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Beck-like folk terrorism, the intellectual musings of Jacques Derrida and a chimera-like sound collage, all spiced with beatboxes, spunky samples and mirthful textures. The Dead Milkmen meets Ella Fitzgerald in Stanley Kubrick's basement. In a White Zinfadel/Budweiser world, PONO is the Merlot/Guiness.
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A journey into the future of music, and with its ups and downs, you'll have to be prepared for a wild ride. 

Imagine if you will, that you are trapped on an elevator with Beck, The Velvet Underground and My Bloody Valentine. With nowhere to go, they break out their instruments, cleverly concealed in their rock star garb, and proceed to jam; exuding the catchiest, oddest, cleverest little ditties that you could imagine. That, ladies and gentleman, is Pono. Pono is the type of band that sat in the back of class and goofed off all day, yet got into Harvard. 'Aisle 3' is a hodgepodge of experimental trickery. It is at times silly and upbeat with pounding beats; and others it is morose and sad and full of contemplative darkness and mournful guitars. Attacking the boundaries of modern music with beautiful melodic lines and unconventional arrangement and even spoken word, these kids rebel against everything we know to be true. This is the band that you won't hear on pop radio. In a perfect world, you would.
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love  you tenderly  baby   sexy  gooboy
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