Not much more to mention, but perhaps to repeat/emphasize: 
Yes, VERY recommended if you like W. Shorter and his W.Report.-compositions, Hermeto Pascoal e Grupo(!!!) and Zappa's less funny but more serious(?), complex, melodic jazzy titles like 'little umbrellas', 'grand wazzoo' or (almost) 'jazz from hell'.  This CD is a must!
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Landmark is up to my expectations after getting his superb ''Announcement'' and becoming already a devoted fan.  It's intelligent fusion jazz that incorporates so many different styles that one cannot do anything else but listen and get amazed at how imaginative this wonderful pianist is.  A treasure chest of excellent, innovative music.
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AMG EXPERT REVIEW: This remarkable disc features Mika Pohjola's crafty "MikaSonik" ensemble, with Miguel Zenon on alto sax and flute, Ben Monder on guitar, Fernando Huergo on bass, and Roberto Dani on drums, with Johanna Grüssner contributing haunting vocals on occasion. Pohjola plays Fender Rhodes and other electric keys in addition to acoustic piano; on "Landmark" and "Retrospectives" he doubles certain melodies on harpsichord, as he has done on two previous albums (he may well be the first musician to employ the arcane instrument in a modern jazz ensemble). Compositionally, Pohjola's work is involved yet infectious and profoundly melodic, driven by the virtuosity and strong personalities of his players. On tracks like "Screen Play" and "Future Apparent" the band purveys a hip, appealing species of electric jazz; the fluid melodies and richly layered sounds are somewhat reminiscent of Kurt Rosenwinkel's The Enemies of Energy. Pohjola's mellower side comes through on "A Ballad About Something" and "Old Couples Lullaby." In contrast, he makes loud mischief on the rhythmically skewered punk of "Young in the 80s" and conveys a peculiar, semi-rubato feel on the evocative "Summer Garden" (which features Monder and Dani in a duo exchange toward the end). Pohjola also works wonders with Grüssner's voice on an inspired arrangement of the fourth century Ambrosian hymn "Psalm 549," as well as the Finnish-titled "Reppurin Laulu" ("Vagabond's Song"), the lyrics of which are in the dead Karelian language. The highly recommended Landmark sets the bar very high for creative music in the year 2002. -- David R. Adler
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Pianist/composer, Mika Pohjola represents one of those rare entities in modern music as his often-complex compositional style generally yields straightforward and easily attainable results. A musical mind at work for sure; however, Pohjola’s uncanny knack for integrating sonorous melodies with multi-layered and intricately formulated arrangements elicits notions of listener-friendliness. 

With his latest effort, Pohjola garners strong support from New York City-based guitarist, Ben Monder, alto saxophonist, Miguel Zenon, and others for a multifarious and deeply stylized program. On the opener “Landmark,” Pohjola employs harpsichord, synths and Fender Rhodes piano atop the rhythm sections’ bustling pulse and Johanna Grussner’s harmonious wordless vocals. Here and throughout, Monder and Zenon engage in lilting choruses, poignant lines and make excellent use of space and depth. Conversely, Pohjola acts as the painter via his quaintly executed synth treatments, and acute sense of swing and rhythm. Meanwhile, Johanna Grussner provides the Midas touch on several pieces including the quasi hymn-like, folk melody titled, “Reppurin Laulu.” The divergent mix continues on the hard driving “Young In The 80’s,” as Monder puts the pedal to the metal for some blistering, supercharged guitar work in concert with Pohjola and Zenon’s anthem-like choruses. 

The pianist provides lucid imagery with a maturely stated melody on “Old Couples Lullaby”; whereby Monder’s dusky mid-tone electric and Ms. Grussner’s warm vocalise trigger the emotive elements. Overall, there’s a lot to get excited about during this superbly crafted set, largely due to the leader’s creative spirit and unassailable infatuation with the jazz vernacular! Recommended. 
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