Back To Artist
Phillip Hardy : Old Dog, New Tricks
Log in to add to your wishlist
The full length CD of Old Dog, New Tricks is now available here at CDBaby for only $9.99. But if you're tight on cash and you just want a taste of the Old Dog, this EP is just $5.00 while supplies last.
Genre: Rock: Modern Rock
Release Date: 2003
Old Dog, New Tricks
Phillip Hardy
Record Label: Mad Monk Records
  • Buy CD - $5.00
  • Download Album (MP3) - $5.00
Preview Song Name Time Format Price Select
Bourbon Street 3:54 $0.99
She's the One 5:24 $0.99
The Drift 5:23 $0.99
preview all songs

Album Notes

Phillip E. Hardy Born May 27, 1956, Manhasset, New York: He is a Music critic, Novelist and musician that has played drums for Joe Houston, Guitar Shorty, The Lively Ones and Walter Egan; working with bands that opened concerts in Los Angeles for new wave band The Motels and alternative country rockers Rank and File. Phillip began his drumming career in the mid 1970’s occasionally filling in as substitute drummer for seminal LA punk band The Weasels, as well as jamming and recording with musicians including Dean Chamberlain, The Skulls and Marvin Etzioni of Lone Justice fame. During the 1980’s he twice worked with Asylum Kids bassist and vocalist Dino Archon in bands named DV8 and Symbol Positive playing at Club Lingerie, Madame Wong's, and The Troubadour and on the (KROQ) Radio stage at the 1984 LA Street Scene'. At a 1984 recording session in Playa Del Rey, California, Phillip was invited by bassist Ralph Carter to audition for Eddie Money and his touring band. During the early 1990's, he fronted his own band Badge of Honor playing numerous live shows and had original songs featured on KLOS Radio Best of Local Licks show. In a May 9, 1994 Music Connection Magazine review, Hardy’s unique vocal style was compared to Harry Chapin and his drumming was described as “As precise as the tick-tock of Big Ben and rocks like a run away renegade.” Phillip was awarded a Bachelor of Science in Business Management in 2001 and a Master of Management from the University of Redlands in 2003. Later that year, his album Old Dog, New Tricks was released and received positive reviews from publications including Fufkin Magazine, Ripping Tracks and IOM Magazine. He currently contributes features and reviews for Sound the Sirens online magazine where his review of the film Capote was recently published in addition to music reviews of Robert Cray, Richard Thompson and Brian Setzer. His novel Kingdom of the Hollow, the Story of the Hatfields and McCoys" was recently entered into the Kentucky Historical Library. On September 3, 2006 Phillip joined The Lively Ones playing drums and singing lead vocals for a concert at the Orange International Street Fair. In addition to a selection of surf music and classic rock, the group performed their hit song "Surf Rider" from the Pulp Fiction Original Motion Picture Soundtrack. He continues to work with The Lively Ones and many other bands and musicians.
Webzine review from Power of Pop Webzine

Reviewer: Kevin M Mathews, March 9, 2004

Old Dog, New Tricks (Mad Monk) Mister Hardy has become a regular correspondent with your humble writer of late and it's been fun just chewing the e-fat now and then. Hardy, the singer-songwriter-drummer, is also someone you'd gladly invite into your music-loving heart with his unassuming, subtle but accomplished easy rock styling. This three-track EP is a treat right from the moment the sanguine vibe of "Bourbon Street" hits you between the eyes. Reminiscent of the finer material of Mark Knopfler and Gerry Rafferty, this mid-tempo paean to the French Quarter, is simple to enjoy. The country-folk musing of "She's the One" where Hardy channels the late great Roy Orbison and is a pleasant piece of balladry and the upbeat "The Drift," with its Todd Rundrenesque keyboard changes, is a muscular soul-rocker that takes hold fairly quickly and never lets go. Good stuff, all round. B+

Read more...

REVIEWS

A groovey rock track with horns, blistering guitars and plenty of energy
author: Ripping Tracks Review of "The Drift"
artist: Phillip E. Hardy from Huntington Beach California United States track: The Drift Genre: Rock - Blues Rock album: Old Dog, New Tricks - track: 5 A groovey rock track with horns, blistering guitars and plenty of energy backing Phillip E Hardy's enjoyably theatrical and tongue-in-cheek vocal stylings. There's a cyncicsm in a lot of Mr Hardy's work and this is no exception. It seems to be about a love that is unreciprocated, but the music is upbeat and danceable, suggesting that our protaginist really doesn't give a damn. This has a texmex rock feel to it especially with those horns. It's rather remiscent of one of those solid 70s rocking dance bands featuring an impossible number of musicians. A fun track. The piano solo towards the end is a touch of class! Ripping Tracks Reviewer: Gordon Bell, September 28, 2004
Read more...
Hardy, the singer-songwriter-drummer, is also someone you’d gladly invite into y
author: Kevin M Mathews
Old Dog, New Tricks (Mad Monk) Mister Hardy has become a regular correspondent with your humble writer of late and it’s been fun just chewing the e-fat now and then. Hardy, the singer-songwriter-drummer, is also someone you’d gladly invite into your music-loving heart with his unassuming, subtle but accomplished easy rock styling. This three-track EP is a treat right from the moment the sanguine vibe of “Bourbon Street” hits you between the eyes. Reminiscent of the finer material of Mark Knopfler and Gerry Rafferty, this mid-tempo paean to the French Quarter, is simple to enjoy. The country-folk musing of “She’s the One” where Hardy channels the late great Roy Orbison and is a pleasant piece of balladry and the upbeat “The Drift,” with its Todd Rundrenesque keyboard changes, is a muscular soul-rocker that takes hold fairly quickly and never lets go. Good stuff, all round. B+
Read more...
This song was incredible! The overall performance was great.
author: blakoutt21 from Great Neck, New York
Sweet! This song was incredible! The overall performance was great. The lead vocals were also great. I wish I could sing like that. The drums had a great beat. It was an honor to listen to this great song.
Read more...
a concentrate made with the finest elements of US pop-rock
author: Rockmetalbands.com
This just to tell you that these 3 songs are enough to make you understand that his timing is as precise as the tick tock of Big Ben and rocks like a runaway renegade, already from the opener "Bourbon Street", a concentrate made with the finest elements of US pop-rock, quite groovy and lively, backupped by irresistible hooks in the refrain. Phil also sings on this CD and his warm voice does stand out in this track, thanks to his as skillful as possible usage of high and middle frequency range, later interrupted to make way for fading keyboarded piano lines. Completely different are the shores touched with "She's the One", a lullaby-ballad full of love and positiveness, yet never too sugary, and you must consider that my teeth are very sensitive to caries; yes, it was tough, but I can assure you this nice old dog has gone thru this test uninjured, so you can be sure that boys and girls into rock will both like this Los Angelesian's material. A slow (actually too), tender song with a sorta Hawaiian guitar in the end. The closure is entrusted with a rather long song, "The Drift", representing all of this musician's hints; after a bluesy start with pop keyboards, the pop rock structures come back again, sustained by a funky riff. And here comes my fave refrain, followed by a tasty 6-string solo; as though he wanted to mean between the lines: "That's not enough, uh?", there's additional place for a heartfelt jazzy final. Were I a record company's promoter, my choice for a single would fall onto this track. MARKUS GANZHERRLICH - 20/2/04
Read more...