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A foot-stompin', musical shout-out to the universe.
Genre:
Folk: Traditional Folk
Release Date:
2007
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Big Old Life
© Copyright-Signature Sounds Recordings
(701237200521)
Record Label: Signature Sounds
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Here is Big Old Life: twelve songs from a band that has learned to count its blessings. You could call it agnostic gospel. You could call it reverent (except when it’s not). You could call it a foot-stompin', musical shout-out to the universe. You could call it a recording of four people playing songs they like, together, as they've done for the past seven years. Big Old Life is also everything Rani Arbo & daisy mayhem fans have always loved about the band: live energy, dry wit, great grooves, smart lyrics, and a wild ride through a blend of roots music styles, from blues to bluegrass to old-time, folk, funk, and swing.
Musically, this album showcases the band’s stellar singing, with Rani Arbo's gorgeous, shape-shifting alto buoyed by the band's renowned four-part harmonies. Guitarist Anand Nayak and bassist Andrew Kinsey contribute strong originals, as well, while Scott Kessel (Arbo's husband) lines up the groove on the Drumship Enterprise, a junk percussion rig featuring tin cans, cookie tins, and a vinyl suitcase (he does pull out a traditional kit for a few tunes). Arbo’s swervy fiddle and Nayak’s versatile guitar weave together with energy and abandon, and superb playing from guests Rose Sinclair (banjo, accordion), Kevin Barry (lap steel, guitar) and Ben Ross (harmonica) rounds out the album’s soulful sound.
Many of the tracks on Big Old Life peer through a universal window. Arbo's title track and the anthemic “Shine On” lobby for a fearless, bright-eyed approach to life; Nayak's swingy “What's That” looks outside "the door" with a Waits-meets-Grappelli swing; Kinsey's hushed "Mother of Our Dreams" and Arbo's unearthly "Hole in Heaven" are paeans to mothers living and remembered. Then there's the straight-up gospel blues, “Oil in My Vessel,” learned from fiddler Joe Thompson, and a clawhammer banjo version of Leonard Cohen's “Heart with No Companion,” a tender ode to possibility. Interspersed are a fistful of songs with more classic themes — love lost, the trouble with red haired boys, and a Dylan tune, “Farewell Angelina,” that aptly reflects the chaos of our modern world.
Along with great music and singing, Rani Arbo & daisy mayhem have always had a penchant for the spiritual. But where their previous album, Gambling Eden, asked big questions, Big Old Life simply opens the window and lets the light in. Listen to their playing, to their song choices, and to the ease in which they inhabit their sound, and you’ll hear the difference.
As Arbo says, “The shorter your life feels, the bigger it is in the moment.”
Big Old Life is the sound of that moment.
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Big Ole Life
author: Larri
This CD gets to you. I already hear the little ones singing along when they're working on projects. That is, when it doesn't cause them to get up and dance while pretending to play the instruments they hear.
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Joy can to me in the mail!
author: cynthia d torres
I love this CD. It lifted my spirits and I smile every time I listen, which is often. Gret Job All!
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Love at the first note.
author: Sue Stevens
While driving to Bismarck, ND, from Virginia, MN I was listening to the Morning Show on MN Public Radio. Joy Comes Back was featured. The opening a cappela caught my attention and before the end of the song, I was dancing in the driver's seat. WOW! I ordered the CD as soon as I got home. Now I'm dancing in a much safer environment. What a fantastic album. I loved the pictures on the CD case, too. Absolutely everything in and on this CD makes me smile. Actually, it brings Joy and I'm Ready!!
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from the other side of the fence
author: Alex Martin
I received this CD as a Christmas present and loved it so much that I ordered another copy for a friend. One might not expect me to be so enthusiastic: I am jazz musician specializing in Brazilian and "Latin" styles (semper ubi sub ubi). But there is something so honest about what Rani and her friends have produced, with musicianship that is so skilled without ever upstaging the emotion and truth it serves--I couldn't resist. My favorite song is "Roses." I hope Rani continues to write and follow her own voice.
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