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Philip Wesley : Dark Night of the Soul
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Original solo piano music filled with sweet melancholy and beautiful angst. This CD was named as one of the 'Top 20' albums of 2008 by the publication 'Mainly Piano'
Genre: New Age: Solo Instrumental
Release Date: 2008
Dark Night of the Soul
Philip Wesley
Record Label: Autumn Music Productions
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  • Download Album (MP3) - $9.95

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Preview Song Name Time Buy
1. Tears of the East 5:48 + MP3 $0.99
2. Racing Against the Sunset 4:52 + MP3 $0.99
3. The Approaching Night 6:39 + MP3 $0.99
4. Darkness Falls 4:41 + MP3 $0.99
5. Dark Night of the Soul 7:10 + MP3 $0.99
6. Soul\'s Lament 5:45 + MP3 $0.99
7. Far and Away 9:11 + MP3 $0.99
8. Lamentations of the Heart 4:08 + MP3 $0.99
9. Light and Shadow 5:46 + MP3 $0.99
10. Into the Light 6:27 + MP3 $0.99
11. New Day 3:45 + MP3 $0.99
12. Two Souls 6:04 + MP3 $0.99
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Album Notes

With a piano style somewhere between David Lanz and Jim Brickman, Philip Wesley brings solace and a spiritual depth to the music world with his tender romantic playing. Perhaps Solo Piano Publications and Wind and Wire Publications said it best when they described his music as “pure solace”, “reflective and optimistic.”

Interestingly enough, if you ask Philip about his musical background he might surprise you. He comes not from a background of relaxing piano music, but grew up a typical 1980\'s teenager, playing guitar and strongly under the influences of virtuoso rock artists Eric Johnson, Joe Satriani, Steve Vai, and Stevie Ray Vaughn.

Up until college, Philip only played the guitar and had no experience with the piano. Once in college though he heard the piano music of artists like David Lanz and Yanni and was instantly hooked. From that point on he immersed himself in this style of music and never looked back. In college, Philip’s studies included music theory, composition, and piano. Eventually he went on to obtain a Bachelors of Science in Music Therapy.

In 1997, during his music therapy internship, Philip composed and co-produced a relaxation stress management CD. During a performance and lecture on music and healing, he was featured in a St. Louis Post Dispatch article called “Relaxation Rhythms” and received hundreds of letters in response to his music. Later that same year he composed the music for another relaxation/stress management CD. In 2001, Philip’s music was featured on St. Louis’s CBS affiliate KMOV in a news report on stress management. Philip also continued with his work as a board certified music therapist in a hospital setting.

In 2002, Philip released his first solo piano album, “Finding Solace”, a tender collection of all original piano compositions. “Most of the music from this album I had been sitting on for years, not doing anything with it but playing for myself and a few close friends and family. After a terrible bout with pneumonia and a period of deep reflection, I decided to finish the album and release my music to the world.”

The beginning of 2003, Philip began a promotional tour for “Finding Solace” performing exclusively at Borders Books and Music and then Westfield Shoppingtowns. In 2004 Philip became the only piano artist in St. Louis, and the only music therapist in the world to join the ranks of legendary pianists David Lanz, Suzanne Ciani, and Wayne Gratz at Whisperings solo piano radio. Since then Whisperings has gone on to become the #1 solo piano radio station on internet radio, and the most listened to station on live365.com. Thanks to the internet, Philip is beginning to reach music lovers around the country and across the globe.

In 2004, Philip released his second CD “In a Lifetime” which goes on to add some drama and sweep including a cover of “Greensleeves”, and his original song “Equestrian Dream”. Philip’s music has been reviewed by the renowned Wind and Wire Publications and Solo Piano Publications. They have compared Philip’s sound to an early David Lanz with songs like “Lamentations of the Heart” and “Still Waters Run Deep”, to the more accessible sounds of Jim Brickman including songs like “Loves Last Embrace”, and “State of Grace”.

In 2005 Philip continued a rigorous touring schedule including appearances at various Borders Books and Music, Westfield Shoppingtowns, St. Louis Children\'s Hospital, Eden United Church of Christ and 2 different solo piano radio concert performances including Birmingham, and St. Louis. Philip closed out 2005 with a promotion of his newest CD release entitled \"Comfort and Joy\". This contemporary celebration of Christmas blends the timeless melodies of the holidays and Philip\'s signature piano style.

Philip\'s fourth and newest release \'Dark Night of the Soul\' is filled with sweet melancholy and beautiful angst, and is already a hit with fans and critics alike.

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REVIEWS

El Mejor Álbum de Philip hasta la fecha!. Fascinante!.
author: REVIEWS NEW AGE
                            
Dark Night of the Soul es el cuarto álbum de Philip Wesley, el álbum más personal en cuanto a composiciones se refiere. En sus álbumes anteriores se apreciaba una fuerte influencia de David Lanz, pero en este último, Philip ya ha encontrado su sonido. Dark Night of the Soul está compuesto por doce originales solos de piano, un álbum oscuro, triste, pero colmado de belleza. Al igual que los álbumes anteriores, Philip sigue apostando por melodías que quedan grabadas en el subconsciente. "Tears of the East" abre el álbum con tono aterrador, un sonido oriental da paso a una melodía rápida, donde la mano derecha baila por encima del teclado y la izquierda contesta en los silencios. Sin dejar el tono oriental, Philip rasguea acordes en la zona alta del piano, mientras marca fuerte las notas en la parte baja. Una pieza mágica!. "Racing Against the Sunset" comienza con fuerza y rapidez; una pieza que aporta coraje al oyente. Como si de una última oportunidad se tratase y hubiese que correr para llegar a algún lugar. Desesperada corre la mano derecha por el teclado mientras la izquierda cambia de acorde velozmente. Bello toque de emoción!. "The Approaching Night". Con una melodía marcando un tempo lento y misterioso, Philip nos muestra su visión de la llegada de la noche. Con un ritmo suave, su mano derecha dibuja una profunda armonía y su izquierda acompaña alternando notas bajas. "Darkness Falls" es una pieza enérgica, angustiada y temerosa. Un repique continuado de notas con la mano izquierda abre camino a una melodía frenética. Philip nos dibuja un paisaje tenebroso, un miedo a lo desconocido. "Dark Night of the Soul" es el título que da nombre al álbum, un track de más de siete minutos (no es la más extensa del álbum) llena de sentimiento; invita a la reflexión y quizás sea una de las melodías más optimistas del álbum; un toque a danza romántica. En su cenit la canción no es muy rápida, pero aporta una fuerte energía positiva. Bellísima!. "Soul's Lament" nos introduce en la pena, la tristeza. Philip refleja el estado del alma en una noche solitaria. Una canción triste llena de preguntas sin respuestas. Un tema enérgico donde ambas manos fluyen rápidas por el teclado. "Far and Away" es el track más extenso del álbum, con más de nueve minutos. Una pieza melancólica y misteriosa; una melodía introspectiva que invita a la reflexión. Philip dibuja de alguna manera un lejano horizonte lleno de misterios, donde las notas más altas reproducen la triste canción. "Lamentations of the Heart" se presentó en su primer álbum "Finding Solace", es quizás el tema más conocido de Philip. David Lanz es su mayor influencia, y esto se puede apreciar perfectamente en este tema. Comienza con una progresión desde la zona más baja del teclado y continua con un arpegio de notas mientras la mano derecha reproduce una pegadiza melodía. "Light and Shadow" es quizás el tema más dulce de este trabajo, lleno de paz, "Luz y Sombra" dibuja una sonrisa y es perfecto para reflexionar. La mano derecha reproduce una apacible canción y va alternando con una melodía un tanto oscura. Placentera pieza!. "Into the Light" es una pieza optimista y amable, llena de emoción. La mano izquierda reproduce el ir y venir con progresiones continuas de acordes y a su vez la mano derecha reproduce una canción sencilla y apacible. Hermosa sinfonía!. "New Day" es una llamada a la paz, a la esperanza. Una pieza que invita a vivir optimista cada día. El lado más optimista de Dark Night of the Soul está reflejado en esta pieza, tranquila y dulce; es el track más corto de este trabajo donde un ir y venir de acordes acompañan a la fantástica canción. Sublime. "Two Souls". Después de tres piezas de tono alegre y dulce. Philip nos ofrece un tema que invita a soñar, melancólico. Un tema perfecto para concluir este maravilloso álbum. El track finaliza con un guiño al bienestar. Maravillosa!. Dark Night of the Soul es el último trabajo de Philip Wesley, un excelente álbum que se distingue de sus álbumes anteriores por ser el trabajo que da una identidad propia a su música, Philip ha encontrado su propio estilo y es fascinante!. reviewsnewage.com 30/3/10
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Philip\'s Best Album Yet!
author: Kathy Parsons
                            
“Dark Night of the Soul” is Philip Wesley’s fourth solo piano CD and his first in three years. As the title suggests, quite a bit of the music is dark and turbulent, but it is never without hope or a sense of moving forward. Some of the pieces are quite energetic while others are calm and reflective. I have reviewed Wesley’s previous albums, and think this is his best CD to date. It is a very solid, very expressive album, beautifully engineered by Michael Dulin at his PSI Recording Studio in Birmingham, Alabama. David Lanz has always had a strong influence on Wesley’s music, and I recognize short phrases from Lanz’s music mixed into Wesley’s pieces, but perhaps since I play and teach so much of Lanz’s sheet music, it’s only me who hears this. “Tears of the East” begins the CD. The opening bars are a rumble from the low end of the piano followed by a Middle-Eastern-style introduction. The piece itself conveys longing and melancholy - an eloquent beginning. “Racing Against the Sunset” has a powerful energy and a feeling of urgency. I really like this one and think it would be fun to play! “The Approaching Night” is delicate and sparkling, like watching the stars emerge in the darkening sky - also a beauty. The title track is kind of a soliloquy - very lonely, deeply emotional, and honest - and is one of Wesley’s best pieces to date. “Lamentations Of the Heart” first appeared on Wesley’s 2002 “Finding Solace,” and is one of his most popular pieces - with good reason. I enjoy playing and teaching this piece, too! “Light and Shadow” is another favorite. It has a swirling energy that dances around in the upper registers of the piano, yet it is very calming and soulful. Perhaps the high dancing notes represent the light and the lower, more subtle passages are the shadow - very effective. The graceful and flowing “Into the Light” carries a sense of unburdening and breaking through after a difficult period of life. “New Day” is full of hope and anticipation for a fresh start - lovely! “Two Souls” concludes the CD with a wistful, dreamy piece that is more ambient than the others. Reflective and warm, it’s a bittersweet and satisfying finish. “Dark Night of the Soul” is a great choice if you are looking for powerful but reflective solo piano music. Recommended!
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Perfect!
author: Alejandro Clavijo
                            
Best!
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