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Prasanna : Be the Change
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Jazz with a 'world view' that Rocks. Features such amazing musicians as Victor Wooten, Alphonso Johnson, Jeff Coffin, Ralph Humphrey, Andy Suzuki, Shalini and Derico Watson
Genre: Jazz: Jazz Fusion
Release Date: 2004
Be the Change
Prasanna
Record Label: Susila Music
  • Download Album (MP3) - $18.00

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Preview Song Name Time Buy
1. Pangaea Rising (w/ Victor Wooten, Jeff Coffin, Derico Watson) 7:04 + MP3 $0.99
2. Ta ka ta ki ta Blues (w/ Victor Wooten, Jeff Coffin, Derico Wats 5:36 + MP3 $0.99
3. Satyam (w/ Alphonso Johnson, Shalini, Andy Suzuki, Ralph Humphre 10:19 + MP3 $0.99
4. Ragabop (w/ Alphonso Johnson, Ralph Humphrey) 7:16 + MP3 $0.99
5. The Grapevine (w/ Victor Wooten, Jeff Coffin, Derico Watson) 8:12 + MP3 $0.99
6. Dharma becomes Alibama (w/ Alphonso Johnson, Andy Suzuki, Ralph 8:17 + MP3 $0.99
7. Uncensored (w/ Alphonso Johnson, Andy Suzuki, Ralph Humphrey) 7:09 + MP3 $0.99
8. Bliss Factor - part I 0:37 + MP3 $0.99
9. Bliss Factor - part II (w/ Shalini, Victor Wooten, Derico Watson 6:39 + MP3 $0.99
10. Kalyani Connection (w/ Alphonso Johnson, Andy Suzuki, Ralph Hump 8:46 + MP3 $0.99
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Album Notes

"A highly accomplished plectorist and true world-music visionary....Prasanna melds aggressive electric lines, slamming backbeats, melodic motifs and complex polyrhythms and subdivisions in a kind of kinetic, groove oriented stew..."

- BILL MILKOWSKI, JAZZIZ MAGAZINE, JULY 2004

"Prasanna's take on Indian-influenced Jazz-fusion is different from John McLaughlin's-or anyone elese's....he colors his jazz-savvy lines with a distinctive non-western quarter-tone phraseology and sitar like embellishment....

- DAVID ADLER, JAZZ TIMES, NOVEMBER 2004

"Picture dancers moving in astonishingly elaborate choreographic unison like a flock of shore-birds....happy -fusion of jazz with the highly spiced, electrically charged sensibilities of Karnatic music."

- FRED BOUCHARD, DOWNBEAT MAGAZINE, OCTOBER 2004

"Indian guitarist Prasanna stirs a pot of intoxicating, heady world fusion."

- CHRIS JISI, BASS PLAYER MAGAZINE, JUNE 2004

"A godsend from India to us, he has, through his formidable gifts, combined with impassioned desire and commitment, arrived seemingly instantly full-blown, yet developing"

- PHIL DI PIETRO, ALLABOUTJAZZ.COM

"it's not often that we listen to musicians/bands that present dazzling chops in concert with a structured and divergent production all equating to a high fun-factor. Prasanna has made his mark, now it's up to the willing listener to seek out and listen to this superb effort. (Zealously recommended..)"

- GLENN ASTARITA, JAZZREVIEW.COM

"The Indian elements on this album are never simply stylistic filigree but an integral part of the whole concept, and Prasanna makes it work beautifully. Highly recommended."

- TODD JENKINS, ALLABOUTJAZZ.COM

Log on to http://www.guitarprasanna.com to know more about Prasanna


About 'Be the Change':

Considered by many to be one of the most unique guitar virtuosos in the world, Prasanna takes a quantum leap into the future with 'Be the Change'. Stellar performances from an all star line-up of some of the worlds' best musicians like multi-Grammy winning Bela Fleck and the Flecktones bassist Victor Wooten, ex-Weather Report bass legend Alphonso Johnson, the dynamic Flecktones saxophonist Jeff Coffin, ex-Frank Zappa drummer Ralph Humphrey, one of LA's hottest saxophonists Andy Suzuki, the explosive drummer Derico Watson and the versatile vocalist Shalini, complement Prasanna's dynamic guitars, vocals and strikingly original compositions of rare depth.

'Pangaea Rising' musically mirrors the result of cataclysmic changes in the Earth's geological past, 'Bliss Factor' is a song in Sanskrit with the text from the advaita Hindu philosophy of ancient India wafting through some high voltage Jazz/ Funk, 'Ragabop' showcases the journey of the chromatically adventurous Carnatic raga 'Kapi' in a be-bop laden jazz acoustic guitar trio format with jaw-dropping virtuosity, Dharma becomes Alibama' brings in the bitter-sweet dissonance of carnatic ragas Dharmavathi and Saramathi rising over some exquisite straight ahead Jazz, 'The Grapevine' is a now Jazz-now progressive rock camouflage, 'Satyam', the bi-lingual English/Sanskrit song blends R and B, Funk, Carnatic, Disco and African elements with soaring vocals, a powerful message and infectious groove, 'Kalyani Connection' unleashes the power of the inexhaustible carnatic raga 'Kalyani' clothed in an instrumental Rock Power ballad, at times even sonically bordering on New Age, the blazing 'Ta ka ta ki ta Blues' is a pounding blend of hard rock, blues and jazz against an unmistakable rhythmic tala structure of carnatic music, 'Uncensored' is proud old-school Jazz/Rock peppered with an incendiary new twist of Clave-meets Carnatic Tala vocalization.

'Be the Change' is a mind, body and soul experience.

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REVIEWS

a easy listeners review!!!!
author: varkey .....
                            
being an amateur instrumentalist & an avid rock,metal progressive lover...i was captured by the power of the carnatic music elements & jazz elements,the mix of the elements is just perfect !!!!
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Carnatic Tradition meets pedal-to-the-metal fusion
author: John Kelman
                            
The inside sleeve of Be the Change says “This album may represent certain fantasies that a young kid may have had growing up in South India”; combining South Indian Carnatic music with a jazz sensibility that includes fusion, funk and a bit of straight-ahead swing, guitarist Prasanna delivers an album that, for all its diversity, manages to sound cohesive; the cogent result of a vivid imagination indeed. Building layers of electric and acoustic guitars, with a solid understanding of a multitude of styles he creates world music with a distinctive sound. Much like Pat Metheny, who merges the folk music of his Midwestern-US upbringing with a stronger jazz sensibility, Prasanna does similar things with his native South Indian roots. Also, like Metheny, Prasanna is less interested in songs where the theme is simply a way to get into improvisation; his pieces have a stronger sense of composition, each one telling a story. Be the Change is a fine new release from an artist who truly understands the concept that fusion, rather than being the dirty word it has become, is truly about integrating seemingly disparate styles of music into a new whole.
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Pure Genius!
author: DylanThomasFan
                            
This album is pure genius. It combines at once two very serious improvisational art forms, carnatic (south indian classical music) and jazz, and brings it to an audience which is bound to have a very unique experience. This album is bound to change your view of jazz -- forever. Never before has multicultural collaboration been attempted at this honest and serious a level. Ok, maybe Akamoon is probably as serious (apparently Prasanna plays with them regularly in Europe), but how often do you hear odd-signature songs this accessible? If you are an avid Shakti fan and are wondering what to listen to next, not only should you listen to this album, but also check out Prasanna's "Peaceful," which I believe is available through his website at guitarprasanna.com. In "Peaceful," you will find Prasanna shining in a freer setting, with some renditions of traditional carnatic -- meant clearly to showcase his absolute genius as a guitar player and his very creative ideas as a musician. Pick up "Be The Change" for compositional integrity, pure genius guitar playing, the grammy-winning musicians, and the use of (musical) vocabulary which you will hear only very rarely.
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Exhilarating Experience....
author: Bikram Kumai
                            
This album is an exquisitely crafted work of art by an extremely gifted and skilled musician. To me, it's a must hear/keep for all world/jazz listeners. It is very different because in Prasanna we have a very unique guitarist so well versed with the nuances of both the eastern carnatic and western jazz. All the songs in the album convey the artist's strong and very melodic carnatic message packaged in the overall jazz & blues context. The fusion is totally seamless. So to a listener unexposed to this form of eastern music, it may also come accross as a new exotic expression to jazz, which it is in many ways. And guess what, the singing too by both Prasanna and his wife Shalini sound very smooth and fit well in the album. Not to forget,what makes the album stand out is also the top brass accompanying artists on the rythm,bass,wind sections. The excellent arrangement of it all makes the album a sure winner. Kudos to Prasanna for this beautiful piece of art.
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