In a Lifetime
© Copyright-Philip Wesley/Autumn Music
(657988016020)
Record Label: Autumn Music
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Philip's second release is pure piano bliss! It includes 11 original works and three cover songs including Greensleeves, Nights in White Satin, and an improvisation based on the popular Cannon in D. A must have for fans of solo piano music!
With a piano style somewhere between David Lanz and Jim Brickman, Philip Wesley brings solace and a spiritual depth to the music world with his tender romantic playing. Perhaps Solo Piano Publications and Wind and Wire Publications said it best when they described his music as "pure solace", "reflective and optimistic."
Interestingly enough, if you ask Philip about his musical background he might surprise you. He comes not from a background of relaxing piano music, but grew up a typical 1980's teenager, playing guitar and strongly under the influences of virtuoso rock artists Eric Johnson, Joe Satriani, Steve Vai, and Stevie Ray Vaughn.
Up until college, Philip only played the guitar and had no experience with the piano. Once in college though he heard the piano music of artists like David Lanz and Yanni and was instantly hooked. From that point on he immersed himself in this style of music and never looked back. In college, Philip's studies included music theory, composition, and piano. Eventually he went on to obtain a Bachelors of Science in Music Therapy.
In 1997, during his music therapy internship, Philip composed and co-produced relaxation CDs. During a performance and lecture on music and healing, he was featured in a St. Louis Post Dispatch article called "Relaxation Rhythms" and received hundreds of letters in response to his music. Later that same year he composed the music for another relaxation CD. In 2001, Philip's music was featured on St. Louis's CBS affiliate KMOV in a news report on stress management. Philip also continued with his work as a board certified music therapist in a hospital setting.
In 2002, Philip released his first solo piano album, "Finding Solace", a tender collection of all original piano compositions. "Most of the music from this album I had been sitting on for years, not doing anything with it but playing for myself and a few close friends and family. After a terrible bout with pneumonia and a period of deep reflection, I decided to finish the album and release my music to the world."
The beginning of 2003, Philip began a promotional tour for "Finding Solace" performing exclusively at Borders Books and Music and then Westfield Shoppingtowns. That same year Philip became the only piano artist in St. Louis, and the only music therapist in the world to join the ranks of legendary pianists David Lanz, Suzanne Ciani, and Wayne Gratz at Whisperings solo piano radio. Since then Whisperings has gone on to become the #1 solo piano radio station on internet radio, and the 8th most listened station on live365.com. Thanks to the internet, Philip is beginning to reach music lovers around the country and across the globe.
In 2004, Philip released his second CD "In a Lifetime" which goes on to add some drama and sweep including covers of "Greensleeves", "Nights in White Satin", and his original song "Equestrian Dream". Philip's music has been reviewed by the renowned Wind and Wire Publications and Solo Piano Publications. They have compared Philip's sound to an early David Lanz with songs like "Lamentations of the Heart" and "Still Waters Run Deep", to the more accessible sounds of Jim Brickman including songs like "Loves Last Embrace", and "State of Grace".
In 2005 Philip continued a rigorous touring schedule including appearances at various Borders Books and Music, Westfield Shoppingtowns, St. Louis Children's Hospital, Eden United Church of Christ and 2 different solo piano radio concert performances including Birmingham, and St. Louis. Philip closed out 2005 with a promotion of his newest CD release entitled "Comfort and Joy". This contemporary celebration of Christmas blends the timeless melodies of the holidays and Philip's signature piano style.
2006 & 2007 promises to be a very productive year for Philip in terms of working on material for his next album. It is scheduled for release in 2008. Stay tuned for more details!
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Wesley continues to astound me with his original compositions!
author: Mike Debbage
Released in 2003, Philip Wesley's debut album Finding Solace was one of the surprises of 2004. Granted I was a year behind on the album but better late than never. The album was so impressive that I was not sure how Wesley planned on maintaining his captive audience. Instead of completely reduplicating his efforts Wesley took a courageous move and gambled a little with In A Lifetime. The question that still lingers is whether it paid off.
I was looking for solace and I was able to retrieve this emotion courtesy of In A Lifetime as Wesley continues to rely utterly on his piano with no additional embellishments. It opens in the very fine tradition of its predecessor with the melodic yet soothing "Comfort and Joy" reminiscent of the immediate accessibility that Jim Brickman brings to his playing. But Wesley keeps us guessing a little with the more classically influenced "Equestrian Dream" redolent of the David Lanz style during his Paul Speer era. Further tender moments are followed by the lush and warm title track that along with "Comfort and Joy" helping to reacquaint myself with the simple beauty of Wesley's music. Speaking of exquisiteness, the most reflective moment is found courtesy of the softness in "Love Remembered".
Wesley continues to astound me with his original compositions and closes the album with five consecutive original songs that helps us focus on the simple yet subtle sophistication of this very impressive piano man. Of these the most prominent ones are the songs "Pursuit of Passion" and "Windows to the Soul" that musically embody their titles.
The slight kink in the album are two of the three cover songs that overall appear to weaken the album versus strengthening it. "Ode To Composer" is the better of the three, which is another variation on Pachelbel's Canon, which amalgamates well with the restful and gentle style of Wesley that I have grown to love. Unfortunately, the same cannot be said for "Greensleeves" as well as the Moody Blues composition "Nights in White Satin" that was previously covered by David Lanz. Both of these tracks are heavy handed and disjointed and they simply distract from the mood of the album.
This album holds to the truth that less is sometimes more in that excluding two of the three cover versions would have made this a stronger and better-focused project. That said, In A Lifetime is still another fine album from this young artist who next time around should relax and rest in the confidence of knowing that his own compositions are the most inspiring.
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Some Added Drama
author: Doug Schneider
After giving us his first CD full of gracious melodies, Philip Wesley goes on to add some drama and sweep in his second CD. The CD reminds me of a movie soundtrack: disparate pieces that keep true to an overall sound and feel. My favorite is "Sunday Evening Inspiration", showing off Philip Wesley's ability to write tunes that absorb your full musical attention.
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Great original pieces!
author: Kathy Parsons
“In A Lifetime” is Philip Wesley’s second solo piano release, and contains eleven original pieces and three covers. In the liner notes, Wesley proclaims that David Lanz is his “piano idol,” and that composer’s influence is very strong on several of the pieces. The overall feel of the album is of warmth and contentment. The opening track, “Comfort and Joy,”
expresses the feeling of anticipation at the approaching holidays and all that goes with them. “Equestrian Dream” has such a strong Lanz influence that, at first, I thought it was a cover of one of his earlier pieces. I couldn’t pinpoint which one, though, and tdiscovered that it was a Wesley original. The piece is beautiful and has that peaceful, flowing quality that is so prevalent in Lanz’s work. “Greensleeves” is an interesting arrangement, with changing time signatures and moods in the variations. It starts out simply with the melody, and builds with each variation, ending up at a galloping pace complete with a big glissando. The later variations are a bit too heavy-handed for these ears - I love the delicacy of the melody and its poignant feeling, and while I can appreciate a new take on the piece, it’s not my favorite version of this immortal tune. The title track is one of the best on the CD, I think. Both reflective and optimistic, this seems to be Wesley’s true voice. “Love Remembered” is a lovely, bittersweet ballad. Tender and nostalgic, this is another favorite. “Nights in White Satin” is a cover of David Lanz’s wonderful arrangement of The Moody Blues’ classic hit. A lot of liberties are taken with the arrangement - it is definitely not a note-for-note performance. I play and teach Lanz’s arrangement all the time, so some of the changes bother me a bit. The more complex passages are simplified, some of the timing is changed, etc. I know that 99% of the people who hear this version will never notice, but I did. And then there’s “Ode To a Composer,” and yet another interpretation of the venerable “Canon in D.” It’s a very nice improvisation, but this piece has been done to death, and I have a tendency to push the “skip” button on the CD player when it appears. Again, this is job hazard in being a reviewer and a piano teacher; most folks are probably thrilled to hear a new version. “Pursuit of Passion” is a beautiful piece with a gentle, simple melody. “Windows to the Soul” is another favorite. Warm and sincere without flash, this piece comes from the heart.
Overall, “In a Lifetime” is a very soothing and enjoyable follow-up to “Finding Solace.” I definitely prefer Wesley’s original pieces to his covers, but I realize that many people look for familiar music when they are shopping.
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Excellent CD
author: Sarah
In a Lifetime is an excellent follow-up cd to Finding Solace, and the songs have a slightly more dramatic feel. I think its most poignant track is Love Remembered, which is dedicated to a young woman whose life was tragically cut short. My other favorites are In a Lifetime and Ode to a Composer, which is a variation of Pachelbel's Canon in D. If you are a fan of Philip's first cd, or are a lover of soothing piano music, this cd is definately a must have.
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