Phyllis Chapell & SIORA | The Other Side of the River

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Jazz: Jazz Vocals World: World Fusion Moods: Type: Vocal
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The Other Side of the River

by Phyllis Chapell & SIORA

This is a world jazz journey spanning a range of moods, genres and languages, all with vocals by Phyllis Chapell, and accompanied by various members of the SIORA ensemble.
Genre: Jazz: Jazz Vocals
Release Date: 

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Tracks

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1. A-E-I-O-U
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3:50 $0.99
2. Here's to Life
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4:11 $0.99
3. Al Otro Lado del Rio
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7:19 $0.99
4. Shenandoah
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4:30 $0.99
5. Madalena
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3:48 $0.99
6. Stardust
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3:06 $0.99
7. Crazy
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5:52 $0.99
8. Contigo Aprendi
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4:20 $0.99
9. Soze
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3:39 $0.99
10. Hinei Ma Tov/Ma Achla'a
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3:43 $0.99
11. Water (A-E-I-O-U Reprise)
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6:28 $0.99
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ABOUT THIS ALBUM


Album Notes
Phyllis Chapell, along with her world jazz ensemble SIORA, perform in varying configurations from solo (voice and guitar) all the way to 5 piece ensemble work (keys, bass, drums, percussion, flute, penniwhistle and trumpet)--in many languages (including, but not limited to, English, Spanish, Portuguese, Hebrew, Arabic, Farsi--with one original that translates the word "water" into 39 languages) and many genres (traditional as well as contemporary American and world music including Afro-Cuban, Samba, Middle Eastern)--all shaken and stirred with all-American jazz.

"Creating a soundscape that needs no translation, multicultural and multilingual SIORA takes hold of songs from around the world--from Latin America to Europe to the Middle East and beyond--and transforms them using the universal language of jazz." (Straight No Chaser, UK)


Reviews


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Al Hirschhorn

“The Other Side of the River” Phyllis Chapell & SIORA
“The Other Side of the River” Phyllis Chapell & SIORA

This magnificent collection of well-conceived & arranged tunes manages to maintain the spirit and the ‘sound’ of SIORA. I believe this is the first SIORA album since the passing of Dan Kleiman (co-Founder with Phyllis Chapell).

Phyllis has skillfully surrounded herself with ‘sidemen’ (both former and new) having the ability to perform the rhythmic and harmonic complexities that characterize SIORA’s music selectivity.

With respect to ‘sidemen’, electric bassist, Rob Swanson, in particular, is a favorite of mine. I was so moved by his lyrical solos when I had attended the concert at the Wildflower Festival a while back. His sound is distinctive, in-tune & beautiful. Please note Rob’s solo in “Shenandoah” around the late Dan Kleiman’s superb changes (played brilliantly by Dave Posmontier). I vividly recall Rob’s strong support of - & simpatico with - what Dan was creating on keyboards. I accentuate the word creative because Dan Kleiman was one of THE most inventive pianists I have ever heard.

Back to Phyllis: I still cannot fathom how one individual can sing in so many different languages. Although I am not a linguist, friends have confirmed to me that her Italian, Spanish, and Hebrew (at least) are all quite accurately executed.

In addition, she effortlessly/successfully carries out amazing rhythmic and metrical complexities that occur throughout each piece. Phyllis’ intonation is always ‘spot on’ and her guitar playing (e.g. “Here’s To Life”) is stylistic, well-performed, and an excellent change of pace from piano backgrounds.

All in all, I adore this CD and I shall definitely share it with fellow musicians.

Al Hirschhorn 2/11/2011