Very Beautiful!
author: Dean
This CD is very beautiful. Rebecca always seems to have beautiful and catching melodies. While listening to Solo Piano Radio, I heard one of her songs, and I knew that I heard a song I must hear again. My favorites on her CD, are Upsream, Memories of First Love, and Waiting. Her songs have emotion that helps me capture her love for music and the great expression of it through the piano. I hope to hear more of her CD's.
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Upstream is hauntingly beautiful
author: Terry Nelson
I recently discovered Whisperings Solo Piano Radio (solopianoradio.com). While listening there, a track was played that gave me Goose Bumps. It was so melodic and hauntingly beautiful. The track was Memories of First Love which appears on this CD. That track alone prompted my purchase and I was not disappointed. The entire CD is tender, thoughtful, and very moving. A nice way to relax and and unwind!
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Thoughtful and moving composition that will fill you with pathos
author: Jo Suzuki
I heard the Upstream track on Whisperings a few time. Then one morning, I woke up with the tune stuck on my head and had to find out the source of this impression. I went to Rebecca's site to sample other tracks and read her stories behind her music. I was immediately touched by them and decided to purchase the CD. I rarely respond to music in this way.
Her composition shows tenderness and delicacy, and has a remarkable story-telling quality. You can close your eyes [If you read her biographical sketch, you will know right away that she is blind.] and picture the scene that she portrays: you don't need to read the names of the tracks to guess what her pieces are representing. Her performance is precise, demonstrating her technical mastery. One thing that stood out to me was the deliberate pauses that she inserts in all her pieces. It shows that she is a deliberate, thoughtful person of deep emotion. A quality not come out of easy life of success, but born out of seasoned pathos. I enjoy her music very much.
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Her best album yet!
author: Kathy Parsons
“Upstream” is Rebecca Kragnes’ fourth solo piano album to date, and this artist just keeps getting better. It has been a turbulent three years since Kragnes’ last recording, and the music from this new collection is sort of a musical journal, expressing and reflecting on many of the events of that period, giving them a mostly upbeat and positive spin. Kragnes has a very gentle and delicate playing style with most of her music, and quite a bit of it is played on the upper half of the piano, creating a lighthearted and sunny mood. David Lanz returns as Executive Producer, and his influence can be detected but isn’t obvious.
The opening track, “Time Piece,” is an interesting variation on the Westminster Chimes played on a clock given to the artist by her husband. That familiar little tune starts the piece, and then Kragnes develops it into a sweet composition that is light and airy. The only cover piece is Seal’s “Kiss From a Rose,” one of Kragnes’ favorite pop tunes from the ‘90s, and a lovely arrangement. “Facing the Music” is somewhat darker, and was written while reflecting on the shooting death of a young member of her church by gang members and how things that used to be other people’s concerns can affect us personally. “Memories of First Love” is also very reflective and gentle with a warm and loving mood - one of my favorites on this album. “God Bless The World” is a hymn asking God to bless the whole world rather than specific areas. Lyrics could fit very well, as the piece is very much an anthem. The title track was composed during the recovery period after being hit by a car and working her way through the pain in her shoulder. It is a joyful piece now, having finally arrived “upstream” - another favorite. I also really like “Winds of Change,” which has an infectious energy and a slightly mysterious feeling. Bigger and more powerful than most of the other tracks, this piece has a real passion about it. “Humor” is a dancing celebration of the healing power of laughter. Light and breezy, this is joy set to music. My favorite piece on this album is the closing track, “Calling,” which is a duet for piano and flute. Michael Malver’s flute brings an incredible emotional depth to this gorgeous piece, which was based on the “song” of church bells and was composed in a “call and response” style. The purity of this piece is stunning, and this is probably my favorite of all of Kragnes’ compositions so far.
“Upstream” was well worth the wait between albums! Recommended.
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