Critic’s Picks of the Week
author: LA Weekly
LA Weekly
Calendar: Critic’s Picks of the Week
NOVEMBER 21
Rich McCulley at Taix Lounge.
Most troubadours mine years of L.A. life for songwriting material, but this Nashville/Frisco transplant sings from Year One of being the new Telecaster-slinging shitkicker in town who walks a lonely heartbroken road. (The agoraphobic cover of McCulley’s third self-release, Far From My Angel, shows him in an empty room staring through the blinds at the city outside -— yup, haven’t we all been there?) A versatile multi-instrumentalist, McCulley will be in full-band mode for the last two weeks of a well-received residency and will Vibro-Lux his way though originals like “Hope Your Happy,” “Stumbling To Start” and “8 Years Ago Today” that weep and sting like the best of John Hiatt or Robbie Fulks. And if you’re reeeeeal good, you might get a nifty slop-twang read of the Replacements’ “Can’t Hardly Wait.” (Matthew Duersten)
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This album is worth hearing
author: Shake Magazine-Nashville, TN
CD Reviews
“For an idea of where he is coming from: Paul Westerberg, Ryan Adams, John Doe, Chuck Prophet, Wilco, Dave Alvin, etc. “8 Years Ago Today” (written with Duane Jarvis) offers a nice slice of alt. country. This whole album delivers a jangling brand of pop-rock worth hearing. -Marji Chess
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he has made one hell of an album!
author: Rootstime
"Suspicion. Deceit. Infidelity. Heartbreak. Love found turns to love lost. Ten years..... gone. Women can be such devils."
The undersigned knows all about this and apparently Rich McCulley doesn't have very many good experiences with the opposite sex either, but his heavens, just like mine, seem to be clearing. Having moved from San Francisco to Los Angeles (Where else can you go and sit on the beach ... in January, play an acoustic guitar and watch women?), tumble into the studio with around 20 good numbers and finally leave it with around twelve great ones, in co-write with, amongst others, Duane Jarvis, Todd Herfindal, Max Butler and last not least..... be totally unremovable from the sales charts at the authoritative Miles of Music. You'd do it all for a lesser victory. The man at one time was involved with the country rockers of Big Blue Harts (during their Geffen Period, see review BBH) and in 2000 he released the album "After the Moment Has Past" followed by "IF Faith Doesn't Matter" (2003). Two self-released/penned albums that put multi-instrumentalist McCulley (guitar, bass, mandolin, harp, piano, lap steel) in the spot lights. Original rock 'n roots - pop songs with "a great rock and roll voice". Shows with Bob Delavante, Duane Jarvis, support slots for Wayne 'the train' Hancock, David Olney, James McMurtry, Chris Duarte all ensured that a line of prominent musicians (Steve Bowman, Rob Beton and some members of Hootie & The Blowfish) came with him to his own recording studio. The result is a "First Word" that runneth over from frustration into a "last goodbye". No hard feelings because with "I Hope You're Happy Now, it's too Late to Be Sorry Now" en "Forget Me" he draws a clear line under the past with some heavy rocking. He uses the misleading title "This Ain't A Song" (it's a gem) to switch over the bluesy funky sound of "Follow Me Down" with a wonderful Hammond B3 sound by Gary Skaggs who does leave his imprint on most of the songs of the album. Title song "Far From My Angel", "Stumbling To Start" and the wonderful harp playing in the rootsy/poppy "Waterfall" allow McCulley to shine as his own true self, great songwriting with a hint of Peter Droge, Elvis Costello, Paul Westerberg, Tom Petty. The alt.country of "8 Years Ago Today" (that he wrote together with Duane Jarvis - who shows he can play some dobro), the humour, the apologies for the always forgotten birthday of his love ("Happy Birthday Baby") with Teri Untalan on the violin bring Rich McCulley (who does seem to have some feelings for the Robber Barons) where he needs to be ... "I Am Free, I Feel Fine". Free as a bird, he doesn't hide any of it "I want the truth, ugly as it may be. Give me a story, not the big special effects", he might have lost his heart in San Francisco, he can clearly be happy, he has made one hell of an album! (SWA)
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McCulley is not only a moving, demonstrative vocalist and articulate, compelling
author: Nashville City Paper-Ronn Wynn
Nashville City Paper-Nashville, TN - Friday, July 01, 2005
West Coast performer makes return visit to Nashville
McCulley is not only a moving, demonstrative vocalist and articulate, compelling writer, he's also an accomplished multi-instrumentalist...His songs range from lighter, satiric numbers to surging rock-tinged pieces and country-influenced numbers, while his raspy, distinctive lead is both immediately recognizable and consistently engaging. - Ronn Wynn
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