Q*Ball In Space
© Copyright-Bald Freak Music (ASCAP)
(783707513829)
Record Label: Bald Freak Music
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Bouncy beats, funky rhythms, virtuoso guitars, space-age keyboards, & melodic vocals are just some of the reasons why Q*Ball has become one of the most talked-about & unique independent artists out there.
Q*Ball\'s music is accessible to fans of mainstream pop & alternative music, but also has an audience in the underground DJ scene. Songs like \"Edith,\" a bump-and-grind instrumental tribute to All In The Family\'s Edith Bunker, illustrate the dance hall appeal of Q*Ball\'s music, while \"Get On The Bus\" reminds one of U2 on one of their \"Pop\"-era binges.
Q*Ball music has been featured on MTV\'s Road Rules, The Real World, The Osbournes, RWRR Battle of the Sexes, Clone High USA, & Making The Band.
Featured airplay on Z100 (NY), G106.3 (NJ), WZZR (FL), WRXL (VA), WRZK (WV), WFDU (NJ), KUCI (CA), XM Radio, Sirius Satellite Radio, Radio Wazee, Radioio, M3 Radio, Streaming Radio, & many more.
Q*Ball has performed with Gavin DeGraw, Mya, Splender, Sugar Ray, Aimee Mann, Eve 6, & more at venues ranging from NYC\'s Webster Hall to Madison Square Garden.
Q*Ball\'s new album, Fortune Favors The Bald, is also available now at CD Baby.
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Fast and Loud
author: Mary Chapel
Love this cd like all I get from CD Baby,you are G-dsent Edith reminds me of my youth. So long ago.
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GET UP AND GO !!
author: Voltaire
Awesome!!!! This album make you want to get up and go!! This album is pure fun!!!!
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Very Good CD
author: Kent
Very good CD I would highly suggest anyone into this type of music to buy the CD. Hopefully we'll hear some more good music out of Q*Ball.
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"...funk-laced electronica, filled with melody, lively beats, and plenty of quir
author: Omar Perez, Altar Native Webzine
Perhaps Brooklyn's Q*Ball spent one too many hours behind the television watching the bouncing ball. If that's the case at least he developed a sense of tempo, something that's apparent this three-song demo, a short but sweet effort of funk-laced electronica, filled with melody, lively beats, and plenty of quirkiness to stand out from a flock of electronica tunes lathered in anal song structure. "Get on The Bus" comes across like U2 at a rave, while "Chew" features some Scooby Doo-inspired, haunting synthesizers. The human quotient is also equal to or greater that the sum of all the electronic parts, something that lacks in a lot of artists. -Omar Perez
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