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Richard Poole : Terrain
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Solo piano improvisation straddling classical and jazz genres.
Genre: Jazz: Free Jazz
Release Date: 2003
Terrain
Richard Poole
Record Label: Mac Records
  • Buy CD - $12.97
  • Download Album (MP3) - $9.99

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Preview Song Name Time Buy
1. Terrain 9:11 + MP3 $0.99
2. Forever Roses 2:07 + MP3 $0.99
3. Blue Sky Shuffle 7:04 + MP3 $0.99
4. Miami 2:19 + MP3 $0.99
5. Miami 1:39 + MP3 $0.99
6. Going Home Song 5:09 + MP3 $0.99
7. Imagination 2:35 + MP3 $0.99
8. Boston Common 1:51 + MP3 $0.99
9. Improv On Georgia 3:03 + MP3 $0.99
10. Escape to Maine 2:23 + MP3 $0.99
11. Softly As in a Morning Sunrise 2:56 + MP3 $0.99
12. Escape From Maine 1:41 + MP3 $0.99
13. Nancy May 2:46 + MP3 $0.99
14. When Sunny Gets Blue 1:19 + MP3 $0.99
15. Yankee Waltz 1:45 + MP3 $0.99
16. Intro to Yankee Waltz 2:07 + MP3 $0.99
17. Early Joco 1:58 + MP3 $0.99
18. West Village Blues 1:58 + MP3 $0.99
19. When Sunny Gets Blue-improv 1:14 + MP3 $0.99
20. Summerland 2:07 + MP3 $0.99
21. Do Nothin Til You Hear From Me 1:57 + MP3 $0.99
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Album Notes

Richard Poole is a composer, percussionist, pianist and improviser. He has played for 50 years in all combinations of ensembles and styles.


Terrain was designed to relax people. It is a way of presenting music in a calm matter using the solo piano as a spiritual vehicle.

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REVIEWS

Boundaries of jazz are explored and demolished with this solo piano disc
author: John Book, Music For America
                            
Drummer Richard Poole is not just a drummer, but he is a pianist in his own right. A few years after the Opposite Voyage sessions were recorded, he went into the same studio to record a 21-song album with nothing but solo piano. Terrain (Music Artists Co.) is exactly that, a musician carving out a place for himself and making a statement by saying "this is my place, this is what I'm about". The 9-minute title track is an exhausting and exciting vacation into his "Terrain", and from that point on, each song flow into each other one after the other. Not seamlessly, but there's a steady flow of consciousness that gives the album some continuity. Some of the pieces are very jazzy and one could imagine hearing them in a huge concert hall. Or as is the case with his cover of Duke Ellington's "Do Nothin' Til You Hear From Me", you could easily picture yourself in a bar with a pocket full of smokes, waiting anxiously for that special someone to walk in and take you into her spell for the night. It can be bluesy, while other songs seem to have slight classical touches. It's not always straight-forward playing, he allows himself to play in time and with time, which is not unlike some of his drumming in the trio CD. Here, he is in full control of his music, without having to worry about the structure of the song. Poole is creating his own structure and boundaries, like some of the jazz piano greats.
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