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Phillip Hardy : Old Dog, New Tricks
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Phillip Hardy is rapidly becoming a popular mp3 artist World wide. Old Dog, New Tricks, the full CD combines elements of alternative rock, jazz, blues and Americana.
Genre: Rock: Modern Rock
Release Date: 2004
Old Dog, New Tricks Record Label: Madmonk Records
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Preview Song Name Time Format Price Select
Western World 3:10 Album Only
Promising a Miracle 2:18 Album Only
Youth 2:46 Album Only
Season of Faith 3:32 Album Only
Rain on the Window 4:21 Album Only
Surrender 3:51 Album Only
Ghost in the Room 4:42 Album Only
House of Fire 2:36 Album Only
Bourbon Street 3:54 Album Only
She's the One 5:24 Album Only
The Drift 5:23 Album Only
preview all songs

Album Notes

Phillip E. Hardy Born May 27, 1956, Manhasset, New York: He is a Music critic, Novelist and musician that has played drums for Joe Houston, Guitar Shorty, The Lively Ones and Walter Egan; working with bands that opened concerts in Los Angeles for new wave band The Motels and alternative country rockers Rank and File. Phillip began his drumming career in the mid 1970’s occasionally filling in as substitute drummer for seminal LA punk band The Weasels, as well as jamming and recording with musicians including Dean Chamberlain, The Skulls and Marvin Etzioni of Lone Justice fame. During the 1980’s he twice worked with Asylum Kids bassist and vocalist Dino Archon in bands named DV8 and Symbol Positive playing at Club Lingerie, Madame Wong's, and The Troubadour and on the (KROQ) Radio stage at the 1984 LA Street Scene'. At a 1984 recording session in Playa Del Rey, California, Phillip was invited by bassist Ralph Carter to audition for Eddie Money and his touring band. During the early 1990's, he fronted his own band Badge of Honor playing numerous live shows and had original songs featured on KLOS Radio Best of Local Licks show. In a May 9, 1994 Music Connection Magazine review, Hardy’s unique vocal style was compared to Harry Chapin and his drumming was described as “As precise as the tick-tock of Big Ben and rocks like a run away renegade.” Phillip was awarded a Bachelor of Science in Business Management in 2001 and a Master of Management from the University of Redlands in 2003. Later that year, his album Old Dog, New Tricks was released and received positive reviews from publications including Fufkin Magazine, Ripping Tracks and IOM Magazine. He currently contributes features and reviews for Sound the Sirens online magazine where his review of the film Capote was recently published in addition to music reviews of Robert Cray, Richard Thompson and Brian Setzer. His novel Kingdom of the Hollow, the Story of the Hatfields and McCoys" was recently entered into the Kentucky Historical Library. On September 3, 2006 Phillip joined The Lively Ones playing drums and singing lead vocals for a concert at the Orange International Street Fair. In addition to a selection of surf music and classic rock, the group performed their hit song "Surf Rider" from the Pulp Fiction Original Motion Picture Soundtrack. He continues to work with The Lively Ones and many other bands and musicians.
Webzine review from Power of Pop Webzine

Reviewer: Kevin M Mathews, March 9, 2004

Old Dog, New Tricks (Mad Monk) Mister Hardy has become a regular correspondent with your humble writer of late and it's been fun just chewing the e-fat now and then. Hardy, the singer-songwriter-drummer, is also someone you'd gladly invite into your music-loving heart with his unassuming, subtle but accomplished easy rock styling. This three-track EP is a treat right from the moment the sanguine vibe of "Bourbon Street" hits you between the eyes. Reminiscent of the finer material of Mark Knopfler and Gerry Rafferty, this mid-tempo paean to the French Quarter, is simple to enjoy. The country-folk musing of "She's the One" where Hardy channels the late great Roy Orbison and is a pleasant piece of balladry and the upbeat "The Drift," with its Todd Rundrenesque keyboard changes, is a muscular soul-rocker that takes hold fairly quickly and never lets go. Good stuff, all round. B+

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REVIEWS

A groovey rock track with horns, blistering guitars
author: Ripping Tracks review of "The Drift"
artist: Phillip E. Hardy from Huntington Beach California United States track: The Drift Genre: Rock - Blues Rock album: Old Dog, New Tricks - track: 5 A groovey rock track with horns, blistering guitars and plenty of energy backing Phillip E Hardy's enjoyably theatrical and tongue-in-cheek vocal stylings. There's a cyncicsm in a lot of Mr Hardy's work and this is no exception. It seems to be about a love that is unreciprocated, but the music is upbeat and danceable, suggesting that our protaginist really doesn't give a damn. This has a texmex rock feel to it especially with those horns. It's rather remiscent of one of those solid 70s rocking dance bands featuring an impossible number of musicians. A fun track. The piano solo towards the end is a touch of class! Ripping Tracks Reviewer: Gordon Bell, September 28, 2004
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Let your good ears stand to attention to admire accomplished vocals and lyrics
author: Scout's Digest
Let your good ears stand to attention to admire accomplished vocals and lyrics that share the same bed as an astonishing 'big sixties' sound production! That basically sums up Phillip E Hardy's Old Dog, New Tricks.. an album that swings between subtle pop/rock and latino genres and adult oriented satirical audiophilia. On the other hand, if you want a little more persuasive detail on this superb album, do read on... The album opens with Western world; this song is your first taste of Mr Hardy's vocal style that is somewhat reminiscent of Gene Pitney, Roy Orbison, PJ Proby, Tom Jones, Bryan Ferry, and Chris Issak, all coming out of one mouth! Now that's leads me to an important point... name one other artist that can house all of those classic vocals and ride them over a highway of similarly classic musical arrangements without becoming derivative? Western world is a bright and refreshing personalized social commentary with bright jangling guitars and the swapping of lead vocal lines for the chorus that hooks your interest even more as the track progresses. Promising a miracle is a perfect follow up to Western world with a nice assortment of guitar and bass riffs underneath really cool lyrics that are every bit as engaging as Phillip's vocals. There is much versatility in this song that can be likened to the kind of stuff Phil Spector reached out for. Both Phillips new exactly how to arouse the senses! Youth is a song that could have settled in well among the best Los Lobos had to offer on their 'Will the wolf survive' album. (That's a tremendous compliment Phil as it's one of my favourite albums of all time!) The same self scrutinising view life is reflected in the lyrics and the more you listen to this song, the more you realise that Phillip is just at home writing excellent lyrics as he is behind a decent drum kit! Season of faith meanwhile is a well placed song of our time, the arrangements here are superb and I love the guitar bits... bright and sparkly with equally bright and sparkly drums and bass bits. Rain on the window is one for those summer afternoons you make out of winter afternoons by just listening and becoming absorbed. That thing about Phil's vocals, that versatility and colour in an accomplished singer is abundantly clear here. You tend to get sucked all over the place listening to this track... one minute the vocal, the next it's the keys, and then back to that bass and drums synergy that occurs all over this album leaving you whispering expletives to yourself over and over again. Surrender is an unusual track in it's composition. I for one, would never have imagined taking this style of vocal and setting them to the unique musical arrangement that lies beneath. Mr Hardy, it appears, was not as hesitant as I would have been, and it has paid off.. it's another trademark for a guy who seems to create them with ease. Ghost in the room has some really nice guitar pieces, chorused and gentle, passive and polite, and these lead onward and upward against a vocal that seems to be directing every note on the fretboard. House of fire shakes you out of where you where listening to Ghost in the room, slightly reminiscent of Queen's more flamboyant compositions from A Night at the Opera and Sheer Heart Attack, but very definately and unmistakably Phillip at his best. Bourbon Street appeared recently on our very own Mervyn Swift's Online Music Tour compilation and with good reason. I absolutely love the lyrics in this song... and it is a true testimonial to Mr Hardy's musicianship and songwriting ability. I would have loved to have been at the recording session for this song. She's the one is kinda 1965 ish... I once mentioned that I wished I had the original 45 it's that authentic in the style of the period and the producer/engineer needs a decent pat on the back! I mustn't leave out the superb guitars here... what a pleasure to listen to! The drift is the last track on this album, and it's absolutely incredible from beginning to end... Carlos Santana shouldn't feel so alone! Phillip's got the reins on his voice yet again.. but perhaps much morte importantly he has the reins on his artistry and imagination. It shows in numerous ways throughout this album and that's why we chose to include Old Dog, New Tricks, for review.. it's a superb album and I can't wait... literally CAN NOT WAIT for his next! Colin Lynch - June 08 2004 scoutsdigest@dgmpublishing.com
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a value-for-money acquisition.
author: Kevin Mathews of Fufkin Magazine
Phillip Hardy Old Dog, New Tricks (Self-released) This is an expanded version of a 3-track EP, which Hardy released a little earlier in the year. The inclusion of songs like the lively "Youth," the robust "Western World" and the exuberant "Season of Faith" which together with the sanguine vibe of "Bourbon Street," the country-folk musing of "She's the One" and the upbeat "The Drift" make for a value-for-money acquisition.
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Phillip E. Hardy surely has a strong gift for burying cynical messages within ni
author: Gordon Bell
artist: Phillip E. Hardy from California United States track: Promising a Miracle Genre: Alternative album: Old Dog, New Tricks - track: 4 A latin flavoured and jangly guitar driven piece about the loss of freedom. It's got that Texas border feel in it - but slow it ain't. Visions of people on horseback chasing each other round and round the same rock outcrop shot from different angles. The vocal comes from the back of the hall while the band is standing at the front. Latin country is where to slot this in the collection. I couldn't quite work out wether this was a critique of G.W.Bush or not. Ach, I'll put my own spin on it and say that it is. Phillip E. Hardy surely has a strong gift for burying cynical messages within nicely crafted lyrics. Well worth checking out. Reviewed by: Gordon Bell, 2 September 2004
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