Rasta Resiste
Roots Natty
© Copyright-Max Rivera
(837101289986)
Record Label: Roots Natty Records
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1. Nyabinghi Chant |
4:20 |
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2. Jah Rastafari |
5:02 |
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3. Confusion |
4:54 |
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4. Reggae is a Music |
3:19 |
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5. Rasta Resiste |
4:20 |
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6. People Coming On |
4:38 |
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7. Mental Dread |
3:05 |
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8. Unemployment |
3:20 |
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9. Global Warming |
4:30 |
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10. Zion, Zion, Zion |
3:42 |
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11. Dub Resiste |
4:17 |
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12. People Coming On (Dub Vocal) |
4:48 |
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13. Itation Dub |
7:44 |
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I Max Rivera now known as Roots Natty, since at a young age I was always fascinated with music and arts. Always had a guitar around me but I never took it too seriously until later on when music became a mission. As a teenager; some neighborhood friends and me made a band by the name of: Revelation, inspired by Christian faith, the band did not last long after the first show.
Growing up and interested in other things like sports and latter on surfing, music was put aside for a while. After graduating from high school and going to Costa Rica on a surf trip that summer I went to the university to study graphic arts and after a year of study I had to go again to Costa Rica; but this time to move and live there. It was there in Costa Rica that I was exposed to nature's wonders, culture, reggae music and more significantly Rastafari. Just like the parable of the prodigal son, one day I was in the street with no where to stay, then I met a rastaman from Nicaragua; Raul Davis which gave me my first teachings about Rastafari and that had a deep influence in my life.
After some trips back and forth to Puerto Rico I had decided to stay and live in Costa Rica in the Caribbean side in the small village named Cahuita. I survived there painting t-shirts and signs for restaurants, the t-shirts had the trade name of: Roots Natty. At nights Rasta's from the village would gather and chant songs and play drums and other hand made percussive instruments. That's when music became a mission for me and I packed my bags to come to Puerto Rico again to buy instruments and form a reggae band.
Back in Puerto Rico in 1995 I met with others that had the same vision as me: play reggae music. So we started rehearsing and the band took the name of: Roots Natty just like the t-shirts so one thing will promote the other and so on. The first show was self produced as many other shows thru the years. The first show was on a September 23rd, 1995 with a small crowd of friends but; that crowd build up slowly thru the years for the band to become one of the bands with the highest crowd pull. Some shows had crowds from a 1,000 to 2,000 followers.
In 1996 Roots Natty had the chance to make the first opening act for a popular reggae band from Jamaica; the Black Uhuru. That show help the band get some promotion and recognition. After that show the band continued playing allover the island and especially in the west coast where I have the largest following of fans.
1997 had even a bigger challenge for Roots Natty: the opening act for the first show of The Gladiators in Puerto Rico. The band rehearsed hard for months to open the show and it paid off in the performance that night sharing the stage with The Gladiators. The next year I continued writing my own lyrics and practicing a lot. In February 6, 1998 Roots Natty produced a show to celebrate Bob Marley's birthday inviting Jamaican reggae artist; Pablo Moses to the island for the first time. It was a "tuff" test organizing a show of that magnitude but thanks to the enthusiasm of the group involved in the production it was a success. That same year had another important show for Roots Natty; the "Reggae fest ina the west" with most of the reggae bands from the island and Jamaican reggae artist Eek-a-Mouse. Roots Natty that night had something special for the crowd the show was a compressed set of original songs mix with dubs that blew off minds.
During the year 1999 Roots Natty had a significant grow in popularity doing radio and television interviews. That year the band played two beach concerts for the series of summer beach festivals sponsored by La Mega radio station. After four years of struggle and hard work members of the band left Roots Natty to continue other projects of their own, I was left alone with the mission to continue Jah musical works. It was never easy, and still today is not. Recording was the goal to achieve all this years so nothing could stop this to become a reality.
What always seemed so far finally came true during the year 2000 and in a blessed way that I never imagined. Going to Jamaica was always a goal for me and I finally got there not only to visit but also to make my first album with some of my favorite musicians. Working with Earl "Chinna" Smith, as producer was a blessing, the whole process was guided by years experience and professionalism. The experience was great and the results; just listen to the recording! Mr. Errol Brown at the board had everything under control and the musicians did a great work. I give thanks and praises for this experience that helped me grow personally and musically.
For the rest of the year 2000 it have been busy with the executive production of the album, the graphic design of the album and putting a band together to be ready to hit the road once the album is released. And now in the 2001 Roots Natty is ready to release the album on it's own independent label ROOTS NATTY RECORDS this September 2001. Roots Natty is already playing shows as guest artist with the legendary Zioniers band and Jah Trinity band, stay tuned to Roots Natty for future events.
In 2002 Roots Natty toured the US West Coast playing major festivals like the Monterey Bay Reggae Fest, Renegade Festival, Fairfax World Music Fest and the Bend Fall Festival in Oregon. The tour was a major success playing nine dates in all including clubs in the bay area.
2003 has marked a new era for Roots Natty as the pre-production of the next album has started on our own studio facilities here in Puerto Rico, wait for the release in 2004.
So Roots Natty goes on with the mission of carrying the message and the roots reggae music that the legends live fighting for.
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HARD CORE ROOTS OUTTA PUERTO RICO!
author: Ryan Mystik
Reminiscent of classic 70's, 80's style roots. Heavy drum and bass, killer riddims, and heartfelt, conscious lyrics!Dub tracks to close are an IRIE touch!
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very good, would like to hear more in the future, good luck!
author: stephen gonzalez
being of latin origin, I was very pleased with the latin lyrics incorporated in the raggae style! interesting twist
never heard it before, this will appeal to your latin base,
music should be all inclusive. good luck!
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