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Rosemont Crossing is defined by tightly woven three part harmonies accented by three magical acoustic guitars; Americana at its best.
Genre:
Country: Country Folk
Release Date:
2005
Albums you will love
Frank Bramante
Everything Old Is New Again
Rock: Folk Rock
Venice
Garage Demos Part 1 - Slow Stuff
Folk: Folk Pop
Almost Live
© Copyright-Rosemont Crossing
(781056300534)
Record Label: Oceanic Records
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Sometimes things just come full circle; where what was old is new again. Sometimes you have to travel the world to wind up pretty much where you started out. In the case of musicians Donna Rawlins, Scott Siedow, Neil Snider and Doug Wenger, the paths they traveled seemed destined to bring them together, even if it was somewhere farther down the road...to the music that is Rosemont Crossing.
"Almost Live", a vibrant compilation of Americana: Folk-Rock, Grass Roots and Country. An absolute labor of love, "Almost Live" accomplished a near miracle: the eleven songs (nine original, 2 covers) were recorded in an astounding 5 days, deep in the beautiful green Hocking Hills of Ohio, the foothills of the Appalachian Mountains. The band's acoustic guitars and vocal stylings are reminiscent of Crosby, Stills, Nash &Young and The Eagles, but with the contemporary vibe of Nickel Creek.
When these four musical entities came together, what they experienced and heard convinced them that their combined talents were energetically undeniable. All they needed was a name...since two of them live outside of Ohio, a name depicting their 'crossing paths' seemed appropriate. When they learned that there is a city called 'Rosemont' in Ohio, Wisconsin AND California, the name "Rosemont Crossing" easily adapted itself to this musical configuration of seasoned three-part harmonies and well executed guitars.
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Impossible to dislike!
author: Daly Mavorneen "Brimstone" (Los Angeles, CA)
Impossible to dislike!, October 8, 2005
A tasteful, beautiful record, crafting pretty country with great acoustic guitars. The guys (and one gal) in RC are purposely harkening back to the music of their youth (see the folk-pop covers from Poco and Stevie Nicks) with all the easy going charm that that implies. Some slightly unconventional Bluegrass chord progressions combined with some of the loveliest harmonies you'll ever hear make this a CD no one could dislike. Its arrangements and production are skilled, imaginative and impressive.
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