entertaining therapeutic values from this unobtrusive yet astonishing music.
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Totally relaxing therapy
author: Jacqui
I came across this album whilst searching for something similar and on hearing the first few bars just had to have it. It will be used to aid concentration during my own and my childrens homework, to aid prayer and worship in the Methodist Church, as background music whilst walking labyrinths, as background music to inspire young artists in school, and to sooth the special needs children I work with in school. Well done for reaching so many different ears all around the world and having a beautiful calming effect on them.
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Beautful piano solos
author: Kathy Parsons
“Finding Solace” is Philip Wesley’s debut recording, and consists of twelve original and very personal piano solos. Most of the tracks have a lovely, soothing flow to them, and there is a gentle simplicity to Wesley’s approach that is elegant and heartfelt. I don’t usually compare one artist to another, but some of the pieces are heavily influenced by David Lanz - especially “Lamentations of the Heart,” “Still Waters Run Deep,” and “Tabatha’s Song” -and are actually some of my favorite tracks. I mention this only because I think fans of Lanz’s earlier solo piano music will probably really enjoy this album. The CD opens with “At This Moment,” which is based on an improvisation done on Wesley’s wedding day on the church piano to settle pre-wedding nerves. Thoughtful and optimistic, he doesn’t sound too nervous after all! “Celestial Reverie” is much more expansive and open - as the title suggests, a little bit sparkly and a lot dreamy. “Journey Home” was the first piano piece Wesley ever composed. Inspired by a college music writing assignment, the piece is peaceful, but also has a sense of moving forward. “Lamentations of the Heart” is much sadder, but is very beautiful and deeply emotional - I love this track! “Ocean of Color” refers to the autumn colors St. Louis, and is a bit more abstract and improvisational. “Tabatha’s Song” is about first love, and has a sweet poignance and innocence. “The Awakening” comes from deep introspection and the internal journey of reevaluating one’s life. Wesley shares the experience with grace and openness. “Finding Solace” is an excellent debut, and I look forward to hearing future projects! The stories behind the music are found at www.philipwesley.com.
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A must have musical collection
author: John
The first time that you hear this CD you know the passion of the artist. Each song is a musical snap shot, of the artist’s life, that the listener can not only hear but also feel. I used this song for my Massage Therapy practice and I have heard nothing but praise about it from my clients. Everyone hears the CD once and they have to have their own copy. This is a great musical collection a most for any music lover’s collection.
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