A wonderful album
author: Sam
A wonderful album. It is by far the Ray's best work to date. Not only was the production top notch but the vocals and songwriting is really what makes the album soar. Bass player, Bob Trenchard again brings out his versatile/eclectic style of writing with a combination of blues, jazz, soul, gospel and a little rock. His lyrics with the combination of Johnny Rawls' warm, soulful voice makes this album perfect for any blues and roots lover. The music goes from a dynamic opener "Show Me the Way", to the heartfelt gospel of "Keep the Faith". All songs you can listen to over and over. Also noteworthy is the finale, Trenchard's ..."Even Though You're in Heaven" which reduces one to tears as you feel the loss he writes about. It is an album that leaves nothing to be desired. I love it!
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This is a great CD. Lot's of feeling in songs
author: Beverly
This CD is very touching and everyone can relate to one song or another on the CD.
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author: A California Music Fan
Johnny Rawls took a risk in going beyond his trademark Memphis soul sound when he recorded No Boundaries. This album is very eclectic with music as wide-ranging as gospel, funky blues, jazzy blues, New Orleans blues, Chicago blues and roots rock as well as his more familiar soul-blues. Johnny Rawls discovered Kay Kay and the Rays in 1999. The collaboration with the Rays not only works, it is his best album by far. The thing that ties everything together is his great voice along with his expressive delivery of each song.
Since the songs average over 6 minutes, it may not be radio-friendly but it is the best blues cd I have heard this year. Rays songwriter, Bob Trenchard, composed most of No Boundaries after the death of his wife; the recurring themes are death, despair, redemption and hope. Five songs have a gospel theme or are gospel-tinged and all have superb backing vocals by Memphis singers Jackie Johnson and Reba Russell. However, each of the five are very different songs. Show Me The Way is funky soul with a smoking sax solo and powerful chorus. Keep The Faith is more traditional gospel with churchy B-3 and piano and also a powerful choir-like chorus. Fallen Bird sounds like a Mark Knopfler composition with a loping country feel but, again, with the big chorus. Long Black Car has a funky New Orleans groove, sounding like something from Fats Waller or Professor Longhair. The ending ballad, Even Though You’re In Heaven, is perfectly executed by Rawls and the band, building to an emotional finish.
As for the other songs, Train Keep Rolling is a more or less traditional blues shuffle but with big horns and nice bridge chord changes. I Won’t Give Up is very authentic coming from an underrated performer who has been on the road for 30 years; it is similar to style of Marvin Gaye at the end of his career, very nice arrangement and another powerful chorus. Never Found A Smoking Gun and Nothing Lasts Forever are as close to Rawls’ soul-blues sound as it gets here. The first has a really nice, big horn chart, an angry Albert Collins style lead and chitlin’ circuit lyrics and the latter is funky, jazzy soul with a stellar, long sax intro by Andy Roman, another strong horn chart and a solid, in the pocket groove. The thing that these nine songs have in common i they are all strong songs, performed by one of the best singers around today, backed by one of the best bands in any genre. Highly recommended.
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