Stephanie Rearick
The Bucket Rider
© 2003 Stephanie Rearick (825576818923)
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Rearick blends piano, vocals, and occasional trumpet to make music that is engaging, disturbing, and soothing, sometimes all at once.
tracks
- 1 Ghostlike
- 2 My Lizard
- 3 Tiny Hairs
- 4 The Bucket Rider
- 5 Secret
- 6 Single Scarlet Thread
- 7 These Birds
- 8 Buster Moon
- 9 Clyde
- 10 Lamentation
- 11 I Need Sunflowers!
- 12 L'Inhumaine I
- 13 L'Inhumaine II
- 14 L'Inhumaine III
- 15 Ghost
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- JENNY MAGNUS: Songs From Shows (Dimwit Mandatory Observations of An Orchestrated Catastrophe)
- SUNSHINE FOR THE BLIND: See the River Rise
- RITT DEITZ: Upstream
- STEPHANIE REARICK: Democracy
- JIM SCHWALL: Getting Old
- MILKBABY: BottLe
- RITT DEITZ: After The Mountains
- RITT DEITZ: Collected (1999-2000)
- STEPHANIE REARICK: Star Belly
- PASCAL: Hello, My Name Is Pascal
- THE COMA SAVANTS: ç
- MILKBABY: Greetings From The North Mission
- THE COMA SAVANTS: Coma Savant
- STEPHANIE REARICK: The Long Picnic
- YID VICIOUS: Forverts!
- MILKBABY: sTRangE JukeBoX: Live at Mother Fool's
- JACK THE DOG: Missa Canibus
- VARIOUS ARTISTS: Under the Sun: Music of Madison's Outdoor Summer Festivals
- YID VICIOUS: Klez, Kez, Goy Mit Fez
- YOUR MOM SRO: Lizards & Stars
- VARIOUS ARTISTS: Live at Mother Fools
- YOUR MOM (SRO): The Royal Jelly
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notes
Stephanie Rearick is a pianist, vocalist, songwriter, sometimes trumpeter. She is one of the founding members of Madison, Wisconsin rock outfit The Coma Savants (formerly Your Mom SRO). She also regularly performs solo.
Rearick's style is pop-ish, classically-influenced art music sometimes tinged with cabaret. Her work with the Coma Savants is more rock and roll, while her solo work focuses more on sensitive and skillful instrumentation.
The Bucket Rider is self-recorded and produced, and showcases Rearick's newer solo work and some pieces from a soundtrack she was commissioned to write and perform for the 1924 silent French film L'Inhumaine.
"As much an art-music disc as it is a pop recording, The Bucket Rider moves from aggressively modernist fare like the evocatively sung "My Lizard" to Brecht-Weill-inspired work like the woozy title track. Throughout, Rearick's trilling pipes and sophisticated digits piece out some very sophisticated music." -- Isthmus